This debut was worth waiting for. Cyhi The Prynce has spent a long time working on his craft and it is clear on this release.
The production is fantastic with a lot of backings that don’t overpower the artists on the tracks. Each fits the tone of the songs as well as being a strong atmosphere for the message being sent. Some more offerings with more of a club feel could give more for the general populace, but may not be in keeping with the project that Cyhi is trying to put out.
The lyricism is exceptional with Cyhi showing the talent that made the industry sit up and take notice. His lyrics are full of clever references and other great lyrical devices that embellish his storytelling with plenty of description. Possibly some more changes in flow could show a little more of what Cyhi is capable of, but his delivery is incredible on these tracks regardless.
The features are good and help to stop one voice becoming monotonous. Each shows their own skills while having great chemistry with Cyhi. There is a good range of different guests on here and it will be interesting to see who he chooses to work with in the future.
Overall, this is a very interesting listen with many thought provoking moments, The only issue is that the songs are possibly too long and can make a full listen through a bit of a struggle but Cyhi The Prynce has a great debut here and deserves a try from everyone.
This release shows that both artists and lyrically talented, but the theme of the album is never truly explored. Both artists have come a long way from their roots, but show they have never forgotten where they came from and how they have grown.
The production is great with the help of some of the friends they have picked up on the way. Every beat works very well to create the atmosphere needed to enhance the message of the songs. With the variation of messages possibly throwing off the cohesiveness of this project overall, the backings really help with the songs individually.
The lyricism is obviously incredible. Both Fabolous and Jadakiss are known for their wordplay and flow, and they both exploit those facts to cement their work here. However the title of this album does not carry throughout the project and detracts from what listeners think the album is about.
The features help throw something different in the mix but it does not always feel natural. While some are amazing and really click together, a few sound like they don’t really have the same level of chemistry. On the other hand, on a full listen through, the album plays great with the fresh voices.
Overall, this is a great release, even if it is not exactly what it is described to be. Fabolous and Jadakiss might not be so well known to the newer generation, but their skills are sharp as ever.
This release has a lot of elements of a Wu-Tang Clan album, but lacks a certain cohesion to fill out all the criteria. This album feels a little unbalanced and is gratefully accepted as almost a tribute to the group, rather than an official effort.
The production is classic Wu-Tang. There is plenty of haunting backings that reflect the groups starting point and how they have kept their flavor. There are a few more modern beats that never sound like a perfect fit, but do help show that the collective is trying to keep up with modern times.
The lyricism is solid from everyone, but only a few really shine out. No one does a bad job, but a few of them don’t perform at their finest and the rest have to pick up the slack. While you couldn’t pick out anyone performing terribly, but only a small percentage performs well.
Overall, with the features performing along the same lines as the legendary group, this release is a little too long. Maybe if it was a little more cohesive, it could have flowed a little easier and made this a little easier to listen to.
This release is great for both artists as they have crafted a project that plays to both their strengths. Slaine and Termanology perform to their strengths and it pays off.
The production is amazing with contributions from some top producers that go with the darker themes. With the old school scratching fitting with the veterans, helping to showcase how long they have been in the game, there is a high level of cohesion throughout the album as well. Something a little lighter could have created a more complete image of the artists, but they have spent much of their careers in the dark side of rap and it only makes sense with the way this album heads that they stay there.
The lyricism is great and both artists come off well with their own styles. Both are very individual with their flows as well as complex rhyme schemes that make this extremely entertaining. There is a lot of vulgarity used in a lot of these songs that will make this inaccessible to a lot of listeners, but the two artists have never been known to bend for the masses and shouldn’t do so now.
The features all help contribute to the cohesiveness of this album with their chemistry together. All of them show that they are also talented entertainers to the right audience and help make this album a success. Something further from their own strengths could add another dimension, but there is no doubting the selection here.
Overall, this is a great release for fans of both artists as well as anyone who enjoys the darker side of rap music. This might not be for everyone, but for those who do enjoy it, they will enjoy it immensely.
This project shows that veterans can make collaborative projects with more chemistry than a lot of new age rappers. The two featured artists here show not only their own skills, but how their friendship has stood the test of time,
The production on this is great with a few different atmospheres and a song for everyone. With the collection of different content here and variations in pace, the cohesion stays high and makes listening easy. The inclusion of a few acapella offerings shows a more diverse talent too.
The lyricism is clever with the two artists having such different styles that blend together well. Both have some clever lyricism and show how diversified their delivery can be. Krayzie Bone adds an extra edge with his singing ability while Young Noble has the additional dimension from his level of aggression.
Overall, with the only feature giving a speech rather than contributing to a song, this is a great release of throwback music. Both the artists should carry this momentum and continue to show newer rappers how to keep it authentic.
This is a strong showing of why you can’t think any member of the Wu-Tang Clan is not talented. Masta Killa may not be the most well known member of the collective, but he can still make high quality music.
The production is a throwback to the nineties with its haunting and darker sounds than a lot of modern beats. While it can seem like some of the backings can be confused for each other, they all create the right atmosphere for the track they are part of. Maybe something with more of a modern feel could help bring Masta Killa an edge for the newer audience, but the selection here works excellently for the project.
The lyricism is great with the rhymes full of passion and clever lyrical devices to increase the level of description. The delivery helps with the skill and dexterity needed to make it sound so effortless. Some changes in flow might help show a little more flexibility but the bars in this show that Masta Killa is still hungry to make quality music.
The features do a great job of fleshing out this release and showing not only that the Clan is still strong, but also some of the other connections that Masta Killa has made. Each of the features shows why they are talented while keeping a high level of consistency for the project overall. Something a little further from the Hip Hop field might make a few more interesting moments, but there is no doubting the star power of the guests here.
Overall, this release has some great messages as well as a lot of enjoyability. Masta Killa has done a great job curating this album and hopefully it gets the recognition is deserves.
This release adds another strong showing to an already great mixtape catalog. Kevin Gates doesn’t let being behind bars slow him down as he puts out more solid music.
The production is good as the highs and lows explored on the project are mimicked in the beats. Each creates an effective atmosphere for the message of the song and really help with the cohesiveness. Maybe something with some more real instruments would have made another interesting moment, but the selection here works very well.
The lyricism strong with Gates using a lot of different devices used to great effect. The delivery of the lines is another asset that helps lift this to another level. There are no issues with the performance here.
Overall, with the decision to have only one feature to help add some more singing, Gates shows a complete range of skills. Maybe when he is released he can keep this momentum going.