This album is a great showing of how independant artists can be successful without bending to mainstream pressure. Hopsin has put together an album that seperates himself from the pack of independant artist and puts him on top.
The production is excellent and is tailored exclusively to Hopsin’s style and needs. There is a lot of diversity in the beats to allow a lot of different content which gives the project such balance. Maybe a few more high energy tracks would have helped balance it out more, but on a personal album like this, it may not have fitted with the aim.
The lyricism is fantastic as Hopsin once again showcases his incredible talents. He utilises a lot of different techniques, mostly multi syllable schemes, to really bolster his imagery and story telling ability. With his variety in delivery and flow, there is no obvious way to improve this side of the album.
The features are good and really help to add depth to this project. Each brings a good verse to the track they are on and this really helps with the story telling from another point of view. A singing feature could have added another dimension, however Hopsin has a lot of that under raps most of the time anyway.
Overall, this is a very enjoyable album that is going to rejuvenate his fanbase to another bought of absolute loyalty. Hopsin should be congratulated on his effort here and to bounce back from an album that he thought was subpar.
This is a good album and has a lot of good moments. Locksmith has a lot of good imagery and personnal content which help give the album a connection to the listener.
The production is excellent and is very smooth throughout and helps make this a cohesive project. The beats sound very modern without losing the sense of the artist. A few more high energy tracks could lead to a more balanced project, however there are no problems with selection here.
The lyricism is good but can come across as basic. While there is a lot of good imagery and a lot of emotions running riot on this album, a few more complicated rhymes would not go amiss. That being said, the raps on this are weaved together well to get the message across.
The features are all good and help make this a great album. Each brings a good effort and breaks up the monotony of only hearing one voice. Maybe a few more singing guests could have balanced the album out a bit more, but the rest of the features all work well together.
Overall, this is a great album and is very entertaining to listen to. Not in the conventional sense, but in the understanding way that hearing a problem makes you think of your own.
This is a great album for kicking back to, or for smoking to if that is what you wanna do. There is a lot of songs aimed at smoking as well as more thought provoking songs.
The production is excellent and works extremely well with what Dizzy is rapping about on each track. the beats are cohesive and flow together without becoming one long song. A few more songs with higher energy may create a more universal project but it can be seen that Dizzy doesn’t want to give up on making songs he believes in.
The lyricism is also very good without being too complicated that it gets missed. Each song seems to have excellent wordplay in it backed up by Dizzy Wright’s passion about the content that improves the impact of each bar. Adding a few complications to his rhymes may help show more of an all round rap ability but there is no doubt that he knows how to write to connect with the listener.
The features are fantastic and show how Dizzy has made connections in the rap game. Each guest puts in a good effort and comes away with a good verse that helps to build up the track they are on. A few more guests that are either veterans or more likely to sing could help to create a more well rounded project, however there is no doubt to the effectiveness of who Dizzy has chosen for this project.
Overall, this project has the desired feel and atmosphere that Dizzy intends. It has all the makings of a laid back and enjoyable project that many people can enjoy and be entertained by.