This release sounds as a Styles P album should. It has every element of street life involved in it and plays through like a reflection on his own life.
The production is fascinating, with gritty street beats thrown in with some slower, more emotional offerings. This helps give a complete feel to the album, rather than focusing on one element and losing a chunk of his potential audience. Styles P excels over these offerings, some might want to see him try something different from what he already knows, but the beat selection here shows some clever thinking and should be celebrated.
The lyricism is good, with a lot of impact in the delivery. Styles P has a signature tone that helps distinguish him from others on the tracks, as well as increase the potency of the words. While his performance here is fantastic, it would still be nice to see P try some more lyrical acrobatics.
The features are all incredible and help add new levels to the songs. With the combination of other rappers and heavy assistance from one particular artist for singing, the cohesion between tracks is amazing. Maybe slightly more variety in singers and an appearance from his LOX colleagues would be great, but Styles P has more more smart choices here again.
Overall, this is a milestone for Styles P as his followers wont be able to keep away. Every track here speaks to a lot of people and is worth the attention of all hip hop fans.
This is a good release with Kool G Rap making a lot of clever decisions to increase replay ability. Shortened songs and great guests help elevate this even higher.
The production is fantastic with MoSS providing good backdrops for each track, and creating a good atmosphere. There are similar elements in each song, but they are still individual. Maybe something a little further from the formula would show the artists in another light, but MoSS has provided songs that allow the vocalists to excel at what they do.
The lyricism is clever with Kool G Rap using his delivery to add more impact to his rhymes. The bars might not be the most complex, however they do carry a lot of weight and land hard with the listener. Some change in flow might help separate out Kool’s performances, but the guests also help to do that so it is not the biggest issue.
The features are great and do a good job of pushing this project forward. Each puts in an amazing verse that helps push Kool G Rap onto further greatness as well as showing that they are at the top of their respective games. With some rap legends keeping their names alive on here, the artists here are a great selection to have on any project.
Overall, this is another release from a veteran that could teach newer artist how to make music with longevity. With plenty of replay value, this is definitely worth a few listens.
This is a nice addition to G Herbo’s discography as it is personnal and passionate which resonates with the listener. More projects like this should be released, but with a touch more cohesiveness.
The production is strong with a lot of hard hitting notes punctuating the beats. There is a type of backing that G Herbo seems to lean towards but he works very well with it. Some variation wouldn’t go amiss to help make this feel more cohesive and not like more of the same, but there is still a solid entertainment factor.
The lyricism is good with a strong and aggressive delivery helping to make them even more enjoyable. The rhymes are clever but not so complex that they are not understood which is a great level of lyricism to be at. G Herbo could still tighten up his flow with the beats slightly, but he has a great performance here.
Overall, with the one feature helping show some level of chemistry with others in the hip hop world, this is good work from G Herbo. If he can show a bit more diversity with his beat selection and with his flow, he could make a real success out of next year.
This is a great representation of how not every track needs every member of the group. With 50 Cent missing for every track but one that doesn’t have the other members on it, the rest of the group do great to show they can step out form behind that shadow.
The production is good with plenty of variation in pace and boldness. There are plenty of beats that provide a great atmosphere without becoming the centre of attention, leaving lots of scope for the artists. Maybe some backings aimed further from underground street music would open up more avenues for the members, but the production selection here is all effective.
The lyricism is good from everyone and shows how cohesive the members can be. Each puts in good verses and energy that really improves this project with its level of entertainment. Some less street themed songs and some more mainstream music may help to raise the profile of the members, but they all do a great job.
Overall, this is an enjoyable listen to remind people that G-Unit is more than just 50’s backup. Each shows they have the skills to be great artists and can work well without the head honcho.
This project shows that Master P still knows how to put together a great project, even if limited on content. The guests really do well to help bolster this as Master P is starting to sound a little dated.
The production is great with plenty of energy and excitement throughout. Each backing fits the message of the song well and is engaging in its own right. Maybe some song with a little less happening in the background could allow more manoeuvrability for the artists on it, but it all still works well on this mixtape.
The lyricism good but can become stale as the content can come across as limited. Master P does have a few tricks up his sleeves but his brand of shout rap can be repetitive and mostly rapping about money he has made can make some songs somewhat dull. Some more branching out of content would go a long way.
The features all do a really good job of shoring up the tracks they are on with good efforts. While some guests are there to show they are still great and others to make a name for themselves, they all do a good job of helping make this project great. Some more singers could bring a new flavour to this project, but the selection here is comprised only of talented rappers.
Overall, this is a very enjoyable mixtape but the length of it can make a full listen through hard, as well as the topics being repetitive. Master P will always be a legend in the game, so lets hope his upcoming projects are a bit more balanced.
This album shows that G-Eazy can rap and do it well, but does not necesserily know the formula to a wining song. Some song chemistry is needed to tie the album together a bit more.
The production is different from the normal with a touch of abnormal patterns and sounds to give the music a dark edge. The songs follow the theme of when things are dakr, but it does need to still be tied together. Some more cohesion between the songs would help this project a lot.
The lyricism is great with G-Eazy easily striding through his rhymes with good and individual delivery. His lyrics are full of different techniques and devices to improve his imagery. Maybe some more changes to flow would help bring this project together.
The features are one of the most cohesive elements of this project as they help show the chemistry G-Eazy can have with other artists. Each has a good verse that helps to push the songs ot new hieghts. Some more variation in the type of guest with maybe more singing would help to show his diversity a bit more.
Overall, this is a great step for G-Eazy as it helps to hone his skills. Maybe on a brighter project, he could show that he can have more variation when it comes to content.
This project is a bit of a rehash of previous work, but MGK approaches in enough new ways with fresh energy to make new tracks. There are some that seem very similar but there are just enough differences to make it passable.
The production is heavily rock based with HipHop elements thrown in. This causes a lot of great backing moments and a fresh influence for rap to come back to. Rock has always had a part in Hip Hop, but has always been hit and miss. MGK does make a good job with the beats, but may want to look for other influences in the future.
The lyricism is fast paced and hard hitting with a lot of emotional content. MGK really packs the rhymes with passion and meaning while using a variety of techniques to add impact. He may want to look at exploring new areas however as he tends to lean on the same things to rap about.
The features are good as they break up the verbel punching from MGK while allowing others to show thier skill. Each puts in a lot of effort and helps to increase the cohesiveness of the project. However some more rappers to push MGK to new hieghts would be welcome.
Overall, this is an enjoyable album if you enjoy emotional and sometimes painful journeys through another mans mind. MGK has explored his deeper self and may want to start looking elsewhere.