This release is full of big names and big tracks that make this a very entertaining listen. With DJ Khaled acting more like a on this album, only the best tracks make the cut, and this album proves it.
The production is varied but always interesting. Every beat is energetic and works very well with the artists chosen to work on it. There may be something for everyone, but most will appeal to any listener as they are all polished and work as a full listen through as well as individual songs.
The Features on here make this project such a success. All show great skill and have great chemistry with the other artists on the songs as well as DJ Khaled. It is possible that some guests further from his comfort zone may have made some more interesting moments, but DJ Khaled has chosen most of the biggest names in Hip Hop to be a part of this release, and they don’t disappoint.
Overall, this is great for those who want to stick on an album and not use the skip button at all, leaving it to play through. DJ Khaled continues to have enormous success with his albums, but it should be noted that it is mostly down to other artists work. Not to take from Khaled’s ability to bring artists together, but most of the entertainment value is down to the features and not him shouting out during the project.
This release shows that Quavo can make enjoyable music without the other members of Migos. This collection of songs is full of energy but lacks a lot of depth in many of the offerings.
The production is trap based with lots of highs and plenty of atmosphere. Each beat has similar elements but uses enough different tones and sounds to make them individual. Maybe something further from his comfort zone would show a little growth in Quavo’s music.
The lyricism is good with some excellent descriptions and an interesting delivery to help keep things interesting. Quavo does use some wordplay and other devices to keep his rhymes impacting on the listener, but it can become repetitive, which is why keeping the project short was a fantastic choice. Maybe trying to embellish his words a little more could help push him further into stardom.
The features are excellent, helping to lift this project out of repetitiveness. Each has an excellent verse or chorus, showing their own skills as well as working well with the other artists. Some more singers would help add another dimension, but Quavo does enough singing on his own, even if it it with autotune.
Overall, this is worth a spin, but if the music of Migos is not for you, then this release from one member is most likely not either. Quavo will definitely appeal to his core audience however and possibly gain a few more listeners.
This release shows that 2 Chainz knows his core audience, but doesn’t grow to increase his listeners and therefore earn more money, as one of the songs on here is all about. Something to think about at least.
The production is good with a lot of interesting and entertaining sounds that create a lot of energy and keep it flowing through the whole project. A lot of the beats however are very much within the wheel house of the main artist. Trying to expand his repertoire further out of his comfort zone would make a more balanced release.
The lyricism is good, but is more of the same from 2 Chainz. He has respectable wordplay and his delivery is still entertaining, but his hooks are repetitive and the content is more of the same. Something fresh could give a lot of boost to this release, but it would have to be a big boost.
The features do great at breaking up the monotony that can set in by adding fresh voices and styles to the mix. Each does a good job of showing what they are capable of, but also at bringing fresh energy streams in ot stimulate this project and stop it dropping rankings any further. Some more singers would help bring more diversity too.
Overall, this will appeal to Chainz’s core audience, but does not have a lot to give other rap listeners. The title does not reflect the content and a lot of it will already have been heard before.
This is an energetic release reminiscent of the first Ransom project, but there is a certain amount of formula that is clear in each of the tracks. While the production from Mike WiLL is fantastic, what each artists does with it all seems to lead down the same path, with a few exceptions.
The production is phenomenal, with Mike WiLL creating trap beats that may seem similar, but all have different aspects that makes each individual. In a few cases it seems like there is a base guideline rather than an organic blooming to his creative process, but it still yields some great results. Maybe seeing what he can do outside the trap sub-genre could be an interesting challenge for the producer.
The features on this project are exactly what you would expect to find on songs from a producer as big as Mike WiLL. A stream of A-List rappers as well as fresh up-and-comers helps show a great level of respect for the producer here. It is a shame that so many come from the same vein of writing and delivery, but individually, they all still have good performances.
Overall, this is another release from an exceptional producer that proves he deserves the money and respect he is given. Only time will tell if he will attempt to branch out and attempt to work with a wider pool of talent.
This project is simply more of what has already been made already by the group. All three members are still entertaining but it is not as refreshing as some of thier other albums.
The production is entirely trap based which is exactly what the project is about. There is a lot of energy running throughout the listen through and each track will get the listener pumped up. This could be ideal for the gym or other exercise.
The lyricism is not complex but the delivery and performance really help push it to enjoyable. However there are no standout moments that make the listener sit up and pay attentioon. Instead of cranking out music as fast as possible, maybe focus on some quality to make thier projects go further.
Overall, this album does not break any new ground but contains a lot of elements that made them a hit. now they need to consolidate thier power to strengthen thier longevity.
This album has a lot of energy and more lyricism than expected but falls flat on repetition. While the songs can be enjoyed, the formula is very simple on each one with little substance.
