This release has a lot of elements of a Wu-Tang Clan album, but lacks a certain cohesion to fill out all the criteria. This album feels a little unbalanced and is gratefully accepted as almost a tribute to the group, rather than an official effort.
The production is classic Wu-Tang. There is plenty of haunting backings that reflect the groups starting point and how they have kept their flavor. There are a few more modern beats that never sound like a perfect fit, but do help show that the collective is trying to keep up with modern times.
The lyricism is solid from everyone, but only a few really shine out. No one does a bad job, but a few of them don’t perform at their finest and the rest have to pick up the slack. While you couldn’t pick out anyone performing terribly, but only a small percentage performs well.
Overall, with the features performing along the same lines as the legendary group, this release is a little too long. Maybe if it was a little more cohesive, it could have flowed a little easier and made this a little easier to listen to.
This is a strong showing of why you can’t think any member of the Wu-Tang Clan is not talented. Masta Killa may not be the most well known member of the collective, but he can still make high quality music.
The production is a throwback to the nineties with its haunting and darker sounds than a lot of modern beats. While it can seem like some of the backings can be confused for each other, they all create the right atmosphere for the track they are part of. Maybe something with more of a modern feel could help bring Masta Killa an edge for the newer audience, but the selection here works excellently for the project.
The lyricism is great with the rhymes full of passion and clever lyrical devices to increase the level of description. The delivery helps with the skill and dexterity needed to make it sound so effortless. Some changes in flow might help show a little more flexibility but the bars in this show that Masta Killa is still hungry to make quality music.
The features do a great job of fleshing out this release and showing not only that the Clan is still strong, but also some of the other connections that Masta Killa has made. Each of the features shows why they are talented while keeping a high level of consistency for the project overall. Something a little further from the Hip Hop field might make a few more interesting moments, but there is no doubting the star power of the guests here.
Overall, this release has some great messages as well as a lot of enjoyability. Masta Killa has done a great job curating this album and hopefully it gets the recognition is deserves.
This release has some great moments, but is not without its missteps. No part of it is bad, but some of it does not stand out amongst today’s rap elite and needs a little more finesse.
The production is powerful and gritty which helps boost the impact of Sean Price’s delivery. Each beat does a great job of creating the correct atmosphere for the song which helps keep the album cohesive. Something a little faster could help add something for a younger audience, but Sean Price knows what works for him and has used backings that are effective for him.
The lyricism is great with plenty of alliteration and clever rhymes to keep the legacy of Sean Price going. A lot of structured genius goes into making these bars really roll and land hard with the listener. A few attempts to change his flow might have helped add a little diversity but Price is in his element here.
The features help to make this so cohesive and the momentum going. Each guest only does a god job boosting Sean Price’s last album and only shows great respect for his memory. The guest selection on here honours Price in the best fashion.
Overall, this is a great project to show the greatness of Sean Price. This album will stand the test of time as a list of what could have been and how talented this legendary artist is.
This project is way back classic Snoop. Everything about this is West Coast magic that shows that the title is totally correct and that Snoop is still a force to be reckoned with.
The production is great with plenty of scope for the content. Each beat is individual but with plenty of West Coast flavour to take it back to those old days. With the goal in mind to show that Snoop never left his roots, there are no issues with this release.
The lyricism is even more classic Snoop with his legendary flow lifting this to new heights. His rhymes might not be the most complex, but they have passion and a unique delivery to help increase the entertainment value. There are no issues with the performance from Snoop on this.
The features are amazing and help keep the West Coast flavour alive. Each puts in a good effort and shows their own skills, while having great chemistry with the main artist. The selection make the perfect atmosphere and could not be improved in any major fashion.
Overall, this is an enjoyable and entertaining mix of currant talent and old school feels that makes a great album. Snoop Dogg should be happy and proud of what he has put out here.
This album is enjoyable if you were wanting to listen to people Method Man wants you to hear. However Method man gets a touch lost in the sea of other voices.
The production is good and allows for plenty of room for the artists to manouvre. There are a range of sounds as well as a variety of atmospheres to allow for a fair amount of content. However the changes in content topic are few and more diversity could have led to more interesting tracks, but Method Man still makes some interesting songs.
The lyricism is good and really adds to the enjoyment of the album. Method Man uses his unique vocal tones with his delivery and wordplay to make some really good performances that add a lot to the tracks. However his overload of features pushes Method Man into a crowded frame instead of making him standout. He does make his verses count making them far above average.
The features crowd this project out and make the listener lose focus from Method Man on his own project. While each of them do a good job making thier tracks entertaining, they are not top class rappers as Method Man is. They still do a good job, but there are too many.
Overall, this is a good project that has a high entertainment value. Method Man needs to put himself forward more if he wants to call it his own project.
This is a great album filled with comic book references and rhymes that make less able rappers pale. Every member of Czarface does a great job and should be happy with this project.
The production is full of that old school sounds you expect from old batman movies. The inclusion of these older noises help add to the theme and make a cohesive feel. All the beats are diverse and allow a range of content. A few more modern sounding tracks could show that Czarface could still be more diverse, however the selection fits the theme of this project very well.
The lyricism is excellent and all the artists do a great job of showcasing thier talents. Each of them have great verses and incorporate fantastic references within thier rhymes. It is possible that an improvement in thier delivery could help distinguish them from one another, but they all definately have great verses.
The features are good and help build the cohesiveness of the project. They all bring thier own good verses to the album to keep up the high standard. A few singing guests could have added an extra dimension but all of the guests work well together.
Overall, this is a great album to listen to with a few end of track skits and a lot of replay value. All three members should be proud of what they have put together.
This is an homage to ODB, Ol’ Dirty Bastard, but doesn’t quite make it to his level of greatness. While YDB, Young Dirty Bastard, does well to emulate his father, it does come across as an impression rather than YDB trying to come across as his own being.
The production is good and works well with YDB’s style. The beats excel at showcasing the range of pitches and voices that are used and it makes it even more entertaining. With a lot of retro sounds that are a bit of a throwback to the time of ODB, the production really helps to show that the particular style can still be effective.
The lyricism is good but there could be more diverse techniques used to make it even more appealing. However, the performance of the lyrics is incredible with the pitch and tone changes along with the signature voice create a great set of tracks from a lyrical perspective.
The features are good and help add a comparison to YDB. It is good to see an original Wu-Tang Clan member on a track in the form of Ghostface Killah, supporting the child of an old colleague and friend. All the features are good and bring additional diversity to each track to help keep it grounded and not flying away with YDB’s quirkiness.
Overall, this is a good project that helps to bring YDB more to peoples attention. It is unfortunate that YDB seems to be trying to be ODB but he still differentiates himself enough so that he can be considered his own artist and not an impression of his father.