This release shows that Termanology has grown as a man as well as a lyricist. His story telling ability on here creates a good listen through for a cautionary tale.
The production is very interesting, with a lot of unusual sounds creating a haunting and somewhat offbeat backing to Termanology’s tracks. They give off an almost off putting vibe that helps generate a good atmosphere for the content. Something a little lighter might liven things up, but that would ruin the point of an album called Bad Decisions.
The lyricism is strong throughout the whole album. Termanology flexes his verbal muscles to fill his songs with details and wordplay, helping his story feel more real to the listener. He has a solid delivery as well, but it might be exciting to see him play around with it a little more than he has in the past.
The features all do great work at building on Termanology’s messages. All the guests show what they are capable of, while simultaneously reinforcing what he is saying. With no weak picks, the only way to improve the features would be some more singers, but that might not have given the correct feel for this album as a whole.
Overall, this album is a must for Termanology fans, but it may not attract many new fans due to the content and how far it seems from most pop music. Termanology should still be pleased with this work as most hip hop heads should be able to appreciate his work on here.
This has a lot of similar elements to YG’s previous and critically acclaimed album, but that turns out to be its downfall. A lot of the tracks feel like rehashing of previous songs and while this may create a few gems, it takes the sheen off the album as a whole.
The production is good, but lacks the luster that made previous beat selections so incredible. Each backing is still good and does make a great atmosphere for the song. Moving forward, hopefully YG can choose beats that stray a little further out of his comfort zone to possibly drive him to push himself a little more.
The lyricism is not the cleverest or most versatile, but it is still entertaining. YG has a signature tone and flow that enhances the impact of his wordplay and helps to keep the song enjoyable. A few more attempts at sharper schemes and wordplay might open this up to a wider audience and while YG sticks to his formula, this is still not a bad performance from him.
The features all do well to show their own skills and add to the songs they are on. All put in good verses and help stop things from becoming stale, especially with YG staying well within what he already knows. A few more singers wouldn’t go amiss, but the guests on here are still a welcome addition.
Overall, this is not quite the album people were hoping for from YG, but it is not all bad. There are still flashes of an incredibly talented rapper in here that can hopefully come back to the forefront for whatever YG pursues next.
This release shows some personal growth from Demrick, as an artist and a person. There are comparative points of high life living, but it is mostly an exploration of a deeper self.
The production has a timeless feel, with a feeling of opening up the listener so they are ready to receive the emotional content. None of the beats override the lyrics which helps the artist stay the focus point of the music, but would feel empty without the rappers input. Maybe something with a little more strength and body could make a tougher feeling album, although that is not the point of this release so the selection still works well.
The lyricism is strong as Demrick builds upon his foundation of clever wordplay. He makes more use of his singing tones, as well as a few more special effects, to great affect on these tracks which helps to give them more dimension. Maybe a little more variation of flow could create a few more interesting moments, but there is no doubt that Demrick has a strong performance on this album.
The features are good and help add ot the stories told on the songs they are on. However the project is not particularly long and they do take valuable time from the main artist. While the balance between rapping and singing is very delicate, this project does strike that balance very well which helps keep the project flowing.
Overall, this is a good release for Demrick to keep his career moving. While people who have been following him might see how he has moved forward, this album does not possess the wow power to bring in a lot of new listeners, but there are still high hopes for the future as This is still quality music.
This is a great release by a rapper who should be making even more waves than he already is. Denzel Curry displays a lot of talent on this project and hopefully a lot of people sit up and take notice.
The production is haunting but energetic which, as odd a combination as that seems, works out very well. These beats leave plenty of space for Curry to manouvre and exercise his talents. Maybe something a little further form the formula would be good, but this is definitely a strong selection.
The lyricism is fantastic. Denzel Curry does a lot of smart wordplay, bolstered by his delivery that makes every track on here entertaining. There are no issues with Curry’s performance but it would be interesting to see how he would handle a more radio friendly record.
The features all do a great job of adding fresh voices onto this album. All really show how talented they are, as well as helping keep this project cohesive. Maybe some higher profile guests could make a few more interesting moments, but the people on here are a smart choice for this album.
Overall, this is a fantastic release for Denzel Curry. He makes a lot of good choices on it and the way the album was rolled out over a few days helped people appreciate the tracks more as a result.
This release shows that despite any health issues, Freeway can still make quality music. He has kept everything that made him a great rapper and improves upon any weaknesses he may have had.
The production is amazing, with some classic offerings blending in with some more modern beats. Each backing accurately reflects the content and message of the lyrics and helps build a cohesive and fluid listening experience. Maybe a few more times on more pop beats will help Freeway be a little more comfortable on the tracks, since he doesn’t sound perfectly at home, but this is still a great selection here.
The lyricism is fantastic with Freeway utilizing his strong delivery to help the impact of his rhymes. There is strong wordplay that really helps with the descriptive aspect of the project. There are no issues with Freeway’s performance here as he even plays a little with his flow.
The features are, on paper, strong choices. However while some pull of great performances and show how clever their rhymes can be, others let the opportunity slide and give less than average verses. Hopefully Freeway will take this experience and not play to what he thinks the audience will enjoy, and make what he thinks is great music.
Overall, this is a great release from a veteran of the rap game. Moving forward, hopefully he can continue to have output like this and make records for real hip hop heads to enjoy.
