This project is an intriguing listen as the two artists are both highly creative and have clear styles that blend well on this. However while this is a revitalizing project for Kid Cudi, Kanye West does not seem at his best.
The production is truly amazing, with each beat capturing the atmosphere of the tracks superbly. With each instrument being masterfully used to create the feeling needed deep inside the listener, there is no doubt that the beatsmiths put their best work into these offerings. It is a shame that they feel squandered with the vocals that are layed over the top.
The lyricism is strange, with a lot of clever wordplay used, but also some basic shouting and some just noise making. While both the main artists have some top verses given, for a short project they don’t fill out the songs and are happy to let the instrumentals run their course. Now while the beats are fantastic, it should also be important for the vocals to stand up and take some control as well as not be tampered with, which unfortunately they are.
The features are a mix of phenomenal and confusing. Some put in great work and create moments of greatness, while others seem to be barely contributing and leave a lot to be desired. Maybe some guests with a bit more punch could create some more memorable moments.
Overall, this project seems hit and miss, with more hits from half of the duo then the other. Let it be said that it can not be a great project when the best part of the whole thing is how Kid Cudi hums.
This album is a bizarre mix of excentricity as Kanye tackles his own difficulties throughout last year. However there doesn’t appear to be any regret over things he said while lacking passion to fill out his own tracks.
The production is interesting, with a lot of creativity being shown through the use of unusual sounds and patterns. This level of variation helps keep the songs sounding fresh, but stops them feeling fluid as the album plays through. A but more cohesion would go a long way to helping this project as a whole.
The lyricism is, if you take how it was technically put together, great. There is some clever wordplay as well as his signature shout at the end of his bars. However the content leaves something to be desired where, when he tackles some of his more turbulent moments in the year, he doesn’t seem to apologize for anything he said that might have been upsetting or wrong, morally or otherwise. This detracts from what Kanye is saying and may put off some listeners all together.
The features all do a fantastic job of showing their own skills and how they work together with Kanye. Everyone contributes, even if it is just a tiny amount in the background, but it all helps make the songs as good as they are individually. If they were all named on the tracks could be a nice touch, but their contributions are not forgotten.
Overall, this is a nice collection of songs but it does not have the impact of a great album. Some of the songs needed a bit more Kanye on them ot be included on this Kanye album.
This is a strong set of tracks from the former member of Clipse with very few missteps. While only seven tracks long, all have plenty of merit to them.
The production is great, with a lot of unusual sounds being used effectively for a fresher performance. Each beat is individual and stands out not only from each other, but also has entertainment value on its own. There are no issues with these backings as they only enhance this project.
The lyricism is great, as Pusha T uses his unique delivery to boost the impact of his rhymes. All the songs are filled with wordplay as well as fantastic story telling. Maybe a little more variation in flow could add a little something more to this release, but these are still top performances.
The features do well to keep the voices fresh and add new perspectives and angles on the songs. Both show how talented they are and help the album feel a little more cohesive. Maybe seeing Pusha T work with a few others from the industry could be interesting, but the way T works on here, he doesn’t really need the help.
Overall, this is a top release from Pusha T. Hopefully he can continue with this success and continue to put out music of this caliber.
This debut was worth waiting for. Cyhi The Prynce has spent a long time working on his craft and it is clear on this release.
The production is fantastic with a lot of backings that don’t overpower the artists on the tracks. Each fits the tone of the songs as well as being a strong atmosphere for the message being sent. Some more offerings with more of a club feel could give more for the general populace, but may not be in keeping with the project that Cyhi is trying to put out.
The lyricism is exceptional with Cyhi showing the talent that made the industry sit up and take notice. His lyrics are full of clever references and other great lyrical devices that embellish his storytelling with plenty of description. Possibly some more changes in flow could show a little more of what Cyhi is capable of, but his delivery is incredible on these tracks regardless.
The features are good and help to stop one voice becoming monotonous. Each shows their own skills while having great chemistry with Cyhi. There is a good range of different guests on here and it will be interesting to see who he chooses to work with in the future.
Overall, this is a very interesting listen with many thought provoking moments, The only issue is that the songs are possibly too long and can make a full listen through a bit of a struggle but Cyhi The Prynce has a great debut here and deserves a try from everyone.
This is a nice release from Drake with plenty of energy to make a listen through a delight. Drake is right to call this a playlist instead of an album because it is not so balanced as an album should be, but makes a great playlist for almost any situation.
The production is fantastic with all the elements that helped make Drake a household name to begin with. There are influences from grime to dancehall that help keep the palette fresh and cleansed as you listen through the whole project. The beat selection here is fantastic, but maybe a few more slower songs would give this a little more diversity.
The lyricism is great with Drake flexing his wordplay muscles as well as as continuing to shine with his singing. He takes a few subliminal shots at other artists but in ways that still show creativity and that he is still working to stay the top artist in the world right now. There are no problems with Drake’s performance on this project as he continues his run of greatness.
The features are great and show how Drake is growing as an artist. He is not worried about just choosing the biggest names, but instead chooses the artists he wants to work with. All of them do a good job and help make this release more cohesive.
Overall, this is a very entertaining listen through and could be a step into the future of music releases. Instead of trying to make an album that shows every side of you, Drake makes a list of songs that sound great all the way through, and maybe that is the direction the industry is headed in.
This is a great project from a legendary group. Not only does it show that there is still a way to make unique sounding music, but it is the best farewell they could ever give to Phife Dawg, may he rest in peace.
The production is full of the jazz influences you would expect to hear from this group. They use the instruments to create great atmosphere throughout the project as well as affect the energy as it flows through the songs. There are some moments that are sudden changes but they are out there for effect and are not mistakes as they are part of how the project plays out.
The lyricism is great with each member who raps doing a great job of showing their signature flow with enjoyable rhymes to make tracks that are thought provoking and yet easy listening. maybe a few more changes between flows could make slightly more impact, but there are no weaknesses in the performances on this album.
The features are great as each shows off their own impressive skills while showing great chemistry with the group. All are uncredited on the album which means that on first listen through they are a surprise and are somewhat refreshing. This is a nice touch as there is a good balance between singers and rappers which leads to a smooth project on each listen through.
Overall, this is a great alternative project from what is popular in the mainstream and should help show people that rap is more than the generic pop tunes. Each member should be proud that they could make Phife Dawg’s last project as great as this.
This project is good, fun and energetic which is sometimes what the audience needs. There are a few emotional songs, but Montana remains in his comfort zone for the majority.
The production is very bouncy with a lot of club atmosphere as well as some street beats to help keep this mixtape fresh. With so much power behind the boards, there is a lot of drive pushing this project forward that the backings provide a lot of the entertainment here. The beat selection is great for the music that French Montana wants to make.
The lyricism is straight forward but is effective in places. The rhymes are not made to be the most lyrical and his shouting at the end of almost every line doesn’t help make this more interesting. He knows what his fans want, and supplies that, but doesnt push French doesn’t push himself to be better.
The features help to make this more cohesive and to break up the monotony of hearing French Montana shout. Each puts in good effort and their styles alleviate some more of the similarities between the songs. Some more singing could have added another dimension to this mixtape, but French Montana knows what his fans expect and there are some huge names on here to assist with that.
Overall, this is a good romp through what a formulaic hip hop hit sounds like, but it lacks a lot of substance. French Montana may want to evolve his content if he wants to have more longevity in his career.