This release shows a couple of Veteran rappers who show that they are not going anywhere soon. Both E-40 and B-Legit show their signature styles on here and the chemistry between them is obvious and makes greats tracks.
The production is classic bouncy west coast. There is nothing about the backings to this that doesn’t sound immediately from that area and it fits perfectly. Something that doesn’t fit this formula would automatically feel out of place so it makes sense to make the best of what they know.
The lyricism is punchy but does rely on delivery. The wordplay is still good and is very enjoyable, but don’t expect the most complex lyricism from the artists here. The performance factor is important but there is still no disappointment from either E-40 or B-Legit.
The features help to add some fresh voices and show more talent from some lesser known artists. Each shows their own talents while adding more cohesion to the album. Maybe some singing could help add another level, but may not be in keeping with the project.
Overall, this is a fantastic album for those who still strive for more of a taste of the west coast. E-40 and B-Legit both show continued strength in the rap game and should continue to show how strong the veterans of hip hop are.
This project shows that Master P still knows how to put together a great project, even if limited on content. The guests really do well to help bolster this as Master P is starting to sound a little dated.
The production is great with plenty of energy and excitement throughout. Each backing fits the message of the song well and is engaging in its own right. Maybe some song with a little less happening in the background could allow more manoeuvrability for the artists on it, but it all still works well on this mixtape.
The lyricism good but can become stale as the content can come across as limited. Master P does have a few tricks up his sleeves but his brand of shout rap can be repetitive and mostly rapping about money he has made can make some songs somewhat dull. Some more branching out of content would go a long way.
The features all do a really good job of shoring up the tracks they are on with good efforts. While some guests are there to show they are still great and others to make a name for themselves, they all do a good job of helping make this project great. Some more singers could bring a new flavour to this project, but the selection here is comprised only of talented rappers.
Overall, this is a very enjoyable mixtape but the length of it can make a full listen through hard, as well as the topics being repetitive. Master P will always be a legend in the game, so lets hope his upcoming projects are a bit more balanced.
This album has tracks for everyone but not necessarily in a cohesive order. Every track is interesting, but not all have a high level of replay ability.
The production is varied and allows plenty of scope for Schoolboy Q to work with. Each has its own feel, but some carry extremely similar elements. On a full listen through, it can sound disjointed because of the track similarities, but is still enjoyable.
The lyricism is strong with passion filling every bar of Schoolboy Q’s rhymes. He may not always have the most complex lyrics but he gets his message across with such belief that the listener feels through their whole body. Maybe some changes in flow could make some more exciting moments, but there are no real issues with the raps on this.
The features are great and add a lot to this project. Each puts in a good performance, and help to push the tracks to further greatness. Most come off well and show the connections that the main artist has made in the Hip Hop world. No problems with selection here.
Overall, this album has a lot of good things about it and will have songs that will appeal to everyone at some point. Lets see where Schoolboy Q takes this momentum next.
This album has some highlights in it, but misses enough steps that it isn’t cohesive all the way through. The length of the project overall means there are a lot of similarities in the tracks.
The production is good most of the way through and helps give it that classic west coast feel. There is plenty of atmosphere in the tracks, but there are a few instances where there are similar sounding songs on the same album. A shorter tracklist could have helped to make this project sound more organic and fluid.
The lyricism is classic Snoop with some good wordplay and flow, but sometimes lacking in substance. While a lot of the tracks are entertaining, there is a lot of cross over between the subject on some of the tracks. A little variation can go a long way.
The features are good as they help to break up the sound of just one voice saying similar things. While they may rap about similar subject matter, it helps to have a different feel from different guests to show Snoop still has connections.
Overall, if you condensed this down from twenty tracks to a more manageable number, this would be great. However at its current length, it can be work to listen to.
This album is Yo Gotti making more music about what he knows with his same drawl that he always uses. His style and content is becoming stale which is accentuated by his inability to write a hook.
The production has plenty of energy running through it to help the listener enjoy some aspect of this project. There is some diversity in the backings but not enough to stop a lot of the songs sounding very similar. Yo Gotti should look to try some new types of beat so he can continue to stay current in the rap game.
The lyricism is not good with a lot of basic wordplay that allows the rhymes to be forgettable and takes a lot of their impact. More variations in flow would have helped a lot as well as Yo Gotti sounds very mono-tonal as the project goes on. There is plenty of room for improvement on the lyrical side of things.
The features are good as they add the only variation in the whole project. Each may not have the most entertaining verse but they certainly raise the profile of the project as well as bringing fresh voices. Some guests further from the rap genre could have added another dimension.
Overall, this can be enjoyed in the right frame of mind, but is not for everyone. Yo Gotti needs to shake up his formula if he wants to bring in a wider audience.