This release does show growth from Westside Gunn as well as a touch more versatility. There is still room to try new things and experiment a little more, but there is no doubt that Gunn is in for big success here.
The production is great, with a lot of haunting backings that Gunn excels over, as well as some softer moments to peel back a few more layers of his psyche. The only issue here is that with the delivery of the main artist, the beats sometimes overpower the lyrics and make it hard to hear. On the other hand, this does prove the backings are strong enough to stand on their own and are a good selection to work with.
The lyricism is great and Westside Gunn really shows why he is a rising star of the rap game. He has a great grasp of strong wordplay which really plays into all his songs. It would be interesting to see more changes in his flow to help make a couple of exciting moments, but his delivery works well for the lyrics he spits.
The features all do a good job of expanding the play through with fresh voices and styles. It is great to see him still working well, and having great chemistry with, his label mates, who all show their own considerable skills. The addition of a few big names in hip hop also shows how Gunn has made connections in the rap world.
Overall, this is a great release from one of the rising lyricists in hip hop. Westside Gunn should take all this experiance forward as he prepares for his first major label debut.
This album has all the flavours that a Jedi Mind Tricks album should be. It has the aggression as well as the soul searching that makes a complete listen through.
The production is amazing with a lot of interesting sounds and plenty of power behind them to really push the lyrics forward. It could be argued that the beats are too packed with sound to be effective, but it is actually very effective with the content and delivery of the artists on the songs. It is great to see an ebb and flow of the album as the backings get softer and harder as it plays through.
The lyricism is strong, with the delivery really boosting its appeal. With the performance elements making the rhymes stand out, they may not be the most complex raps out there, but they are still smart which makes a great combination. This element is one of the top reasons that this album is phenomenal.
The features all do great to add cohesiveness and extra voices to this project. All have great talent and show it in abundance on this. It would be interesting to see more singers appear on this, but the guests do a great job on this.
Overall, this is a very energetic album that has a lot of what makes great hip hop albums. A lot of aggression and chemistry between the group members mean this album will be spinning for a long time.
This is a nice collection of songs but it does not feel like a total album. It might have some great moments, but it only feels like a piece of something bigger.
The productions is great with a lot of different offerings opening up a lot of avenues for content. The way it plays through can feel a little stop and go, but it does work for the duration of this project, although not anything longer. The main issue is that anything longer wouldn’t work, but this feel surprisingly short, while replay ability is moderate it can feel the listener feeling cheated.
The lyricism is clever and sharp, as Nas always is. Widely acknowledged as one of the greatest wordsmiths of the modern age, Nas does not disappoint with his wordplay on this release. His performance on here will help show the newest generation of rappers, not to throw shade at the older generation because they can still do a damn good job.
The features all help to build this track up, but on such a short project, it is a shame to see time taken from the main artist. They do a good job of showing their skills as well as add more cohesiveness to the release. It would be interesting to see how Nas would interact with a few other artists, but its good he kept at least that much time for himself on here.
Overall, this is a nice selection platter for what Nas is capable of, but is not totally satisfying. Maybe on his next release, it will feel like a meal, rather than a sample.
This album is a step away from the more street rhymes and moves towards a more open view of Jay Rock. He shows personal growth and is willing to try new things here that could pay off in a big way.
The production is great with the right touches in place for the appropriate songs. With this being a softer album, there is a high level of polish throughout the release that makes a very cohesive listen. It might be nice to hear a little more aggression in the beats, but Jay Rock’s delivery takes care of that.
The lyricism is strong and there is an increase in diversity from Rock too. He plays around more with a little bit of auto tune, used very tastefully, and variation in flow to keep every song sounding fresh. Again, it is missing a little bit of an aggressive edge, but the personal growth on this out shines that fact.
The features all do fantastic work helping to make this album great. Each puts across their own talents and finds the right tone for every song. The only thing missing for a lot of listeners is the rest of the Top Dawg Entertainment label, but there are still brilliant moments from the ones on here to tide people over.
Overall, this is quietly phenomenal and should be highly commended. People seem to forget that Jay Rock was the first one to break into the mainstream from Top Dawg and should keep this in mind when he releases projects like this.
This project is an intriguing listen as the two artists are both highly creative and have clear styles that blend well on this. However while this is a revitalizing project for Kid Cudi, Kanye West does not seem at his best.
The production is truly amazing, with each beat capturing the atmosphere of the tracks superbly. With each instrument being masterfully used to create the feeling needed deep inside the listener, there is no doubt that the beatsmiths put their best work into these offerings. It is a shame that they feel squandered with the vocals that are layed over the top.
The lyricism is strange, with a lot of clever wordplay used, but also some basic shouting and some just noise making. While both the main artists have some top verses given, for a short project they don’t fill out the songs and are happy to let the instrumentals run their course. Now while the beats are fantastic, it should also be important for the vocals to stand up and take some control as well as not be tampered with, which unfortunately they are.
The features are a mix of phenomenal and confusing. Some put in great work and create moments of greatness, while others seem to be barely contributing and leave a lot to be desired. Maybe some guests with a bit more punch could create some more memorable moments.
Overall, this project seems hit and miss, with more hits from half of the duo then the other. Let it be said that it can not be a great project when the best part of the whole thing is how Kid Cudi hums.