The production is great and works well to make the almost party atmosphere throughtout the project. Each song has similar backings but are diverse enough so that the tracks don’t sound the same. Some more beats that aren’t so trap based could show more of a balanced ability, however Migos have played with thier strengths and come out on top.
The lyricism is better than expected. The trap nature of this album means that the above average wordplay is even more impressive. If the chorus’ weren’t so repetitive this album would have even more impact, but Migos has stuck with what they know to make energetic songs.
The features are good and do add slightly more to this project. Each brings more voices ot the record but they do not do enough differently to Offset, Takeoff and Quavo to really stand out. More features that do not do the same sort of things as the main artists would add more to the project.
Overall, this is an enjoyable project that many will enjoy a few times, but it does not have any longevity as it can be so repetitive. Migos may want to loo into writing a hook that is more than one repeated line.
This album has more classic trap music from one of the best to make it, and the way the project is structured makes all of it enjoyable. It is fairly short in comparison to some of Gucci’s mixtapes which helps keep it cohesive and enjoyable.
The production is good and works well with the type of music Gucci makes. On this project, each beat is diversified and helps make each track standout and stop them rolling into one. As this has been a problem on previous projects, it is good to hear a choicer selection of beats used on a Gucci project.
The lyricism is not complex but can be enjoyable. While his actual wordplay is fairly average, and his delivery can become stale, his continuous working of the beats with pure catchiness makes an entertaining listen. He still may want to make his wordplay more complicated but there is no doubt that Gucci makes energetic music.
The features are good as they are different enough from Gucci that they have impact on the tracks. Each has a good verse that shows the main artist can work well with others. However it may be good for Gucci to look for features further afield from his own style.
Overall, this is an enjoyable mixtape with a lot of highlights. Gucci is showing he is still a force in Hip Hop and that people shouldn’t forget about him.
This is an enjoyable mixtape but falls to a far too common flaw. Once you have heard one of the songs, it seems like you have heard a lot of the songs. A touch more variation wouldn’t go amiss.
The production is excellent and lends a good atmosphere to the track. The beats all run smoothly together and reflect the meanings of each song well. However, as the songs are so similar, some diversity would go a fair distance in making a more universal project.
The lyricism is alright but is nothing spectacular. The reliance on delivery and performance works well on the type of track the artists are making. On the other hand, some more lyrical acrobatics could make some tracks that would appeL to a wider audiance.
The features are alright but are very similar to the main artists when it comes to style. Each guest puts in good effort and has an alright verse that can bring a touch more cohesiveness to the project. Unfortunately, due to the stylistic similarities, thier performance can fade into the background as they can sound like the main artists themselves.
Overall, this is an entertaining mixtape that can showcase all the artists talent, but they could use a wider variety of content and backing. The next project from Rich The Kid or Migos should look to appeal to a wider audiance.
This is a very enjoyable listen and while the use of autotune is frowned upon by portions of the Hip Hop community, T-Pain uses this opportunity to show that he is the best at using it and can use it well. There is a lot of energy in these songs and it is mostly down to autotune.
The production is excellent and combined with the autotune delivery makes for some very energetic, club ready tracks. There are a lot of interesting noises and sounds used to create beats that are rarer than others and stand out much re from the crowd. While it would be out of his nature, some more slowed down beats may help T-Pain make more of a connection to the listener.
The lyricism is better than expected. T-Pain includes a lot of different rap techniques through out the mixtape and it really shows that he is moving forward still in his career. It is clearer when he isn’t using autotune but it is all peppered through the entire project and helps build up the experiance.
The features are also excellent and all contribute to this being a good mixtape. All the guests put in good effort and channel thier passion for music into thier contributions. Some features a bit further out of his comfort zone may make a couple of interesting moments but this selection make great listening.
Overall, this is a very enjoyable listen and there is a song on there for everyone. T-Pain makes some great songs and should be commended on his efforts.
This is a good project for Kid Ink as it shows him making a whole variety of tracks with some good features and some different flows. There is not a whole lot to criticise about this project.
The production is smooth and refined. The beats blend together easily and are accessible for both lovers of Hip Hop and to lovers of Pop music. The way the producers have put the tracks together comes across as very polished without a fault in them and that is a big bonus for this project.
The lyricism is there and is scattered throughout but may not be as involved as some would like. While Kid Ink does very well to involve wordplay and lyrical devices in this work, the songs aren’t saturated in them so as to help expand the audience further into the realms of Pop music. For Hip Hop purists, Kid Ink could have used more wordplay.
The features are good and add to every track they are on. Each helps to bolster the cohesiveness of the tracks and helps introduce different opinions and angles on the message of each track. If the features weren’t there, this project would not be as good as it currently is.
Overall, this is a great project for Kid Ink and for rap as a sub-culture of Pop music. Kid Ink may well be part of a movement to move Hip Hop out of the darkness and into the mainstream of radio around the globe.