This album is full of great production and plenty of lyrical displays to make a fantastic album. All parties involved in this album should be proud of thier work.
The production is full of noises and sounds that make the beats seem wierd but work very smoothly with the lyrics and performances. Each is individual and there is very little chance of mixing up which track is which. There are no problems with what has been produced here.
The lyricism is relatively fast paced while using a variety of different techniques to make the words interesting. Each of the artists do a good job of mixing different types of wordplay into thier rhymes to make what they are rapping have more impact and creativity. Maybe some changes in performance and delivery could enhance the album slightly but there are definately no gaping holes for improvement.
The features do a good job of giving more depth to the project. The deeper bench brings more flavour and opinions that helps push the main artists to further greatness. Some more guests further from Hip Hop could make a few more exhilarating moments but there are definately no issues with the selection.
Overall, this album is enjoyable to listen to as it is quirky and does not follow the recipe for mainstream success. That being said, it needs people to listen to it for the artists to become better known and receive the recognition they deserve.
This is a very enjoyable album with a good mixture of great production and complex lyricism. Both members of Blackalicious have done a great job on thier fields which combined with thier chemistry to make a really stand out project.
The production is fantastic and captures the tone of the content perfectly. Each of the beats is individual and does not run into any other. At the end of some somgs, there are powerful skits to add a stronger message to the tracks. There are no issues with the backing on here, but it would be interesting to see what Gab would do over different beats.
The lyricism s complex and fast paced to make very entertaining rhymes. Gab does a fantastic job of wrapping clever and witty ideas around intense wordplay to make songs with an important message that are hugely entertaining. There are no issues with this lyrical display and it has been shown to stand the test of time from previous projects.
The features do a good job of adding more depth to the album. Each does a good job on the track they are on while enhancing the Blackalicious vibe. Maybe some more varied guests could widen thier audiance, but the chemistry on this works very well.
Overall, this is a great album that will have listeners wanting the next two installments to come out sooner than planned. Both members of Blackalicious should continue to keep working with the ideas that mad ethis to keep thier success going.
This album is a fantastic merge of Hip Hop and the usage of real instruments. It all sounds so authentic without machines that it is a joy to listen to.
The production is fantastic as it mostly comes across as light hearted and when combined with the lyrical content, blends extremely well together for an album that so many people can enjoy. It will be interesting to see what direction Wax chooses to go with this as this is so cohesive.
The lyrics are great as Wax uses not only his different flow and varied techniques but his singing to add an extra dimension. The best part is that it is not autotuned singing, it shows actual talent and holds his own voice for the whole project. His rhymes are also complex to widen his audiance to the rap purists. There are no problems with how this project has gone.
The features are great as they show that Wax can work well with others. Each brings thier passion to the tracks while showcasing thier own abilities. Maybe some bigger names could bring this to a more mainstream audiance, but that does not appear to be the point of this album.
Overall, Wax has crafted an album that has humour, story telling and emotions while keeping his rhymes crisp and singing for success. Wax should be very happy with how this has turned out as it can only raise his profile.
This is a great album for fans of both trap music and of lyricism. Dave East fuses the two to create an album that treads already worn ground but in creative ways.
The production is good as it gives a lot of room for East to explore content while driving the project forward. The beats are diverse enough for each track to be individual but fit together with the theme of the album. Maybe some more mainstream beats to allow for more mainstream appeal but it would be unseemly for Dave East to sell out to become more famous. It would go against what he says on this album.
The lyricism is great with plenty of techniques peppering every track. Dave puts a lot of effort into his rhymes which shows in the imagery and story telling elements. There are no real issues with what Dave East does on this project and you should expect to see more great things from him in the future.
The features are great and add a lot of cohesiveness to this project. Each brings a lot to the table and shows that Dave East has a lot of very talented friends in Hip Hop circles who all appear to have good chemistry with him. A few more singing guests could make some more interesting moments, but each of the people on this do great work.
Overall, this album is very enjoyable and shows that lyricism is staging a great comback after a while ofdummied down rap. Dave East should continue to crank out music liek this.
This album is good if you like the highly energized rap music that pumps out of mainstream radio these days. If you prefer something deeper or more lyrical, there are other options out there for you.
The production is good with plenty of different types of energetic beats, but there are no slow moments. This works fine for the basis of this album as it is DJ led, but should be avoided elsewhere. A few more diverse backings could do well to show that DJ Khaled does not follow a formula, but the concept of this album works for his purpose.
The features all do a good enough job to make the songs enjoyable but there is not a lot of substance. Each guest puts effort into thier verses, but with the same people recurring multiple times doing the same thing, can become stale. Maybe some more variation in guest selection could create some more interesting moments, but at least the songs are not totally boring.
Overall, you will probably like a few songs on this but a full listen through may not be as entertaining to everyone as it might seem. DJ Khaled does show that he can still put together a project however.
This album is a great show for a lot of people to enjoy with humour as well as bars. Prof blends a lot of different types of rap music together to make a universal project.
