The title aptly prepares the listeners for the tracks on this release. Big Scoob is a man of two extremes with gritty street tracks and much softer tracks , but with no middle ground on the spectrum.
The production is fantastic with a lot of variation in atmosphere, depending on how he is trying to come across on that song. The aggression is clear when it needs to be as well as things getting more emotional as Scoob needs it to. Maybe something a little more radio ready while having a tough edge would give Scoob more exposure, but he does well over these beats.
The lyricism is great, with the fast pace helping to show how talented Scoob is. He uses wordplay and alliteration especially well and his tone giving his delivery an extra edge. There is also good variation with flow and some light attempts at singing to help give another dimension to Big Scoob.
The features all do a great job of adding their own skills to the project. Some help lend their talents to the hooks with their singing while others lend even more authenticity to the album. There are no issues with the guest selection here as all they do is build on this album.
Overall, this is a top release from a talented artist. Big Scoob has done very well crafting this and can hopefully capitalise off this and get more of the recognition that he deserves.
This is a good mixtape for Nipsey Hussle to show his skills are still sharp and he can still make great music. With a range of top mixtapes under his belt, this one only adds to the catalogue.
The production is good with lots of diversity so there is plenty of scope for content. Each beat is entertaining and creates the perfect atmosphere for the message of the song. There are no big problems with the backing selection here, apart from personal taste of the listener of course.
The lyricism is great with Nipsey showing a lot of different techniques as well as impressive delivery. Every song has a message that is clear and made clearer by the wordplay and descriptive ability Hussle displays. Possibly a few more flow changes could have an interesting effect, but Nipsey has a great performance on this project.
The features are good as they help to break up the sound of one voice over the seventeen track project. Each puts in a good effort and helps the project to stay cohesive. Maybe some more singers could balance out the guest side of this mixtape, but all on here are effective.
Overall, this is a great project if your a fan of the west coast as Nipsey Hussle hoists it up on his shoulders and carries through to the modern age. With a few others help, the west coast could beat out the other styles of rap music and be crowned king again.
This is a good mixtape to show that BH rocks the west coast as well as any other. The old sounding west coast beats combined with BH’s relaxed flow and kaidance combine to make a great project that is reminiscent of YG with a G-Funk twist.
The production is good and is a reminder that the west coast can still rock it like they used to. BH has selected some classic style beats to rap over and it helps take you back to the original boys in the hood days. They blend together very well, while keeping their own individual feel and this makes for a good mixtape.
The lyricism is good but there could be more. While some of it is very lyric centred and is very well done, other parts are made good by delivery and performance rather than the words he says. However there is some good lyrical ability thrown in to help make this project more appealing to the wider Hip Hop audiences.
The features are also good which helps to show that BH can work well with others. BH sounds very cohesive on these tracks when set alongside the other people on these tracks. His relaxed flow is very good when put with the relaxed west coast beats which is what makes this a good project.
Overall, this is a good project for fans of west coast Hip Hop and is a good addition to BH’s catalogue. This is an enjoyable listen with some real throwback value that shouldn’t be skipped over.