This is another strong release full of smart lyrics, enjoyable beats and poignant messages. While there is still a sense of fun, there are some important points made and both artists here do a great job showing their skills while getting them across.
The production is amazing and is entertaining to everyone. There are some good samples that are then flipped and turned into incredible backings that help keep the listener interested. DJ Premier continues to deliver his signature sound in ways that keeps the audience enjoying every second.
The lyricism is, of course, steller. Royce shows he is still a strong lyricist with examples of wordplay that keep Royce in contention for one of the best lyricists. He could have played around with his flow a little more, but he is well known for this style and exploits his creativity through it with ease.
The features do a great job of adding fresh voices to the tracks and enhancing the message given by them. Each brings a lot to the table and shows great chemistry with the rapper and producer. It would be nice to see Royce’s Slaughterhouse cohorts appear here but it is always nice to see that a member of a group doesn’t need to be propped up with them to make a great album.
Overall, this is a top release to show people that both artists are still forces to be reckoned with. Both should push forward with solo projects to continue to show those who have not heard of them why they should have.
This release is incredible. Everyone knows how great the songs from Hamilton are, and letting these artists re-imagine them shows that they work as more than story telling devices in the show.
The production is great with some of the original Broadway backings used so the artists can give their own impression or interpretation of the originals. Where new songs have been created or tweaked, there are no missteps and actually helps keep the listen through fresh. This is a clever re-imagining of an already successful show and should help bring even more attention to it.
The lyricism is fantastic as Lin-Manuel crafted stunning rhymes from the original used in a lot of the tracks here. The new lines are all amazing with fantastic imagery and passion put into the messages of the songs. These tracks are put together with such a close eye on the precision of the craft that each of these feels almost brand new, despite there already being versions of a lot of them.
The selection of artists on here are fantastic. Each compliments the part they play on here in style and fits the need of the track perfectly. There are no problems at all with these features.
Overall, this is a really incredible showing of not only the talent of the artists, but how to put a release together. Lin-Manuel had a bright future after the musical release, but this will help solidify him as a future for music everywhere.
This is a great project as it keeps Fabolous in the public eye, showing his skills, as well as being a refreshing step back towards lyricism for Hip Hop. This builds on the work of the first installation to make this a promising staple for rappers everywhere.
The production is great as it is very summer like as the title suggests. The beats are light and airy which allows the listener to float back to summer memories while being entertaining and enjoyable. There are no problems with the beat selection as they fit perfectly with the aim of this project.
The lyricism is excellent with Fabolous not missing a step to add wordplay to every bar. He adds a lot of lyrical genius to these songs and lifts the whole genre back towards smarter rhymes. Maybe some more changes in pace and flow would make for a more balanced performance, but Faboloous does a really incredible job of making this project amazing.
The features help to add points of comparison for Fabolous as well as fleshing out the tracks. Each puts in a good effort and, with some big names, show that Fabolous is one of the big players in the rap game. The guests do a great job of adding more summer feelings to this mixtape.
Overall, this project is fantastic and should be celebrated by listeners everywhere. Fabolous should continue to put out this music so maybe Hip Hop doesn’t forget to have clever lines.
This is a good mixtape for Nipsey Hussle to show his skills are still sharp and he can still make great music. With a range of top mixtapes under his belt, this one only adds to the catalogue.
The production is good with lots of diversity so there is plenty of scope for content. Each beat is entertaining and creates the perfect atmosphere for the message of the song. There are no big problems with the backing selection here, apart from personal taste of the listener of course.
The lyricism is great with Nipsey showing a lot of different techniques as well as impressive delivery. Every song has a message that is clear and made clearer by the wordplay and descriptive ability Hussle displays. Possibly a few more flow changes could have an interesting effect, but Nipsey has a great performance on this project.
The features are good as they help to break up the sound of one voice over the seventeen track project. Each puts in a good effort and helps the project to stay cohesive. Maybe some more singers could balance out the guest side of this mixtape, but all on here are effective.
