This album is a great reflection of 1992 as a year from Game’s perspective but it lacks luster for a high level of replay ability. While very open about his life and experiences, it does mean there are more emotional and deep tracks without the aggressive edge he excels at.
The production is great for the tracks they are used for. While not a lot of high energy street grit that he is known for, the beats allow for the deeper cuts to really land with the listener and let the message sink in. Some of the aggression he has put into other projects may be what his fans are looking for, but it is great to see Game showing more of his emotional side.
The lyricism is the usual greatness with his delivery helping to boost his performance. Each of the songs has a good level of wordplay and other lyrical devices that help with the imagery of the bars. There are no issues with his performance as he changes tempo and flow masterfully.
Overall, this is an enjoyable project but it won’t have the longevity that his previous efforts will. While some of the tracks will continue to be played, most will not stand the test of time, although it is good to see he can make entertaining songs without features to fall back on.
This project shows that Master P still knows how to put together a great project, even if limited on content. The guests really do well to help bolster this as Master P is starting to sound a little dated.
The production is great with plenty of energy and excitement throughout. Each backing fits the message of the song well and is engaging in its own right. Maybe some song with a little less happening in the background could allow more manoeuvrability for the artists on it, but it all still works well on this mixtape.
The lyricism good but can become stale as the content can come across as limited. Master P does have a few tricks up his sleeves but his brand of shout rap can be repetitive and mostly rapping about money he has made can make some songs somewhat dull. Some more branching out of content would go a long way.
The features all do a really good job of shoring up the tracks they are on with good efforts. While some guests are there to show they are still great and others to make a name for themselves, they all do a good job of helping make this project great. Some more singers could bring a new flavour to this project, but the selection here is comprised only of talented rappers.
Overall, this is a very enjoyable mixtape but the length of it can make a full listen through hard, as well as the topics being repetitive. Master P will always be a legend in the game, so lets hope his upcoming projects are a bit more balanced.
If this soundtrack is a reflection of the game when it releases, it is going to be great. While some of it sounds like material that didn’t make it onto Game’s last release, it all works very well for this project as it might have for the other.
The production is exactly what this project is aimed for, with deep bass and gritty street backings mixed with some softer, more upbeat offerings to help balance it all out. Game has always had a fantastic ear for beats, which is clear on here as the tracks all have the atmosphere each song needs. For the purpose it needs to serve, this is a great platform for Game to work with.
The lyricism is exactly what this project needs. It is clever and catchy, while expressing aggression and light heartedness in the appropriate places. There are changes in flows to help keep in interesting and it all comes together to stop this being a stale offering of similar songs to ones Game has offered before.
There is only one feature on this project who helps to add a new dimension as she is a singer. She does a great job showing what she can do, and of bringing diversity to this project. It is great to see Game taking more of the action for himself instead of having guests everywhere to help bear the load.
Overall, this is a great soundtrack for a game that will be successful if it is as good as this listen through. Game is on a roll recently but lets hope his increase in quantity doesnt lead to a drop in quality.
This album may not be the most cohesive project out there, but it does reflect the state of Compton at the time of release. Game uses this to try and help aspiring and known artists to reach a wider audience.
The production is good and gives a great atmosphere that helps the messages of each track hit harder. There is some variation in styles, but the main sounds are gritty and street, to fit with the theme. Maybe a larger portion of the lighter side of things could have made a more balanced project, but this was made to highlight the negatives for the listeners, which it does.
The lyricism is great from Game yet again. He uses his gruff tones and clever wordplay to weave his messages into tapestries so you can picture what he is describing. Some more light hearted songs wouldn’t go amiss but Game knows what he is trying to say and puts it across well.
The features all do a good job of showcasing their skills and helping to bolster their name in the Hip Hop community. There are a selection of different styles which help make the project pop more. Only time will tell if they can capitalise and grow as artists.
Overall, this accurately depicts the currant state of Compton and of the artists currently making a name for themselves. Game gives them a good platform while still showing he can write great verses.
This album is the second disc of his release last week and it continues the standard of greatness. There is at least a few tracks for every Hip Hop listener and they are done very well.
The production is good and keeps his west coast feel well and truly alive. Each song may have the diversity to keep its individuality, but it definately has that west influence through all of it. There are no issues with the backings on this as he covers every aspect of Hip Hop with it.
The lyricism is good and shows he is still improving upon his previous performances. The way he moves within the beats shows great talent as Game has shown every step of his discography. There is little to improve on here, but maybe some radio friendly songs to appeal to the mainstream.
The features all help flesh this out and, while they all put in a lot of effort, show that Game is one of the best out there. Each guest shows that they have some talent and that they can put passion into thier work, but few come close to the main artist. There are no issues with his selection however because each helps make the project more cohesive.
