This is a very appealing shoe to wear out as it is iconic and eye catching. The different layers of the shoe wrapped around make for a great canvas for colours and different design elements.
The upper is made from softer material to allow for more comfort and different textures. The chunky midsole is great because there is plenty of cushioning as well as some support for the foot. The accents around the lace loops at the top are a distinct touch for the shoe and help identify it as a piece of basketball history.
The outsole is good because it gets plenty of traction while, like the midsole, has plenty of protection for the foot. The heel clip helps hold the shoe together while supporting a rubber grip that sticks up over the top to grab and assist putting the shoe on, which can be a struggle sometimes.
Overall, this is a great shoe for wearing around as it will catch a lot of eyes. However, it can be ill fitting because the upper is not so flexible to fit with the foot. A successful piece of footwear from the basketball legend.
This is a strong release from King Magnetic with a lot of replay ability. There is plenty of aggression and energy to help make this an entertaining listen.
The production is great with a lot of easy listening combined with haunting sounds to help punctuate King Magnetic’s messages. The beats flow together very well and help make this a cohesive full listen through. Maybe something a little more pop based could bring in a few more listeners, however King Magnetic knows who his music is aimed at at works well for that demographic.
The lyricism is good, but not fantastic. King Magnetic has a strong delivery that helps boost the impact of his wordplay, but a lot of the punch lands in the themes in the music. There is a chance that some more complex wordplay would help boost the level of detail, but might have lost the impact of the message.
The features are a good selection as they sound like they have chemistry with King Magnetic which always translates into better songs. Each has a style that compliments Magnetics own and helps make better verses for everyone. Maybe some singers could give a little more depth, but this is a great selection of guests.
Overall, this is a rock solid release that is a good addition to King Magnetic’s catalogue. With some aggressive songs and a few softer ones, everyone should give this album a try and more will like it than they might expect.
This release is a smooth and thought provoking journey that has a lot of replay value. J Cole is a master at making cohesive albums and this one does not disappoint.
The production is simpler then most other releases out there, with less background noise to help show off the actual artist. Each beat still has good impact with the listener and is one of the reason a full listen through is no work at all.
The lyricism is strong, with J Cole using his flow and clever wordplay to tell the stories and educate in these songs. There is vivid imagery all the way through this project and the delivery is getting the words across to the listener rather than shouted at them, as the trends in rap might suggest.
Overall, with no features to cloud Cole’s performance. This will be another great release from another visionary artist that will reverberate with audiences for a long time.
This is a nice addition to G Herbo’s discography as it is personnal and passionate which resonates with the listener. More projects like this should be released, but with a touch more cohesiveness.
The production is strong with a lot of hard hitting notes punctuating the beats. There is a type of backing that G Herbo seems to lean towards but he works very well with it. Some variation wouldn’t go amiss to help make this feel more cohesive and not like more of the same, but there is still a solid entertainment factor.
The lyricism is good with a strong and aggressive delivery helping to make them even more enjoyable. The rhymes are clever but not so complex that they are not understood which is a great level of lyricism to be at. G Herbo could still tighten up his flow with the beats slightly, but he has a great performance here.
Overall, with the one feature helping show some level of chemistry with others in the hip hop world, this is good work from G Herbo. If he can show a bit more diversity with his beat selection and with his flow, he could make a real success out of next year.
This is a great project from a legendary group. Not only does it show that there is still a way to make unique sounding music, but it is the best farewell they could ever give to Phife Dawg, may he rest in peace.
The production is full of the jazz influences you would expect to hear from this group. They use the instruments to create great atmosphere throughout the project as well as affect the energy as it flows through the songs. There are some moments that are sudden changes but they are out there for effect and are not mistakes as they are part of how the project plays out.
The lyricism is great with each member who raps doing a great job of showing their signature flow with enjoyable rhymes to make tracks that are thought provoking and yet easy listening. maybe a few more changes between flows could make slightly more impact, but there are no weaknesses in the performances on this album.
The features are great as each shows off their own impressive skills while showing great chemistry with the group. All are uncredited on the album which means that on first listen through they are a surprise and are somewhat refreshing. This is a nice touch as there is a good balance between singers and rappers which leads to a smooth project on each listen through.
Overall, this is a great alternative project from what is popular in the mainstream and should help show people that rap is more than the generic pop tunes. Each member should be proud that they could make Phife Dawg’s last project as great as this.
This project is good, fun and energetic which is sometimes what the audience needs. There are a few emotional songs, but Montana remains in his comfort zone for the majority.
The production is very bouncy with a lot of club atmosphere as well as some street beats to help keep this mixtape fresh. With so much power behind the boards, there is a lot of drive pushing this project forward that the backings provide a lot of the entertainment here. The beat selection is great for the music that French Montana wants to make.
The lyricism is straight forward but is effective in places. The rhymes are not made to be the most lyrical and his shouting at the end of almost every line doesn’t help make this more interesting. He knows what his fans want, and supplies that, but doesnt push French doesn’t push himself to be better.
The features help to make this more cohesive and to break up the monotony of hearing French Montana shout. Each puts in good effort and their styles alleviate some more of the similarities between the songs. Some more singing could have added another dimension to this mixtape, but French Montana knows what his fans expect and there are some huge names on here to assist with that.
Overall, this is a good romp through what a formulaic hip hop hit sounds like, but it lacks a lot of substance. French Montana may want to evolve his content if he wants to have more longevity in his career.
This project is very entertaining and shows that Meek Mill still has a passion for rap despite all the beef he finds himself in. It is good to see he is better than just a target for any number of rappers.
The production is good with plenty going on in the background to support the lyrics. Each beat contains similar elements but are diverse enough that they are not too much alike. Some slower songs could help balance this mixtape out, but Mill has a strong selection to work with here.
The lyricism is good but is not fantastic. Meek Mill relies on his delivery a bit too much and his rhymes do suffer slightly because of it. While they are still clever, his lines need a bit more complexity to appeal to a wider audience.
The features are ok but many run in the same vein and have thier own weaknesses. There is a lot of autotune that doesn’t work great with the beats and Mill’s own style as well as many other shout rappers that sound similar to the main artist. Some more variation would go a long way on this project.
Overall, this is an enjoyable project because of the energy running through and the fun that comes from it, but it does have its pitfalls. Meek Mill shout take what is in this mixtape and refine it for a future album.