This album has his hit single, but then throws a bunch of similar sounding songs into the mix that bring very little desire at all to the project. Chedda needs ot show he can make more than one song.
The production is trap based which works well if combined with other types in a listen through. however while others manage to know when there is a point to change it up, Chedda keeps hammering away hoping it sounds different each time. The beats need to be more differentiated to be more effective.
The lyricism is repetitive and is simply treading already torn up ground. There is nothing new about what he is rapping about and he is not even putting a new spin on it. It comes across as he is not even trying to have longevity, but simply wants a pay check. He needs ot try harder if he wants to keep getting pay checks.
The features do a good job of breaking up the monotony of Chedda and his rhymes. Each tries harder than Chedda which is clear in the tracks and has an above average performance. Some features further away from the trap section of Hip Hop may have some more interesting results.
Overall, this is a poor album with one type of song that happened to be a hit. One good song does not a good album make.
This mixtape is not breaking any new ground at all and is a rehashing of everything we have already heard from Juicy J. He needs to break the formula if he wants to bring in new listeners.
The production is a lot of what we normally hear on a track from Juicy J and becomes stale very quickly. While there are some interesting sounds and some good beats in there, there is also a lot of similarities between them as well as what is on the market right now. A few attempts at trying something new to show that he can climb out of the rut he is stuck in could be great, however Juicy J seems caught in hat he already knows he can do.
The lyricism is straight forward and packed with an impactful delivery, but lacks any content that will stick with the listener. Juicy J can craft rhymes about a few things with some effectiveness but it is lacking in diversity which makes the tracks harder to listen through. A bit more variation could lead to more poeple being interested in the music on this project.
The features don’t bring a lot to the mixtape as some do great and others very little. The guestslater on in the project do a better job, but earlier they are very similar to Juicy J themselves. Maybe some guests who compliment rather than imitate could lead to more interesting moments.
Overall, this mixtape is fine if you want to hear more of what Juicy J can already make, but if you were expecting something new from him, you will be disappointed.
This album is a great comback for Boosie after his incarceration and after putting in work on other peoples projects. He takes all his effots growing as an artist and his connections made with other artists to craft an album with a great balance of fun, emotions and guests.
The production is excellent and works perfectly with each track’s message. The beats are all diverse and definately wont be confused with each other, while also staying true to the message of each track. Maybe mixing up the structure of the album to space out the emotional content could help to make a whole listen through easyier to digest but it is all still entertaining to hear a whole play through.
The lyricism is good and is improving still, but falls short of perfect. Boosie fills his song with wordplay and the lines that don’t have a rap technique in, he fills with passion and emotion so that it has a good amount of impact with the listener. He may want to try and add a touch more complex wordplay into a few more lines to pull in the lyrical purists.
The features all put in a good job assisting Boosie on the tracks. They each write great verses and put on fantastic performances that lead to great cohesion over the album. A lot of big names are involved in the credits and shows how far Boosie has come in his career.
Overall, this album has a lot of great points and with no obvious mis-steps, this is an easy album to listen to. It could still be a bit smoother and Boosie could still improve his lyricism, but there is no doubt that he has been able to craft one of the better albums of this year so far.
This mixtape does have some great vibes and atmospheres but there are also a few mis-steps that slow the project right down and can almost stop the entertainment altogether. Snootie needs to take that away and work on removing the slow downs.
The production is patchy and varies from track to track on how effective it is. On some songs, the beat is exactly what the song needs and on others it doesn’t fill the void and leaves the song feeling empty. Snootie should select beats with a bit more substance and that offer more of a base for him to build on.
The lyricism is alright but could certainly improve. Delivery and performance are what make the words land with the listener, but there is very little complexity within the wordplay. Snootie should work on making his lyrics smarter to draw in a wider audiance.
The features are alright but don’t always fit in with Snootie Wild’s style. Most bring good effort and enjoyable verses, but there is some laziness and it can bring the project down as a whole. Snootie may want to find some guests with a more competitive spirit to make more interesting tracks.
Overall, some of this project is exactly right and is very entertaining. However there are moments of bad decisions that bring the project down and make it less enjoyable.
This is a good showcase of how K Camp can use his talents to make generic content songs a bit more exciting. With his ability to add some singing, or at least a close substitute to, into the mix helps make a more interesting listen.
