This release is a masterpiece for Travis Scott and the rap community. Every song is masterfully put together and the energy throughout makers it a very easy listen.
The production is amazing, separating itself from almost all other music with how crisp and intoxicating the beats actually are. Each song has the perfect atmosphere and compliments the artists on it. There are no issues with how the background music plays on this album, none at all.
The lyricism is not exactly the most complicated and intricate out there, but the delivery and performance elements bring them home. The way the beats and the lyrics meld together so seamlessly really strengthens the tracks as neither are blocking the other out and making both elements very enjoyable. The wordplay is not bad, but could do with maybe a small boost to reach every corner of the hip hop world.
The features, while not credited on the streaming side, all contribute strongly to this project and add just what is needed on each song. While some may not seem like the biggest contribution, all make this the cohesive listen that has made such a smash hit. There is a chance that a few more singers could add another edge, but may ruin the vision Scott had for this.
Overall, there is no doubt that this will go down as a lot of people’s favorite album. Travis Scott has used his considerable talents to craft a truly remarkable project that every listener can enjoy, at least for a certain extent.
This release shows that 2 Chainz knows his core audience, but doesn’t grow to increase his listeners and therefore earn more money, as one of the songs on here is all about. Something to think about at least.
The production is good with a lot of interesting and entertaining sounds that create a lot of energy and keep it flowing through the whole project. A lot of the beats however are very much within the wheel house of the main artist. Trying to expand his repertoire further out of his comfort zone would make a more balanced release.
The lyricism is good, but is more of the same from 2 Chainz. He has respectable wordplay and his delivery is still entertaining, but his hooks are repetitive and the content is more of the same. Something fresh could give a lot of boost to this release, but it would have to be a big boost.
The features do great at breaking up the monotony that can set in by adding fresh voices and styles to the mix. Each does a good job of showing what they are capable of, but also at bringing fresh energy streams in ot stimulate this project and stop it dropping rankings any further. Some more singers would help bring more diversity too.
Overall, this will appeal to Chainz’s core audience, but does not have a lot to give other rap listeners. The title does not reflect the content and a lot of it will already have been heard before.
This is a nice release from Drake with plenty of energy to make a listen through a delight. Drake is right to call this a playlist instead of an album because it is not so balanced as an album should be, but makes a great playlist for almost any situation.
The production is fantastic with all the elements that helped make Drake a household name to begin with. There are influences from grime to dancehall that help keep the palette fresh and cleansed as you listen through the whole project. The beat selection here is fantastic, but maybe a few more slower songs would give this a little more diversity.
The lyricism is great with Drake flexing his wordplay muscles as well as as continuing to shine with his singing. He takes a few subliminal shots at other artists but in ways that still show creativity and that he is still working to stay the top artist in the world right now. There are no problems with Drake’s performance on this project as he continues his run of greatness.
The features are great and show how Drake is growing as an artist. He is not worried about just choosing the biggest names, but instead chooses the artists he wants to work with. All of them do a good job and help make this release more cohesive.
Overall, this is a very entertaining listen through and could be a step into the future of music releases. Instead of trying to make an album that shows every side of you, Drake makes a list of songs that sound great all the way through, and maybe that is the direction the industry is headed in.
This project is good, fun and energetic which is sometimes what the audience needs. There are a few emotional songs, but Montana remains in his comfort zone for the majority.
The production is very bouncy with a lot of club atmosphere as well as some street beats to help keep this mixtape fresh. With so much power behind the boards, there is a lot of drive pushing this project forward that the backings provide a lot of the entertainment here. The beat selection is great for the music that French Montana wants to make.
The lyricism is straight forward but is effective in places. The rhymes are not made to be the most lyrical and his shouting at the end of almost every line doesn’t help make this more interesting. He knows what his fans want, and supplies that, but doesnt push French doesn’t push himself to be better.
The features help to make this more cohesive and to break up the monotony of hearing French Montana shout. Each puts in good effort and their styles alleviate some more of the similarities between the songs. Some more singing could have added another dimension to this mixtape, but French Montana knows what his fans expect and there are some huge names on here to assist with that.
Overall, this is a good romp through what a formulaic hip hop hit sounds like, but it lacks a lot of substance. French Montana may want to evolve his content if he wants to have more longevity in his career.
This project is simply a placeholder as it has no real impact on the listener at all. 2 Chainz does what he is known for, but he doesn’t push himself to be better.
The production is good and helps keep the project moving. Each beat has energy and bounce that makes every one more cohesive to the next and sound in place with the project. Maybe some slower tracks could have balanced it out a bit more, but more work is needed on the rhymes than the production.
The lyricism is alright with some clever attempts but not enough to make a huge notice. 2 Chainz uses his signature flow and voice to make his songs strong, but they fall flat with repetition. Some more creativity could really help lift this mixtape.
