This is another solid release form Gucci Mane, but it is carried by its beats. Gucci does his thing, but it becomes monotonous as a whole listen through.
The production is fantastic with Metro Boomin providing some great backdrops. Each song is individual while having similar elements, but that is due to the same producer doing every song. There are no issues with the backgrounds as they are all sonically great.
The lyricism is not complicated but it is effective. The wordplay is there with some clever rhymes used, but there is a lack of variation in flow that drags it down a little. Some more effort in the performance and diversity could help lift this up a level, but it is still enjoyable.
The features are great as they help break up some of the monotony. Each puts ina good verse and while some sound similar to Gucci in style, they seem to have more energy and passion to fuel their verse. Maybe some singing would add another edge, but this is still a strong selection.
Overall, this shows that Gucci Mane does not plan to slow down or change the formula, especially when it puts up numbers like he was doing last year. If he wants to stay on this hot run, he might need to look into adding a little more flavour, but he will still make a bunch of money off of this.
This is a great release from one of the up and comers of the UK. Stefflon Don shows a lot of talent as well as potential from the range of tracks on this project.
The production is varied and energetic with a lot of different influences becoming clear. With Jamaican dance hall and UK Grime clear samples, Stefflon Don has a wide base to build on moving forward and has a lot of diversity in this project too. Something slower might show a side that might not be clear on this, but there is definitely every other side bright as day.
The lyricism is strong with an interesting delivery to help boost the impact. The rhymes are clever but not so complicated that they can’t be understood. There are no problems here from Stefflon Don and she should continue to push herself like this.
The features are great with some strong talent helping keep the competition high in this release. The British talent on this shows that the UK has other talent that Stefflon is giving exposure to. All do great efforts and will hopefully continue to work like this.
Overall, this is a fantastic project from a very talented artist. Stefflon Don will go far in the music world if she can continue to bring new flavours to the Hip Hop palette.
This release is incredible. Everyone knows how great the songs from Hamilton are, and letting these artists re-imagine them shows that they work as more than story telling devices in the show.
The production is great with some of the original Broadway backings used so the artists can give their own impression or interpretation of the originals. Where new songs have been created or tweaked, there are no missteps and actually helps keep the listen through fresh. This is a clever re-imagining of an already successful show and should help bring even more attention to it.
The lyricism is fantastic as Lin-Manuel crafted stunning rhymes from the original used in a lot of the tracks here. The new lines are all amazing with fantastic imagery and passion put into the messages of the songs. These tracks are put together with such a close eye on the precision of the craft that each of these feels almost brand new, despite there already being versions of a lot of them.
The selection of artists on here are fantastic. Each compliments the part they play on here in style and fits the need of the track perfectly. There are no problems at all with these features.
Overall, this is a really incredible showing of not only the talent of the artists, but how to put a release together. Lin-Manuel had a bright future after the musical release, but this will help solidify him as a future for music everywhere.
This is an enjoyable place holder from YG but it doesn’t reach the heights of his previous releases. However, it is a good reminder that YG is still a strong presence in hip hop.
The production is pure modern west coast, with plenty of bounce and rhythm to pull the momentum through. There is no doubting the energy in this but maybe it could do with some more slow songs for more impacting messages. On the other hand, YG knows what he works well with as on this selection he makes some good music to bump to.
The lyricism is not the most complex but the variations in flow and delivery help to create tracks that are memorable and catchy. YG sticks to his roots with content as there is less political charge in this release. He does a great job but it is a shame to see him being less of a voice of the people and growing slower as an artist.
Overall, this is entertaining for the listener, if a little bit of a rehash of older songs. YG has had a strong year and will hopefully continue to speak out for others as he has on songs in the past.
This mixtape has a flavour of the debut album Yelawolf in it, but with the maturity and sense of having a handle on things that he displayed on his second. in short, Yelawolf has shown growth on this mixtape that should sit well with all of his fans who hear it.
The production is hard hitting, but with a country theme. Yelawolf plays off his background and picks beats that use more traditional instruments to create songs that are easy listening but also engaging. If there were a few more tracks, maybe we would see a little more variation, but this is a great starter for what is hopefully to come.
The lyricism is clever and punchy, with the flow emphasising the words. When he raps, Yelawolf hits hard and while his delivery is important, his rhymes are complex and should bring in the lyrical purist crowd. Maybe a touch more variation in pace could improve the project, but it is all effective in making enjoyable music.
Overall, This is an entertaining mixtape that will help to tide over Yelawolf fans until the next full length release. Hopefully it will be in the same vein of this.
