P Money – Snake EP 2 Review

If this EP doesn’t kill some of the rumours flying around about P Money, it is because people do not want to see facts. This has some great songs on it, which can be repetitive in a row but makes it very clear how P Money feels about his current beef.

The production is aggressive with a lot of techno sounds to punctuate the message. Each beat has a slightly different flavour to help to give a new angle on the situation each time. The aim of this is to be in yoru face, which the beats here accomplish with ease.

The lyricism is smart with some focus on wordplay and others on imploring that he is spitting the truth. The rhymes are clever without losing emphasis on how real his point is in every bar. He gets his message across without having to change his delivery to try and make it work.

Overall, this is a great EP for showing that P Money will stand his ground against any accusation against him. Now with this chapter hopefully closed, he can go back to making great albums.

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Sean Price – Imperius Rex Review

This release has some great moments, but is not without its missteps. No part of it is bad, but some of it does not stand out amongst today’s rap elite and needs a little more finesse.

The production is powerful and gritty which helps boost the impact of Sean Price’s delivery. Each beat does a great job of creating the correct atmosphere for the song which helps keep the album cohesive. Something a little faster could help add something for a younger audience, but Sean Price knows what works for him and has used backings that are effective for him.

The lyricism is great with plenty of alliteration and clever rhymes to keep the legacy of Sean Price going. A lot of structured genius goes into making these bars really roll and land hard with the listener. A few attempts to change his flow might have helped add a little diversity but Price is in his element here.

The features help to make this so cohesive and the momentum going. Each guest only does a god job boosting Sean Price’s last album and only shows great respect for his memory. The guest selection on here honours Price in the best fashion.

Overall, this is a great project to show the greatness of Sean Price. This album will stand the test of time as a list of what could have been and how talented this legendary artist is.

Tyler, The Creator – Flower Boy Review

This is a great album from Tyler that is fluid and doesn’t need defending like his previous releases. he shows not only great talent, but personal growth as well.

The production is not as aggressive as on his last album and with the softer tones comes a project that is much easier to listen to. The songs are softer but without losing all of their hardness and shock factor in some cases. This is a side of Tyler the world needed to see and help connect with him on a more human level, which is easier accomplished with this backdrop.

The lyricism is great with a lot of smart wordplay and a lot of clever rhymes. Tyler tones down his delivery but has built up more skill which helps him add to his descriptive ability that is another positive point of this project. With the growth shown from this, there are no issues with Tyler’s performance.

The features are well chosen and fit into their respective songs easily and without sounding forced. Each shows what they are capable of without over stepping and out shining the main artist. there is a good mix of singers with this album as well, which adds another level of entertainment to an already interesting release.

Overall, this is the best album that Tyler has released as it encompasses a wider audience without alienating so many. Hopefully he can carry this mentality forward.

Meek Mill – Wins And Losses Review

This release is another showing of force from Meek Mill, with a renewed vigour for success. After a turbulent time, he has shown how he can pull it together to make good music.

The production is energetic and helps keep the pace as the project plays. Each song with similar atmospheres all have a lot of the same elements, but are varied enough that they don’t get confused for each other. Maybe something with more of an easy listening feel would help include another audience, but would not fit with Meek Mill’s delivery.

The lyricism is strong with plenty of wordplay and clever punchlines. With some poignant messages in the mix here, the impact is huge with the delivery and performance aspects boosting them. a softer delivery might show that Meek is expanding his repertoire, but having already added a lot to his arsenal here, it is not a big miss.

The features are great and help with the cohesiveness of this album. Each makes a great effort and shows their own skills, which always fit with the song they are on. A guest from further afield than the rap game would help make some more interesting moments, but this is a small price for the results displayed on this project.

Overall, this is an enjoyable album with some great moments and little filler. Meek Mill can hopefully take this and have a more stable year to come.

Bugzy Malone – King Of The North Review

This release is a great showing of Bugzy Malone’s talent and how he is a force to be reckoned with. There is a song for each audience on here, but it may not connect totally because of the backings.

The production is good, don’t be mistaken, but it fades away a little too much in places, taking from the impact of the songs. Each beat is still individual and creates the right atmosphere for the project. However they do not totally support Malone and something with a little more push could lift this higher on the way to success.

The lyricism is great, with good story telling elements as well as wordplay. Bugzy Malone proves he deserves a title in the rap game, but knowing what happened to the last King in the North (Game Of Thrones) could show it is not always the best path to take. Let us hope he can continue to carry his brand and his skills forward to future releases.

The features are good and help show some good chemistry with the main artist. They each show their own skills and break up the hearing of one voice as well. Maybe some more guests could show that Bugzy can work with a range of people, but leaving more time to show his own abilities was still a smart move.

Overall, this release shows that Bugzy Malone definitely has a strong following that he appeals to. Now it is just a case of seeing if he can broaden that audience to fill the south as well.

67 – Glorious Twelfth Review

This is a very interesting release from one of UK rap’s hottest collectives. Each member holds their own as well as showing amazing chemistry as a group.

The production is great with a lot of influences coming from the Chicago drill rap scene. With a lot of energy running through the whole thing, each song has similarities, but is individual enough not to be confused for another. Something further form the formula would help show a more balanced project, but this selection works great for the purpose.

The lyricism is great with plenty of wordplay and each rapper has their own flow. Every bar is effective, with some relying more heavily on delivery than maybe they should. A few additional devices might help bolster this, but it is certainly effective at the level it is now.

Overall, with the five rappers here not needing features to add extra voices, this is definitely worth a spin. Everyone involved with this should be very happy with how it has turned out and should garner themselves a wider audience.

 

French Montana – Jungle Rules Review

This release is full of high energy and entertaining tracks that are enjoyable to listen to. However it feels odd in places where the use of auto-tune could be considered unnecessary.

The production is full of trap based beats and cleaned up street backings that help give the jungle vibe French is looking for. Each is strong as an instrumental but works very well with the rappers and singers over the top. Something a bit more experimental would show another aspect of French Montana, but the beat selection here has no real issues.

The lyricism is good with French Montana coming across as his most lyrically flexible self. His bars have some good wordplay and other devices in them, but can be repetitive in places, like the hooks. While he has definitely improved in this area, there is still room to improve further.

The features all help to increase the cohesiveness of this project and show thier own skills. In some cases, they can come across as very similar to what Montana is going for on the song as well with delivery but they never ruin the others performances. Something further form his own talents could help lift this guest selection, on the other hand these features are all effective on the songs they are on.

Overall, this is an achievement because there are a lot of good songs available on it. The problem is that if you cant sing, then don’t auto-tune everything because it can take from the real talent of the rhymes. Also, consolidate the track length to maximise effectiveness.