The production is something to adjust to, but it is great when you get used to it. At first it is jarring, but actually it works very well with Prof’s flow as well as his quirkyness. Maybe some more beats that appeal to the masses could help bring Prof to the mainstream audiance, but he works well with what he has selected.
The lyricism is good with a lot of performance to enhance what he is saying. Prof uses a range of different techniques to make his lyrics land harder as well as showing his flow and delivery as superior to a lot of todays rappers. There are no issues with his rapping sao far, but it will be interesting to see where he heads with his rhymes next.
The features all do a good job of being comparison points for Prof and he does not slouch when compared. Each guest puts in a lot of effort and helps make the project more cohesive. Some more features could make Prof push himself a bit further but there are no problems with the poeple on this project.
Overall, this is a very enjoyable project from a rapper who brings a fresh creative perspective to the rap game. Prof has done well to craft this and he should carry this forward.
This project is a bit of a rehash of previous work, but MGK approaches in enough new ways with fresh energy to make new tracks. There are some that seem very similar but there are just enough differences to make it passable.
The production is heavily rock based with HipHop elements thrown in. This causes a lot of great backing moments and a fresh influence for rap to come back to. Rock has always had a part in Hip Hop, but has always been hit and miss. MGK does make a good job with the beats, but may want to look for other influences in the future.
The lyricism is fast paced and hard hitting with a lot of emotional content. MGK really packs the rhymes with passion and meaning while using a variety of techniques to add impact. He may want to look at exploring new areas however as he tends to lean on the same things to rap about.
The features are good as they break up the verbel punching from MGK while allowing others to show thier skill. Each puts in a lot of effort and helps to increase the cohesiveness of the project. However some more rappers to push MGK to new hieghts would be welcome.
Overall, this is an enjoyable album if you enjoy emotional and sometimes painful journeys through another mans mind. MGK has explored his deeper self and may want to start looking elsewhere.
This album is full of great personnal stories that are fantastic if you have been following or are looking to follow Joe Budden as an artist. If that is not the case, then this is not the album for you as it does not contain a lot of universal songs.
The production is interesting as it is deep with a lot of space for Budden to tell his story. While they would hold thier own weight, the story telling that Budden does over the top rteally makes the tracks, even if he sounds uncomfortable over some of them. Maybe some more energetic tracks could show that he can still appeal to the mainstream, but otherwise this is a very small audiance to be aiming at.
The lyricism is obviously fantastic while combining in the story telling element. Being one quarter of the greatest groups Hip Hop has seen, he shows he knows his way around a rhyme and litters this project with not only emotional content, but creative ways of getting it across. He may want to look at how he comes across over a beat, but as he grew up freestyling this is somewhat explained. maybe somthing to look at in the future however.
The features all help take care of the hooks as Joe knows he is not the best at this part of song making. Each puts in a lot of passion to help build the cohesiveness of the project, as Budden puts so much of himself in his music. Maybve some features from other genres would help with the chorus and add another edge to the songs.
Overall, this is an enjoyable album if you understand where Joe Budden has come from and how his songs work. If not, then you may want to familiarise youself with his previous work to prepare for this.
This album is the second disc of his release last week and it continues the standard of greatness. There is at least a few tracks for every Hip Hop listener and they are done very well.
The production is good and keeps his west coast feel well and truly alive. Each song may have the diversity to keep its individuality, but it definately has that west influence through all of it. There are no issues with the backings on this as he covers every aspect of Hip Hop with it.
The lyricism is good and shows he is still improving upon his previous performances. The way he moves within the beats shows great talent as Game has shown every step of his discography. There is little to improve on here, but maybe some radio friendly songs to appeal to the mainstream.
The features all help flesh this out and, while they all put in a lot of effort, show that Game is one of the best out there. Each guest shows that they have some talent and that they can put passion into thier work, but few come close to the main artist. There are no issues with his selection however because each helps make the project more cohesive.
Overall, this album is a fantastic continuation of his previous work that shows Game is not missing a step. If Game can keep this up, then he will truly be one of the greats.
This project is great for lovers of lyricists as well as those of emotionally charged bars. Mark Battles has put together a special album that will appeal to a lot of audiances.
The production is kept to the background and allows Battles to be the centre of attention. Each is diverse and flows easily without becoming a mess and has lots of scope for content. There are no real issues with his selection here, but he may want to try some different types of background in the future.
The lyricism is fantastic. Complex rhymes while making coherant sense run rampant in this and pump life back into the dying world of lyricism. Mark Battles is breathing life back into a dying art and he is doing a great job.
The features help break up the project somewhat, while helping to make the album cohesive as well. Each does a good job bolstering the tracks they are on so that they accentuate Battles skills as well as thier own. Some guests with more mainstream appeal would bring Mark to a bigger audiance.
Overall, this is a great album for Hip Hop lovers as well as pure lyricists. Mark has crafted a personal and entertaining project that everyone should be able to enjoy.