This project is very entertaining and shows that Meek Mill still has a passion for rap despite all the beef he finds himself in. It is good to see he is better than just a target for any number of rappers.
The production is good with plenty going on in the background to support the lyrics. Each beat contains similar elements but are diverse enough that they are not too much alike. Some slower songs could help balance this mixtape out, but Mill has a strong selection to work with here.
The lyricism is good but is not fantastic. Meek Mill relies on his delivery a bit too much and his rhymes do suffer slightly because of it. While they are still clever, his lines need a bit more complexity to appeal to a wider audience.
The features are ok but many run in the same vein and have thier own weaknesses. There is a lot of autotune that doesn’t work great with the beats and Mill’s own style as well as many other shout rappers that sound similar to the main artist. Some more variation would go a long way on this project.
Overall, this is an enjoyable project because of the energy running through and the fun that comes from it, but it does have its pitfalls. Meek Mill shout take what is in this mixtape and refine it for a future album.
This is a great project as it keeps Fabolous in the public eye, showing his skills, as well as being a refreshing step back towards lyricism for Hip Hop. This builds on the work of the first installation to make this a promising staple for rappers everywhere.
The production is great as it is very summer like as the title suggests. The beats are light and airy which allows the listener to float back to summer memories while being entertaining and enjoyable. There are no problems with the beat selection as they fit perfectly with the aim of this project.
The lyricism is excellent with Fabolous not missing a step to add wordplay to every bar. He adds a lot of lyrical genius to these songs and lifts the whole genre back towards smarter rhymes. Maybe some more changes in pace and flow would make for a more balanced performance, but Faboloous does a really incredible job of making this project amazing.
The features help to add points of comparison for Fabolous as well as fleshing out the tracks. Each puts in a good effort and, with some big names, show that Fabolous is one of the big players in the rap game. The guests do a great job of adding more summer feelings to this mixtape.
Overall, this project is fantastic and should be celebrated by listeners everywhere. Fabolous should continue to put out this music so maybe Hip Hop doesn’t forget to have clever lines.
This project is good laid back music with a twist of menace to liven it up. Curren$y makes the music he knows he does well and then steps in a direction slightly different to make this.
The production from Sledgren is excellent as it allows the artist to do a good job while still holding its own. It doesn’t fade into the background while not being overpowering so Curren$y is clear on every song. Sledgren should use this as a milestone to mark his success as he should get a lot more work after this.
The lyricism is good with Curren$y continuing to display talent in rhyme creation while telling a story and painting a picture for the listener. Each song has a message that he has made clear with his wordplay. There are no big problems here, but maybe sounding laid back doesn’t work with every message.
Overall, this is a great project for a short kickback and has a fair amount of replay value. Curren$y should continue to stretch himself and continue to step out of his comfort zone.
This project shows that Master P still knows how to put together a great project, even if limited on content. The guests really do well to help bolster this as Master P is starting to sound a little dated.
The production is great with plenty of energy and excitement throughout. Each backing fits the message of the song well and is engaging in its own right. Maybe some song with a little less happening in the background could allow more manoeuvrability for the artists on it, but it all still works well on this mixtape.
The lyricism good but can become stale as the content can come across as limited. Master P does have a few tricks up his sleeves but his brand of shout rap can be repetitive and mostly rapping about money he has made can make some songs somewhat dull. Some more branching out of content would go a long way.
The features all do a really good job of shoring up the tracks they are on with good efforts. While some guests are there to show they are still great and others to make a name for themselves, they all do a good job of helping make this project great. Some more singers could bring a new flavour to this project, but the selection here is comprised only of talented rappers.
Overall, this is a very enjoyable mixtape but the length of it can make a full listen through hard, as well as the topics being repetitive. Master P will always be a legend in the game, so lets hope his upcoming projects are a bit more balanced.
While not the best known artist, Prospectt has put together some respectable efforts over the last few years and each sounds more polished than the one before. This new project is no exception.
The production is smooth and works well with the content provided. Each makes a great atmosphere as well as not jarring at all during a listen through. The selection here, for the purposes of the songs, is excellent but it would be good to see what Prospectt selects for other topics.
The lyricism is good and helps with the emotional aspect of the project. While it is not the most complex wordplay, Prospectt makes rhymes that excel in story telling while still being intelligent. He may want to look a bit more at if he is on beat or off beat as he switches between the two a lot, but everything else is excellent.
Overall, this is a very enjoyable five track release that should help raise Prospectt’s profile in the Hip Hop community. If he continues like this, he should have a very successful career.