This album shows that G-Eazy can rap and do it well, but does not necesserily know the formula to a wining song. Some song chemistry is needed to tie the album together a bit more.
The production is different from the normal with a touch of abnormal patterns and sounds to give the music a dark edge. The songs follow the theme of when things are dakr, but it does need to still be tied together. Some more cohesion between the songs would help this project a lot.
The lyricism is great with G-Eazy easily striding through his rhymes with good and individual delivery. His lyrics are full of different techniques and devices to improve his imagery. Maybe some more changes to flow would help bring this project together.
The features are one of the most cohesive elements of this project as they help show the chemistry G-Eazy can have with other artists. Each has a good verse that helps to push the songs ot new hieghts. Some more variation in the type of guest with maybe more singing would help to show his diversity a bit more.
Overall, this is a great step for G-Eazy as it helps to hone his skills. Maybe on a brighter project, he could show that he can have more variation when it comes to content.
This album is great if you like a darker side of rap music with the raw power that Gibbs can provide. He uses his skills to craft an album that lives in the shadows with few skirmishes to anything sunny.
The production is good with the right atmosphere for the message of the track. There are a lot of dark sounds and noises that help lend itself to wards the album title and help make the project feel cohesive with the theme. With the aim of the album in mind, there are no real issues with the beat selection on this.
The lyricism is great with Freddie Gibbs using a rapid flow to cram in his lyrical genius. He uses a lot of different techniques to keep his rhymes sh and interesting. Maybe a few more changes in delivery could have made for some more memorable moments but there are no real issues with his efforts on this album.
The features do a good job of having a point of comparison for Gibbs and making him push himself. Each has a good performance that shows that they have what it takes to be a good rapper as well. Maybe some singing guests could have shown that Gibbs can work with more than one type of musician, but it is difficult to show where they would fit in this project.
Overall, this is a great album if you enjoy the darker side of rap and personal struggles. Freddie Gibbs does well to make a project that is dark and entertaining.
This album has a lot of what Ty has already showcased on, but the greatness is in its variety and vocal range of tracks. Ty uses a lot of different backings and stretches his voice to new notes to make this project work.
The production is very diverse with some almost country beats mixed in with the pop and club ones. The range of beats on here allows Ty to give a glimpse of the different genres his talent could extent to. Blending them together into this one album makes for a great listening experiance with no real issues for the beats.
The lyricism is not complex or complicated but as Ty is more of a singer than rapper, this is not the most important thing. The actual singing is impressive with his signiture voice and style being effective to enhance the impact of the words. Ty shows he is good at what he does and that he will keep being good at it.
The features do a great job of fleshing out the album with new voices. With Ty singing, each of the features carries the rap portion of the album and does a good job of carrying the burden. While not on every track, they really help make the project be more cohesive and entertaining.
Overall, this album is great for listening through in the background, its biggest problem being content. It is a lot of well trodden ground but with a fresh new crooner at the helm.
This album is the second disc of his release last week and it continues the standard of greatness. There is at least a few tracks for every Hip Hop listener and they are done very well.
The production is good and keeps his west coast feel well and truly alive. Each song may have the diversity to keep its individuality, but it definately has that west influence through all of it. There are no issues with the backings on this as he covers every aspect of Hip Hop with it.
The lyricism is good and shows he is still improving upon his previous performances. The way he moves within the beats shows great talent as Game has shown every step of his discography. There is little to improve on here, but maybe some radio friendly songs to appeal to the mainstream.
The features all help flesh this out and, while they all put in a lot of effort, show that Game is one of the best out there. Each guest shows that they have some talent and that they can put passion into thier work, but few come close to the main artist. There are no issues with his selection however because each helps make the project more cohesive.
Overall, this album is a fantastic continuation of his previous work that shows Game is not missing a step. If Game can keep this up, then he will truly be one of the greats.
This extended play is a great throwback to the G Funk days that ruled the West Coast. Warren G brings back the smooth production and an old friend to create a short and cohesive project with a lot of replay value.
The production is fantastic and is perfectly recreating the old days of West Coast Hip Hop. Warren G has got beats that are laid back while also having hints of whatever the tracks need, whether it be aggression of party vibes. With so few tracks, it can be eblieved he did all he could with beat selection.
The lyricism is good and adds to the imagery. With his relaxed delivery, Warren G makes a comfortable, easy listening vibe that makes his music easy to enjoy. A few moments of a higher level of wordplay could bring in a wider audiance, however Warren G is known for his producing rather than his rapping.
The features are great and really help to flesh out the EP. The addition of Nate Dogg really makes the connection to the previous Regulate record to make this hit harder with the listener. There are no issues with the guest selection as there is a good balance of singing to rapping.
Overall, this is a very enjoyable and entertaining EP that is cohesive to listen to. Warren G has done G Funk proud with another stunning project.