This surprise release does the job of showing that both featured artists can still make music, but without much in the way of development. They both continue to do what they have done countless times before and are lucky it makes it to mediocre.
The production is solid from Mike WiLL Made-It as the beats continue to be entertaining and atmospheric. Each is individual, but have a lot of the same markers in them that can make them seem repetitive. Something with a little more punch and impact may help to lift this out of mediocrity and into the stardom that Mike is better known for.
The lyricism is more of the same from Yo Gotti as he continues to write about trapping and being a gangster. This shows little personal growth and the delivery sounds tired as he goes through the motions. There may be a core audience for this, but it is hard ot believe that this will have much commercial success based on what Gotti does here.
The project is short overall, clocking in at twenty nine minutes, so the choice to have one feature is smart. The one guest does a good job, but not outstanding. However they do elevate the project a little, and some other voices may have broken up the monotony nicely.
Overall, this is not a great release for either artist, but it has a certain energy to it that some might be looking for. Hopefully they can build upwards from this and make smarter music.
This is an energetic release reminiscent of the first Ransom project, but there is a certain amount of formula that is clear in each of the tracks. While the production from Mike WiLL is fantastic, what each artists does with it all seems to lead down the same path, with a few exceptions.
The production is phenomenal, with Mike WiLL creating trap beats that may seem similar, but all have different aspects that makes each individual. In a few cases it seems like there is a base guideline rather than an organic blooming to his creative process, but it still yields some great results. Maybe seeing what he can do outside the trap sub-genre could be an interesting challenge for the producer.
The features on this project are exactly what you would expect to find on songs from a producer as big as Mike WiLL. A stream of A-List rappers as well as fresh up-and-comers helps show a great level of respect for the producer here. It is a shame that so many come from the same vein of writing and delivery, but individually, they all still have good performances.
Overall, this is another release from an exceptional producer that proves he deserves the money and respect he is given. Only time will tell if he will attempt to branch out and attempt to work with a wider pool of talent.
The cover art for this release lets you know that this is rap gold and it does not disappoint in any way. This is the most cohesive the duo has ever sounded, and considering their catalogue, that is saying something.
The production is incredible with all the right emotions in the correct measures. The aggression that fuels this runs deep and helps the artists connect with the beats to aid in the performance. There are no problems with the backing selection on this and El-P should be proud of his work.
The lyricism is some of the strongest in the modern age with both members only doing fantastic jobs. There is great wordplay and schemes all over this album and it makes for very entertaining listening. Both artists have great delivery and flow to go with their rhymes, as well as having signature voices to help them stand out. Only rap genius from these two once again.
The features help keep the project on a high because of their own chemistry with both main artists. All give amazing efforts to compete with the others which helps keep energy levels high. Some singers could show another dimension, but might not be in keeping with the groups style.
Overall, this is definitely one of the top releases of the year. It is difficult to keep such a streak of great albums going, but Killer Mike and El-P may even have a few more in them if they can keep this momentum going.
This album is good as an experimental piece, but when compared to the original backing, it is not nearly as good. This is obviously not intended to be a smash hit and more of a joke piece, but that actually has some very interesting moments.
The production is interesting to say the least as it is made up of noises cats make. These are used by different producers to do over the beats for the original songs. There are a lot of different methods and patterns used to create backings that are not classically enjoyable but its good to see someone trying something different, even if it is not going to be the new trend.
The lyricism is still great as it was on the original project as the lyrics remain unchanged. Both Killer Mike and El-P do the same great job and all the features are still effective. On thier next project, it will be interesting to see if they can keep up this extremely high quality of lyrical genius.
Overall, this is a different project trying to make waves by doing something no one has done before. While it is not for everyone and will mostly be seen as simply a collectible item, it is refreshing to know that there are still people trying new things.
from a production point of view, this is a good mixtape, but the combination of featured artists and its tending for the tracks to lack any real flare. The artists lack the touch that makes each track want to be listened to and instead there is a string of mediocre songs that make up a majority of a twenty track project.
The production is fantastic and is the best part of the project. As Mike is a producer then this is a great point and the standard doesn’t drop below very good. The beats also have a signature sound that helps Mike stand out against other producers. However with the features on the tracks don’t totally do justice to the quality of the production.
The features are alright overall, but some are clearly not as good as some others. The more high calibre features do very well crafting superior tracks that have great energy and atmosphere. Unfortunately these are few and far between and there are more tracks to play through than to get excited by. This cuases a boring listen for anyone interested in lyricism and Mike may need to be a bit more careful of who he lets on his projects.
Overall, this has a few good tracks but has a lot of other tracks to shift through before you can pick them out. If the project had been cut a bit shorter and been more cohesive then it would have been a better mixtape. As it stands it is too long and too much hard work.
This is a bold and brash offering that is a great example of hard core Hip Hop too shake the masses. Both Killer Mike and El-P, who make up Run The Jewels, have done well to carry the momentum from their first great success into another project that is hard hitting and bound to be as much of a success as their last.
The lyricism is definitely present on every track and will help to draw in the crowds of Hip Hop fans who enjoy wordplay in songs. Both Killer Mike and El-P flex what they have in the lyrics department and it makes for a potent combo when it feels like they are passing the mic between them for who can be the most lyrical.
The production is fantastic by being in your face and blending the together so well that the project is easy to listen to the whole way through, even if it does feel like its trying to jump down your throat half the time. Full of unusual sounds and high tempo beats, this project is not smooth listening by any means but it is an enjoyable listen.
The features are good as they combine well with what Run The Jewels do and sound like on the track, while also promoting their own abilities. While they may not be the most well known people to feature on the album, they are good choices that don’t take anything away from the project.
Overall, this is a great album for Hip Hop lovers and is also a good introduction to the hardcore side of things for newer listeners as it is such a great example of what a top notch project sounds like. Run The Jewels should be proud of making a project that is living up to the high standards they set with their first album.