While this is almost a deluxe release of 50 Cent’s previous mixtape, the choice to include work from Young Buck and Lloyd Banks does add another dimension to the project. An odd choice but not necessarily a bad one.
The production is good with plenty of the gritty sounds that made 50 a success in the first place. The additional tracks all have the signature patterns that built up Young Buck and Lloyd Banks in the first place. All together this helps to make a cohesive project that could have done with a touch more refinement.
The lyricism is good with 50 returning to his grittier roots while keeping the angle of having too much money. The other main artists step up their delivery and complexity to show what they are capable of off the back of this tape. Some more changes in flow could create some more interesting moments, but what they rhyme on this is still great to listen to.
The features all help to make this more cohesive as a project by adding more voices to the view points. Each has a good verse that actually helps to show how G-Unit can work with newer talent as well as each other. Some more singers could help give more variety on this project but 50 takes the brunt of this talent himself with his ability on the hooks.
Overall, this project is definitely made up of three acts. there is 50 cents original Kanan Tape, followed by Young Bucks showing, finished with Lloyd Banks lyrical ability. The next G-Unit project will have all the members on it and they will all show ability like this.