Overall, this is a great project if your a fan of the west coast as Nipsey Hussle hoists it up on his shoulders and carries through to the modern age. With a few others help, the west coast could beat out the other styles of rap music and be crowned king again.
This project is great as it shows that Fabolous is still making great music. He uses his great skill. To make these that have a summertime feel but with a winter coldness.
The production is great as it is light and breezy but with the ability to apply to any content. The beats are all individual and won’t get confused with any of the other songs. Any other style of production would not have been in the keeping with the theme.
The lyricism is fantastic with Fabolous showing how he first built his name in Hip Hop. He uses a range of techniques flawlessly to get his point across with great imagery and with plenty of impact. There are no real problems with the rhymes on this project.
The features are diverse and help to pull the project together. Each has an enjoyable verse or hook that helps push Fabolous to work harder as well as show what each of the guests are capable of. Maybe some more singers could give the project a little extra something but there are no problems with the selection here.
Overall, this project is a great showing for Fabolous and to show that the mixtape world can still crank out album worthy projects. Hopefully Fabolous can carry this momentum forward.
This is a great album for fans of both trap music and of lyricism. Dave East fuses the two to create an album that treads already worn ground but in creative ways.
The production is good as it gives a lot of room for East to explore content while driving the project forward. The beats are diverse enough for each track to be individual but fit together with the theme of the album. Maybe some more mainstream beats to allow for more mainstream appeal but it would be unseemly for Dave East to sell out to become more famous. It would go against what he says on this album.
The lyricism is great with plenty of techniques peppering every track. Dave puts a lot of effort into his rhymes which shows in the imagery and story telling elements. There are no real issues with what Dave East does on this project and you should expect to see more great things from him in the future.
The features are great and add a lot of cohesiveness to this project. Each brings a lot to the table and shows that Dave East has a lot of very talented friends in Hip Hop circles who all appear to have good chemistry with him. A few more singing guests could make some more interesting moments, but each of the people on this do great work.
Overall, this album is very enjoyable and shows that lyricism is staging a great comback after a while ofdummied down rap. Dave East should continue to crank out music liek this.
This is a great album to stick on if you don’t want to be tied down to one artists point of view and opinions. There are a lot of good points on this album that make it enjoyable listening.
The production is really stunning and is the best thing about this album, which is a big deal. Each track is individual and they all cohesively run together without the listener being confused about what song is on. There are no flaws about the beats that Selektah is using to craft a very entertaining album.
As Statik Selektah is a producer putting together this album, the features make up all the lyrics on this project. However they all come with great verses and hooks, which contain a lot of thier own lyrical acrobatics. A few more rappers with a faster flow may have kept the energy flow up a bit through the project, but that may have stopped the balance of the correct atmosphere for each song.
Overall, this is a great album for all audiances of Hip Hop. The smooth production with the quick acrobatic rhymes make for a good time and this is a great stepping stone for Statik Skeletah.
This is a project deeply entwined in West Coast Hip Hop with many influences of the Hip Hop zone showing through, but with enough of AD doing his own thing to make it his own. However his variation in his delivery can upset the enjoyment of some songs.
The production is excellent and reflects AD’s origins and track message very well. The beats all have their own feel and the way the project is structured gives a great balance of aggression and softer stuff. Possibly some more beats from further afield may have shown AD can work with different types of producer but what he has selected for this project is really fantastic.
The lyricism is good and helps carry the project. AD does a good job to make his lyrics a bit more complex than street level, but it is not elite level by far. However, the way his wordplay flows and his varied delivery help make each track more interesting. Maybe some more complicated schemes and other rap devices could improve these songs, but with his signature style being what it is, it may not improve them by a huge amount.
The features are also good and help to show that AD can work well with a certain group of rappers, that group being from where he is from. Each writes a good verse and adds a bit of extra flavour to each track, however seem to be very much in the same lane as AD. Some features that show AD can also work with people from a different coast could have shown more of a balance, but these features are very entertaining.
Overall, this is an enjoyable listen and a great effort by AD. He does very well to keep his individuality while making tracks it is easy to bump to and should start looking to move forward with his rap career by making more projects like this.