This album is what the title describes. All the tracks have truth in them and Trae does a good job putting his passion into the rhymes.
The production is great and gives enough scope for Trae to really explore around his emotions and feelings. There is not too much going on in the background to overpower the artists but they do have enough impact that they aren’t forgotten. Some more higher energy tracks could have balanced it out slightly more, however that would not be in the spirit of the emotional sharing.
The lyricism is good but most of the enjoyment comes from his delivery. His unique tone makes Trae easily discernible to the listener while his rhymes have enough power behind them to sink in and make you think. Some more complex techniques could entice more of an audiance, however that is not the aim of this project. Trae has selected his audiance and plays directly to them.
The features all do a good job of adding more depth to the tracks. They all bring a lot of effort to thier songs and give another opinion on the topic at hand. A couple more singing guests could strengthen the additional dimension, but Trae has selected a good group for this project.
Overall, this album is enjoyable to listen to while also making you think. It is good to see Trae make a full album rather than the stream of features the world has seen from him recently.
This is a street project the way they are supposed to be done. Gotti mixes in most if not all elements of street life and does it well enough that it is enjoyable for everyone to listen to.
The production is good and helps to explore all the angles of street life. The beats are diverse which allows Yo Gotti to explore more ways of making the street music. All of it comes across as fresher than most street music made these days which is refreshing for the genre.
The lyricism is better than Gotti has put out in the past, while keeping the same feel from his music. He may not be the head of the lyrical pack, but his improvements are moving him further away from the bottom which can only be a good thing. More rap techniques are used to help open up Yo Gotti’s descriptive ability that makes this project even better than first thought.
The features are also good, which helps to shoe hoe Gotti has risen to become a force in Hip Hop. Gotti works cohesively with the others on this project, who all put in good verses and appearances. The features all add something new to the tracks they are on and help fill out the project instead of hearing one voice.
Overall, this is a great project for lovers of street Hip Hop and a good one for lovers of Hip Hop in general. With some more readily available emotions and a touch more variation in his delivery, Yo Gotti’s next album could be a great work of rap music.