This release shows a willingness for AD to expand beyond his local territory. This is a great project that proves that AD is a talent to stay.
The production is smooth and expansive. Each beat leaves a lot of room for the artists on it to flex their skills and lets the flavour of the artists add to the backings. Maybe a few more songs with a few different influences could show a little more growth, but AD has a strong selection here.
The lyricism is not overly complicated but has a lot of impact with the delivery. AD does well to pick strong production that accentuates his performance. He has good wordplay, but a little more complexity would not go amiss.
The features all help to keep this project rolling smoothly on. They all show talent in their ability and keep this release being cohesive. A few more singers might give this another edge to praise, but the guests on this are a solid group.
Overall, AD should be very happy with this as it is another stepping stone to greater success. This should make more listeners take notice of the west coast rhymer and appreciate his skills.
This release takes Tinie Tempah back to sounding like his hugely successful debut album. The sound on this may lean towards more pop sounds, but the content helps to keep one foot in his roots.
The production is great with a lot of smooth sounds making this feel very cohesive as a full listen through. There are a lot of beats that seem simple, but are very effective as they don’t overshadow the artists at any point and help them have a little more impact. Something a bit grittier could have helped bring in more of his underground followers, but that might be a little lost for a big gain.
The lyricism is great, with Tempah showing the skills that brought him to the forefront of UK rap in the first place. He has a lot of great rhymes that punctuate his descriptive terms well and that push his story telling to the next level. However he does have moments of simply repeating the same phrase which can let a song down in places.
The features all do a great job of showing the connections Tempah has in the music world. Each contributes with a solid verse or chorus that works beautifully with the project overall, The guest selection here is so diverse that there is nothing that could be done to improve it really.
Overall, this is a release to remind the world that Tinie Tempah can still make big hits. He does that while showing he also has a softer side and staying entertaining, which is no easy feat.
This album is exactly what the title indicates with all the summer vibes it needs to make you forget it is Winter. With plenty of DJ Mustard’s signiture style to generate energy, if your missing warmer weather then this is the project for you.
The production is fantastic with DJ Mustard using his immense talent to pour a lot of great beats into this project. Each is still individual without running together while giving scope for a range of content to be explored. There are no problems with the beat selection on this.
The lyricism is good with Kid Ink using his ability to explore different techniques to enhance his writing. He tries a few different ways to make his imagery and the impact of his words improved but they sometimes fall short of the mark. While never by much it does influence the tracks and how they play out.
The features help to flesh out the project some more so that Kid Ink does not become stale on a full listen through. Each brings in an entertainment factor that plays well with the production and helps to make the project more cohesive. A few more singers could have made a few more interesting combinations, but the guest selection here works well.
Overall, this project is great for remembering the past summers and looking forward to the future ones. Kid Ink has crafted a project that fits its objective perfectly.
This is a good project for Kid Ink as it shows him making a whole variety of tracks with some good features and some different flows. There is not a whole lot to criticise about this project.
The production is smooth and refined. The beats blend together easily and are accessible for both lovers of Hip Hop and to lovers of Pop music. The way the producers have put the tracks together comes across as very polished without a fault in them and that is a big bonus for this project.
The lyricism is there and is scattered throughout but may not be as involved as some would like. While Kid Ink does very well to involve wordplay and lyrical devices in this work, the songs aren’t saturated in them so as to help expand the audience further into the realms of Pop music. For Hip Hop purists, Kid Ink could have used more wordplay.
The features are good and add to every track they are on. Each helps to bolster the cohesiveness of the tracks and helps introduce different opinions and angles on the message of each track. If the features weren’t there, this project would not be as good as it currently is.
Overall, this is a great project for Kid Ink and for rap as a sub-culture of Pop music. Kid Ink may well be part of a movement to move Hip Hop out of the darkness and into the mainstream of radio around the globe.