The features are good but aren’t enough to lift the project to greatness. They all put in good efforts and help the tracks they are on. Maybe a few more could have helped the project overall.
Overall, this is an enjoyable project to listen through once, but has no longevity at all, in the sense that maybe once is enough. 2 Chainz may want to start looking for more in his work to stay more relevant.
This album has the same elements as every other Gucci project, but with slightly more focus on the being famous and not the trap past. Maybe Gucci is starting to pull away from that particular crutch in his music.
The production is great as there is a record of Gucci picking beats that are similar, which on this he has avoided. Each is individual and has the atmosphere that each song needs. Maybe a few more tracks with some different influences could help Gucci to branch out to new listeners, but he has selected beats he knows he could work with and works well with.
The lyricism is not overly complex but there are still smart moments. Gucci is more about his delivery and ability to write catchy material, but does not use a lot of lyrical techniques to amplify his work. Maybe a few more lyrical turns could bring in a wider audience but Gucci Mane sticks to what he knows for the time being and does it well, apart from a few overly repetitive hooks.
The features are good as they help lend fresh voices to the project. Each puts in a good effort and help to show that Gucci is definitely still an influential figure in Hip Hop. Maybe a few more guests further from the rap game could show how his influence has grown, but he works well with the selected few on here.
Overall, this is a good project for background music but may not have the replay ability for most to really focus on the listen through. Gucci Mane is out of prison and on a roll if he can keep putting out projects like this.
This album is a fantastic statement on America’s youth. YG is blunt and descriptive about how young men in America feel and act, especially under present circumstances.
The production is pure West Coast with the bounce and feel of modern LA. There is a lot of energy throughout the album even with the mixture of positive and negative tracks. Maybe a few tracks with a feel further from his comfort zone would make some interesting results, but YG knows what is effective and enjoyable for his audience.
The lyricism is good with vivid imagery without trying to be overly clever. YG does not mince his words and simply tells it like it is with his delivery and vocal tone that makes him stand out. Nothing appears to be wrong with his performance, especially as he changes flow and plays with voice modulation.
The features help give this the story telling angle that YG excels at. It has a family and friends feel that help the project feel cohesive as well as the guests working hard. Each puts in good effort and comes away with more listeners knowing who they are.
Overall, this is a great album for the times young men like YG live in. No one can say how this will translate over time, but this is definately a successful album right now.
This is a great album to listen to as it contains a lot of what makes the west coast great in it. Game shows that he is still one of the top rappers out there and uses a great group to make that happen.
The production is fantastic. A protege of one of the best producers of all time picks some great beats to use while keeping his individual flavour over them. There are no problems with what Game has selected to use on this project as he knows exactly what will work for him.
The lyricism is great and while is not the absolute best, is heads and shoulders above the average. Game shows that artists can still be lyrical while using street content and experiances for added spice. There are no real issues with his vocals on this, especially with his almost unique flow to enhance his actual words.
The features are good and help to embelish the tracks. All the guests do the job they need to allow each song to stand out while each feature showcases what they are able to do on thier own. Maybe some people further from Hip Hop could make some more interesting moments, but these features do a really good job.
Overall, this album is great from almost every perspective. Where Game goes from here is a mystery as he is very near the top as it is.
This mixtape is a bizarre mix of elements from both artists. However it is not necesserily the best parts of each rapper that gets blended.
The production is good, but can become repetitive and stale. The beats are not quite diverse enough to stand out from each other on a full listen through, which means the rhymes are relied on to carry the whole project. Diversity could be the key to replay ability.
The lyricism is good from Drake but the same old Future we always get. While he does not exactly slack, Future seems to be happy where he is, which is cranking out the same sort of music he always does. Drake seems to be pushing himself more since his recent diss tracks. A bit more drive to be better than the rest of the new generation could lead to further improvements.
Overall, this project shows that Drake is trying to improve while Future knows what will sell without drive and effort. An enjoyable mixtape for a while but not a lot of longevity.
This album is a good collection of Future’s songs, but there is nothing different about this project compared to past releases. Future does well to keep making entertaining music, but he is not pushing any musical envelopes.
The production is enjoyable but has a lot of similar elements in each track. While each song does have the right energy and atmosphere to match what Future is rapping about, it can seem extremely similar from song to song. A bit more diversity would not go a mis here and show that Future can work outside his comfort zone.
The lyricism is not complex but does seem to be improving from previous efforts. Future seems to be using some more techniques to enhance his rhymes and make them have more impact. A few more complicated examples of wordplay could improve the album, however the leaps Future makes here are noticeable and make this improved enough.
The choice to have one feature here is certainly a different one from what a lot of well known artists are doing in recent times. The feature puts in a good effort and helps boost the album up. However it does give more opportunity for Future to showcase his skills.
Overall, this is a good album that is fun to listen to and does not try to be more than it is. Future has put together an album that fans can enjoy and could widen his audiance further.