The production is good and is a good mixture of important features for a good listen. The beats are interesting enough to listen to , but also have spots where K Camp really stands out and can be heard. It makes for a more enjoyable listen and a good base for K Camp to build on.
The lyricism is there but is not a prominent point on the project. While there is some impressive wordplay the more important things are the combo of singing and rapping to make the generic content seem fresh and revitalised. K Camp’s performance and delivery on this is impressive but if some more wordplay were to be involved, the project would be improved somewhat.
The features on this project are also good and help K Camp improve his chemistry with others on the tracks. Each helps to contrast what K Camp brings to the table as well as shows the skills each of the features themselves has to offer.
Overall, this is an enjoyable listen and a good point for K Camp in his career. With his blend of deliveries and his ability to sound different from the rest of his rap generation, he should become more of a figure in Hip Hop than he is now.
This is not a good album. Each track is boring and only gets anyone’s attention by repetition of boring choruses that get stuck in the listeners head. The tracks are all very similar with generic content and it does not make for a good listen.
The production is heavy going and reverberate deep into the brain without being stimulating or enjoyable. All the tracks follow the same formula and if it wasn’t for Rick Ross shouting over the top of it, it wouldn’t twig anyone’s attention. In fact, it may be avoided in such high doses.
The lyricism is terrible. While Ross has the ability to rap, he does a terrible job at attracting any Hip Hop audience that may want to hear lyricism. That being said, he can paint a picture but these moments are far apart on the project and cant make up for the short falls.
The features don’t fit well with the project, the exception being Big K.R.I.T. Whatever track they feature on, they blend too much into the backing beat and Rick Ross’ own style. Big K.R.I.T should be praised for maintaining his individuality so well on his feature, sounding different and bringing a very refreshing relief to the whole project.
Overall, this album has a lot of areas of improvement and to say you enjoyed the whole project means you enjoy only type of song and you like to hear it over and over. Rick Ross has a lot to prove if he wants to stay eve close to Hip Hop elites.
This is maybe not a story telling as the autobiography part of the title would suggest. It comes across as a collection of songs that are ordered from least emotional to most emotional. Not to say the songs don’t show a growth as a person for Jeezy as it shows him moving away from selling drugs and into the rap industry where he seeks bigger and better things.
The production is good throughout but feels a bit segmented, meaning that every few songs the production type and atmosphere changes to allow a step forward in emotional growth for Jeezy to express. It starts off very Trap and moves through the scale until you reach a more open audience range of beats that could be used for a wide range of genres. That being said, none of the production is bad, infact a lot of it is good and keeps the listener interested, it just needed some of the variation sprinkled over the entire album.
The lyricism is present as always and while it is not as prominent as the top lyricists in the rap game, it is included, just a bit more subtly. Jeezy uses his unique voice to stand out against the features. The features themselves are good and they reflect Jeezy’s own style which amplifies both performances.
Overall, This is a good album that helps showcase Jeezy’s evolution during his rap career and where he stands now. It may not be the greatest album of the year, but it is immersive and there will definitely be a few tracks for all rap fans to enjoy.
This project would feel like a collection of uncohesive DJ Mustard songs if the skits weren’t in there. That is the danger with making an album from a producers side of things. However DJ Mustard has done a better job than most by actually keeping a lot of the same features on different songs as this helps to keep a feeling of consistency. The skits add a nice touch of breaking up the songs with nice little pieces of insight into what DJ Mustard is aiming for, namely total radio and musical takeover.
The vocals on this album are good, with all the features putting in good efforts on their verses and hooks, and with some big names thrown in there. The only problem is, while it can make some of them catchy, the hooks on a lot of the songs are very repetitive and in some cases just one line repeated over and over, see “Ghetto Tales” and “Guiseppe”. This is the new emerging trend that can make some songs feel like they are slowing down and not keeping up with the style of beat DJ Mustard is trying to supply.
The production is of course fantastic with DJ Mustards signature style shining through on every track. With each track individually, his signature style is a bonus and keeps the track fresh. However, if you listen to the album all the way through the production can start to sound a bit monotonous and missing a bit more variation, although it does start to change very late on in the album.
Overall, this is a good album to nod your head to and pick out your favourites to listen to, but can become a little bit of a chore to listen to the whole thing when you start playing it. A touch more variation and maybe even another skit or two would take this album a long way, but DJ Mustard has put in a solid effort and should be commended for opening up new production paths for the people.