This album shows that Hopsin has a lot of technical ability but it would be nice to see him exploring more content. The whole album is based around one awful event but there is only so many times the listener can hear about it, despite how many different ways it is approached.
The production is amazing with plenty of energy and a variety of tempos to try and stop things becoming uninteresting. With the variation helping to stop things being completely stale, there is not a lot more that the beats could do to improve this project. On the other hand, this is full of classic Hopsin style beats and it would be nice to see him try something further from his comfort zone.
The lyricism is amazing with the multi syllable schemes doing a lot of the heavy lifting. The wordplay is also great and does lend quite a lot to the descriptive power of the story telling. The main issue is with content because, with all the different ways he approaches it, it can become repetitive and take from the impact of each track.
The features do add a little to the tracks they are on, but not enough to add to the album as a whole. Each does a good job of showing their own skill and assisting their own song, but not particularly helping with the overall narrative. Maybe a few more guests could bring a little more cohesiveness to the release.
Overall, this is a good album, but it isn’t great as it is missing a few distinct elements, namely songs for everyone to enjoy and not one song several different ways. Hopefully with some of his drama behind him, Hopsin can focus on new ventures and try to stay away form the past.