The title of this mixtape describes exactly what you will find when listening to it. There is a track for almost any party scenario and Jeezy excels in this particular area.
The production is excellent and is all exactly what each track needs to stay energized and keep the atmosphere going. All the tracks have a slightly different feel while keeping the party vibe to keep the theme alive. Maybe some songs with a more emotional feel could make a more well rounded project but that is not in the spirit of this project.
The lyricism is good but is not near the best in the rap game. While the rhymes are entertaining and all lend themselves to the energetic party theme, it is not overly complex to bring in that particular audiance. However each track is enjoyable and the simplified rhymes help to get the party factor across.
The features all help with the energy factor. Most of them are up and comers who make trap music so fit in well with what Jeezy is looking to accomplish. This means that they each bring good effort to the track they are on to help make a cohesive project.
Overall, this is a good mixtape if you need something that the title describes. However it is not much good for anything else.
This is a good project but could do with less auto tune based hooks to help showcase the actual rap side of things. The verses and features are all good but with the level of auto tune being used much higher than other Hip Hop projects, it holds this back and shows that this collective might not be able to make a good rap hook.
The production is excellent and flows well through the project. The beats are catchy while also letting the artists have space to rap and be heard clearly over them. However they ca become repetitive through the project unless your really focusing on the lyrics to hear the changes, but there is enough differentiation to know when the track changes.
The lyricism is there but is not used by everyone consistently throughout the project. While some of it is cleverly written, there are also parts that are pure streets and are based on delivery to make them come across as good bars. If there was more lyrical consistency through the project, it may be a more enjoyable listen.
The features all deliver good verses that keep the recurring artists on their toes, trying to compete for the better rap. Each feature may not be totally unique, with sharing another rappers style, but they are all enjoyable. With some lyrical improvement to help improve the amount of wordplay usage, the features could go from god to great.
Overall, this is a good project that is very enjoyable to listen to but may not be for the lyrical audiences. It has some great moments as well as bad but doesn’t vary enough to be the complete package for Hip Hop listeners.
This is a great mixtape and has everything that a project needs to be considered a classic. It has range, wordplay, a great delivery and a good theme running through it. This is a great work of Hip Hop and should be listened to by everyone and Kevin Gates is shown as a great force in the rap game.
The production is good while being dark and gritty. This fits with the running theme and helps to build the atmosphere on the project to make it more enjoyable and enthralling. The beats cause the listener to be sucked into a monochrome world of gangsters and the streets and it is a fantastic listen through.
The lyricism is very good and clear on every track. Gates does well when it comes to storytelling on some of the tracks and does well to relate to his own experience on other songs. He weaves these moments together to create a flowing track list that is an easy and enjoyable listen that is worth more than one listen.
The features are good and help bring the mob feeling to the mixtape. This is good since the mixtape is named after a mobster. They help to bring out a more cohesive project, since they break up the monotony of one voice, and help add depth to an already fairly deep mixtape.
Overall, this is a very good mixtape that should be commended for pretty much every aspect of rap and Hip Hop. Fans of rap, Hip Hop or Kevin Gates should give this album a chance as it will soon become one of you more played projects of recent years.
This is another great throwback project from Snoop Dogg. This time he links up with Tha Dogg Pound, Daz Dillinger and Kurupt for those who arent aware, to create a G-Funk sounding project to kick back to. It recreates the G-Funk era perfectly while also incorporating their journeys and newer inspirations, like Snoops recent foray into reggae. That combined with the great chemistry the three of them has helps to create a good sense of cohesiveness.
The lyricism is present on not only every track, but by every artist. None of the three let down with their lyrics and they flow into each others style very easily. They each not only have their signature style and flows, but it is rare to find a group of individuals that sound not only different from each other but from most if not all other rap acts out there. Snoop especially shines through his diversity, being able to add the reggae flavour for a slightly different atmosphere.
The production is diverse with some freestyles over popular new tracks, some old songs they did together and some entirely new songs. The backing ranges from reggae to Hip Hop to even pop sometimes, which is a new direction for Tha Dogg Pound.
With the features only being when the trio jump on someone elses track, this helps to create a more cohesive project that showcases their talents on tracks picked for others.
Overall, this is a great project if your a fan of the rappers or a fan of the era, but it may not attract new fans as it doesn’t contain any of the factors that may make it considered “popular” but it is a fantastic project for kicking back and enjoying a great era of Hip Hop.