Overall, this album is a fantastic continuation of his previous work that shows Game is not missing a step. If Game can keep this up, then he will truly be one of the greats.
This is a great album to listen to as it contains a lot of what makes the west coast great in it. Game shows that he is still one of the top rappers out there and uses a great group to make that happen.
The production is fantastic. A protege of one of the best producers of all time picks some great beats to use while keeping his individual flavour over them. There are no problems with what Game has selected to use on this project as he knows exactly what will work for him.
The lyricism is great and while is not the absolute best, is heads and shoulders above the average. Game shows that artists can still be lyrical while using street content and experiances for added spice. There are no real issues with his vocals on this, especially with his almost unique flow to enhance his actual words.
The features are good and help to embelish the tracks. All the guests do the job they need to allow each song to stand out while each feature showcases what they are able to do on thier own. Maybe some people further from Hip Hop could make some more interesting moments, but these features do a really good job.
Overall, this album is great from almost every perspective. Where Game goes from here is a mystery as he is very near the top as it is.
This album is crafted to perfection and Dr Dre has made a fantastic listening experiance. It may not be for everyone, but fans of real Hip Hop will adore what has been made here.
The production is flawless with easy transitions and the tracks have an atmosphere that fits perfectly with what they are trying to perpetrate. The beats are smooth and cohesive, allowing the story of Compton to flow easily to the listener. There are no issues with this selection and there should not be with Dr Dre being as talented as he is.
The lyricism is great as it ranges from incredibly intricate to passionate and emotional. While Dr Dre openly admits to not writing all his rhymes, his delivery and the power he puts behind them really land the meaning deep with a lot of impact. For some of the audiance, the fact Dr Dre did not write all of it could tarnish it for them, however he conducts his feelings through them accurately and powerfully.
The features are a huge part of this projectand help to make this a milestone in the rap game. There are a core group who appear repetively and consistently put a lot of effort and pleasure into the tracklist. The other guests all do a really excellent job of putting across thier feeling of genorosity towards how Dre has shaped thier career and that translates into thier rhymes. There were absolutely no problems with the feature selection here.
Overall, Dr Dre has once again shown that his level of ability and experiance in Hip Hop have allowed him to make a really amazing album. It may not be Detox, but from what the public have heard, this is much more personnal.
This is a fantastic project. It shows a lot of emotional depth as well as moments of fun and is all very cohesive. It is a very well layed out album. The only thing that could be seen as a blessing, in terms of bringing diversity to the album, or a curse in the sense that it detracts from the talent of the lead artist.
The lyricism is fantastic. It is poured on every track and is very good at helping to keep the listener interested in what the artists have to say. This is especially helpful since the album has tendencies to lean on heavy emotions to make powerful tracks. Game is especially adept at the lyricism but even the features have the ability to be lyrical, maybe not to the extent of Game but definitely somewhat.
The production is amazing. As a protégé of Dr Dre, production is very important to Game and he shows it in this near perfect choice of beats. It creates a very personal atmosphere with all its emotional talk and the backing rises and falls with how the listener should be feeling.
The features are many and but do add something to the LP. While Game can sometimes be lost in the sea of other voices, they are good for adding other opinions and reinforcement to the tracks they are featured on. Most of the others on this album are featured several times on different tracks which helps to show how they are good for more than one type of song, helping to build up Game’s imprint.
Overall, this is a great album for all fans of Hip Hop. It has most, if not all, elements of a great rap album and if this is the direction Game is headed in, his next album is going to be even closer to perfect.
This is maybe not a story telling as the autobiography part of the title would suggest. It comes across as a collection of songs that are ordered from least emotional to most emotional. Not to say the songs don’t show a growth as a person for Jeezy as it shows him moving away from selling drugs and into the rap industry where he seeks bigger and better things.
The production is good throughout but feels a bit segmented, meaning that every few songs the production type and atmosphere changes to allow a step forward in emotional growth for Jeezy to express. It starts off very Trap and moves through the scale until you reach a more open audience range of beats that could be used for a wide range of genres. That being said, none of the production is bad, infact a lot of it is good and keeps the listener interested, it just needed some of the variation sprinkled over the entire album.
The lyricism is present as always and while it is not as prominent as the top lyricists in the rap game, it is included, just a bit more subtly. Jeezy uses his unique voice to stand out against the features. The features themselves are good and they reflect Jeezy’s own style which amplifies both performances.
Overall, This is a good album that helps showcase Jeezy’s evolution during his rap career and where he stands now. It may not be the greatest album of the year, but it is immersive and there will definitely be a few tracks for all rap fans to enjoy.