This release is great for both artists as they have crafted a project that plays to both their strengths. Slaine and Termanology perform to their strengths and it pays off.
The production is amazing with contributions from some top producers that go with the darker themes. With the old school scratching fitting with the veterans, helping to showcase how long they have been in the game, there is a high level of cohesion throughout the album as well. Something a little lighter could have created a more complete image of the artists, but they have spent much of their careers in the dark side of rap and it only makes sense with the way this album heads that they stay there.
The lyricism is great and both artists come off well with their own styles. Both are very individual with their flows as well as complex rhyme schemes that make this extremely entertaining. There is a lot of vulgarity used in a lot of these songs that will make this inaccessible to a lot of listeners, but the two artists have never been known to bend for the masses and shouldn’t do so now.
The features all help contribute to the cohesiveness of this album with their chemistry together. All of them show that they are also talented entertainers to the right audience and help make this album a success. Something further from their own strengths could add another dimension, but there is no doubting the selection here.
Overall, this is a great release for fans of both artists as well as anyone who enjoys the darker side of rap music. This might not be for everyone, but for those who do enjoy it, they will enjoy it immensely.
This release is amazing and is a great way to show how artists have been around for a while can transition into a more modern sound. This duo have done a fantastic job of taking their experiences and applying it to the recent sounds of Hip Hop.
The production is great with a lot of diverse beats to work with to show that the artists can work with a range of different styles. Each one is strong and has its own presence while not taking over the track entirely. There are no issues with this selection as it achieves the objective superbly.
The lyricism is good and the delivery really helps give it another dimension. Both Bizzy Bone and Krayzie Bone have great verses and the singing adds depth to the project as well. There are no issues except maybe to try and put a little more impact into their bars.
The features are fantastic and help add additional perspectives to this album. All of them do a great job of showing their own skills while also building on the point of the song they are on. With the diversity from the main artists, the guests are just as versatile and really help flesh out the project.
Overall, this is definitely an interesting listen to see how the artists are moving forward with the times and are not stuck in a rut, making formulaic music. Let us hope that all the members of the group can come together for more than one song and create a whole album along these lines.
This release feels a little lazy and not as adult as it should have. The cover art is a good depiction of how this plays out, with a child’s view of themselves but without the finesse to make it work for the people viewing it.
The production is good, but nothing really stands out. The beats are all solid with a lot of potential, but they don’t leap out as the elite quality that is hoped for. Maybe something outside of Kodak Black’s comfort zone could help push him towards greatness.
The lyricism is alright, but gets very boring very quickly. Kodak Black sounds lazy through a lot of this and, even if that is the desired effect, the wordplay is not good enough to carry it along. More effort on both parts would help lift this album out of the murkiness that is the average.
The features are one of the strongest elements on this. With some top level guests, the verses and hooks provided are all of good substance and show that maybe Kodak Black is not as good as he might think. Looking to compete with his features more might make Kodak Black perform a little better.
Overall, this release was a bit of a let down and the title describes what the other children were doing. That may seem harsh, but a lot was expected of this album and it did not deliver.
This release is a fantastic showcase of Termanology’s skills. He deftly makes songs that speak to the audience as well as explore his personal experience.
The production is great with a lot of different influences coming together to make easy flowing beats. There is plenty of variation to explore the different content while not being one long mess. Some more traditional instruments might make some more songs to appeal to a wider audience, but Termanology has a great selection here.
The lyricism is obviously great and Termanology shows why he is considered a top lyricist. His differentiation in flow and pace helps keep this interesting and cohesive. there are no issues with his performance on this and should continue in this vein.
The features do a great job of filling out the tracks. Each puts in a great verse or hook that keeps the tracks feeling fresh while showing Termanology’s connections in the rap world. There is a good balance of singing and rapping between the guests which really helps this release.
Overall, this is an entertaining and thought provoking piece of work that audiences should enjoy. Termanology has put together a release to give his point of view and should make some sales while doing it.
This is a great album for that signiture southern sound as well as the content Pimp C is known for. May he rest in peace knowing this album is enjoyable and entertaining.
The production is full of the deep south and there are no complications about it wanting to sound otherwise. The beats all have that bounce to give it that energy that Pimp C thrives off of while not sounding similar and still sounding diverse. There are no issues with the selection on here as it only brings strength to this project.
The lyricism may not be complex but the delivery and performance is amazing which really boosts the songs. The humour and unique content perspective really help give this a unique edge that makes it stand out against the other projects releasing at the same time. The rhymes on this are definately only a good thing for the rap game.
The features help fill the space in the songs with equally enjoyable verses. Pimp C has a whole host of great stars jump on these tracks to help make them amazing songs and finish this album up. Maybe some singers could give this more of a balance but there are no issues with who has got on it.
Overall, this album is very good for fans of Pimp C and southern Hip Hop. With plenty of interesting moments to keep listeners coming back, Pimp C would be proud of this project if he was here to see it.
This extended play is a great throwback to the G Funk days that ruled the West Coast. Warren G brings back the smooth production and an old friend to create a short and cohesive project with a lot of replay value.
The production is fantastic and is perfectly recreating the old days of West Coast Hip Hop. Warren G has got beats that are laid back while also having hints of whatever the tracks need, whether it be aggression of party vibes. With so few tracks, it can be eblieved he did all he could with beat selection.
The lyricism is good and adds to the imagery. With his relaxed delivery, Warren G makes a comfortable, easy listening vibe that makes his music easy to enjoy. A few moments of a higher level of wordplay could bring in a wider audiance, however Warren G is known for his producing rather than his rapping.
The features are great and really help to flesh out the EP. The addition of Nate Dogg really makes the connection to the previous Regulate record to make this hit harder with the listener. There are no issues with the guest selection as there is a good balance of singing to rapping.
Overall, this is a very enjoyable and entertaining EP that is cohesive to listen to. Warren G has done G Funk proud with another stunning project.
This is a great album to stick on if you don’t want to be tied down to one artists point of view and opinions. There are a lot of good points on this album that make it enjoyable listening.
The production is really stunning and is the best thing about this album, which is a big deal. Each track is individual and they all cohesively run together without the listener being confused about what song is on. There are no flaws about the beats that Selektah is using to craft a very entertaining album.
As Statik Selektah is a producer putting together this album, the features make up all the lyrics on this project. However they all come with great verses and hooks, which contain a lot of thier own lyrical acrobatics. A few more rappers with a faster flow may have kept the energy flow up a bit through the project, but that may have stopped the balance of the correct atmosphere for each song.
Overall, this is a great album for all audiances of Hip Hop. The smooth production with the quick acrobatic rhymes make for a good time and this is a great stepping stone for Statik Skeletah.