While this is almost a deluxe release of 50 Cent’s previous mixtape, the choice to include work from Young Buck and Lloyd Banks does add another dimension to the project. An odd choice but not necessarily a bad one.
The production is good with plenty of the gritty sounds that made 50 a success in the first place. The additional tracks all have the signature patterns that built up Young Buck and Lloyd Banks in the first place. All together this helps to make a cohesive project that could have done with a touch more refinement.
The lyricism is good with 50 returning to his grittier roots while keeping the angle of having too much money. The other main artists step up their delivery and complexity to show what they are capable of off the back of this tape. Some more changes in flow could create some more interesting moments, but what they rhyme on this is still great to listen to.
The features all help to make this more cohesive as a project by adding more voices to the view points. Each has a good verse that actually helps to show how G-Unit can work with newer talent as well as each other. Some more singers could help give more variety on this project but 50 takes the brunt of this talent himself with his ability on the hooks.
Overall, this project is definitely made up of three acts. there is 50 cents original Kanan Tape, followed by Young Bucks showing, finished with Lloyd Banks lyrical ability. The next G-Unit project will have all the members on it and they will all show ability like this.
This is a good sampler for what’s to come ahead, hopefully. The groups shows a lot of chemistry on every track and each member brings their own unique style to their verses. 50 cent is prominent on every track as the G-Unit head honcho probably should be, especially with his ability to “sing” as well as rap. Young Buck also sounds hungry for success and that translates into great performances. Kidd Kidd, the new addition to the group, also showcases his talents and abilities on his verses and has shown to be an asset to the group. Lloyd Banks brings his style and lyricism to his verses as well, while Tony Yayo sounds distinctive and brings another unique voice to the G-Unit roster.
The production is good on the project. The producers on the album may not be the biggest names but they each bring a beat that works well with what G-Unit are trying to do on each track. While the project is only 6 tracks long they explore a variation of topics and styles to help create some diversity on such a short project.
With A group of 5 on a 6 track long EP, there are no features but this helps to create a cohesive project that has plenty of replay value. The tracks fit together very well and flow into one another which helps even more to build this EP up to new heights.
In conclusion, this is a good sample of whats to come from future projects and G-Unit should take their attitude and abilities from this EP forward onto longer projects. They should take their determination and drive on to keep up this high quality of music.