This has a lot of similar elements to YG’s previous and critically acclaimed album, but that turns out to be its downfall. A lot of the tracks feel like rehashing of previous songs and while this may create a few gems, it takes the sheen off the album as a whole.
The production is good, but lacks the luster that made previous beat selections so incredible. Each backing is still good and does make a great atmosphere for the song. Moving forward, hopefully YG can choose beats that stray a little further out of his comfort zone to possibly drive him to push himself a little more.
The lyricism is not the cleverest or most versatile, but it is still entertaining. YG has a signature tone and flow that enhances the impact of his wordplay and helps to keep the song enjoyable. A few more attempts at sharper schemes and wordplay might open this up to a wider audience and while YG sticks to his formula, this is still not a bad performance from him.
The features all do well to show their own skills and add to the songs they are on. All put in good verses and help stop things from becoming stale, especially with YG staying well within what he already knows. A few more singers wouldn’t go amiss, but the guests on here are still a welcome addition.
Overall, this is not quite the album people were hoping for from YG, but it is not all bad. There are still flashes of an incredibly talented rapper in here that can hopefully come back to the forefront for whatever YG pursues next.
This release is full of big names and big tracks that make this a very entertaining listen. With DJ Khaled acting more like a on this album, only the best tracks make the cut, and this album proves it.
The production is varied but always interesting. Every beat is energetic and works very well with the artists chosen to work on it. There may be something for everyone, but most will appeal to any listener as they are all polished and work as a full listen through as well as individual songs.
The Features on here make this project such a success. All show great skill and have great chemistry with the other artists on the songs as well as DJ Khaled. It is possible that some guests further from his comfort zone may have made some more interesting moments, but DJ Khaled has chosen most of the biggest names in Hip Hop to be a part of this release, and they don’t disappoint.
Overall, this is great for those who want to stick on an album and not use the skip button at all, leaving it to play through. DJ Khaled continues to have enormous success with his albums, but it should be noted that it is mostly down to other artists work. Not to take from Khaled’s ability to bring artists together, but most of the entertainment value is down to the features and not him shouting out during the project.
This release shows that 2 Chainz knows his core audience, but doesn’t grow to increase his listeners and therefore earn more money, as one of the songs on here is all about. Something to think about at least.
The production is good with a lot of interesting and entertaining sounds that create a lot of energy and keep it flowing through the whole project. A lot of the beats however are very much within the wheel house of the main artist. Trying to expand his repertoire further out of his comfort zone would make a more balanced release.
The lyricism is good, but is more of the same from 2 Chainz. He has respectable wordplay and his delivery is still entertaining, but his hooks are repetitive and the content is more of the same. Something fresh could give a lot of boost to this release, but it would have to be a big boost.
The features do great at breaking up the monotony that can set in by adding fresh voices and styles to the mix. Each does a good job of showing what they are capable of, but also at bringing fresh energy streams in ot stimulate this project and stop it dropping rankings any further. Some more singers would help bring more diversity too.
Overall, this will appeal to Chainz’s core audience, but does not have a lot to give other rap listeners. The title does not reflect the content and a lot of it will already have been heard before.
This surprise release does the job of showing that both featured artists can still make music, but without much in the way of development. They both continue to do what they have done countless times before and are lucky it makes it to mediocre.
The production is solid from Mike WiLL Made-It as the beats continue to be entertaining and atmospheric. Each is individual, but have a lot of the same markers in them that can make them seem repetitive. Something with a little more punch and impact may help to lift this out of mediocrity and into the stardom that Mike is better known for.
The lyricism is more of the same from Yo Gotti as he continues to write about trapping and being a gangster. This shows little personal growth and the delivery sounds tired as he goes through the motions. There may be a core audience for this, but it is hard ot believe that this will have much commercial success based on what Gotti does here.
The project is short overall, clocking in at twenty nine minutes, so the choice to have one feature is smart. The one guest does a good job, but not outstanding. However they do elevate the project a little, and some other voices may have broken up the monotony nicely.
Overall, this is not a great release for either artist, but it has a certain energy to it that some might be looking for. Hopefully they can build upwards from this and make smarter music.
This project is very entertaining and shows that Meek Mill still has a passion for rap despite all the beef he finds himself in. It is good to see he is better than just a target for any number of rappers.
The production is good with plenty going on in the background to support the lyrics. Each beat contains similar elements but are diverse enough that they are not too much alike. Some slower songs could help balance this mixtape out, but Mill has a strong selection to work with here.
The lyricism is good but is not fantastic. Meek Mill relies on his delivery a bit too much and his rhymes do suffer slightly because of it. While they are still clever, his lines need a bit more complexity to appeal to a wider audience.
The features are ok but many run in the same vein and have thier own weaknesses. There is a lot of autotune that doesn’t work great with the beats and Mill’s own style as well as many other shout rappers that sound similar to the main artist. Some more variation would go a long way on this project.
Overall, this is an enjoyable project because of the energy running through and the fun that comes from it, but it does have its pitfalls. Meek Mill shout take what is in this mixtape and refine it for a future album.
This album had high hopes, but falls flat a lot more than it soars. Some tracks come across as cohesive genius whereas others seem more like formulaic noise to try and bring in more listeners who are not Hip Hop educated.
The production is good in places and great in others. There is a lot of energy running through the project but in a lot of places the elements in the tracks become more merged together into background noise rather than being effectively tools. Maybe some more beats with less happening in them would open up more space for the artists.
The features all do their job and most do it well to help flesh out this project. The verses tend to be effective but the hooks come across as repetitive in a lot of cases which really lets the album down. Some more imagination in that particular aspect would go a long way.
Overall, Khaled has made his playlist of high value artists and put together a collection of music that will appeal to most. However only a few tracks will remain with the listener.
This album is Yo Gotti making more music about what he knows with his same drawl that he always uses. His style and content is becoming stale which is accentuated by his inability to write a hook.
The production has plenty of energy running through it to help the listener enjoy some aspect of this project. There is some diversity in the backings but not enough to stop a lot of the songs sounding very similar. Yo Gotti should look to try some new types of beat so he can continue to stay current in the rap game.
The lyricism is not good with a lot of basic wordplay that allows the rhymes to be forgettable and takes a lot of their impact. More variations in flow would have helped a lot as well as Yo Gotti sounds very mono-tonal as the project goes on. There is plenty of room for improvement on the lyrical side of things.
The features are good as they add the only variation in the whole project. Each may not have the most entertaining verse but they certainly raise the profile of the project as well as bringing fresh voices. Some guests further from the rap genre could have added another dimension.
Overall, this can be enjoyed in the right frame of mind, but is not for everyone. Yo Gotti needs to shake up his formula if he wants to bring in a wider audience.
This project is great as it shows that Fabolous is still making great music. He uses his great skill. To make these that have a summertime feel but with a winter coldness.
The production is great as it is light and breezy but with the ability to apply to any content. The beats are all individual and won’t get confused with any of the other songs. Any other style of production would not have been in the keeping with the theme.
The lyricism is fantastic with Fabolous showing how he first built his name in Hip Hop. He uses a range of techniques flawlessly to get his point across with great imagery and with plenty of impact. There are no real problems with the rhymes on this project.
The features are diverse and help to pull the project together. Each has an enjoyable verse or hook that helps push Fabolous to work harder as well as show what each of the guests are capable of. Maybe some more singers could give the project a little extra something but there are no problems with the selection here.
Overall, this project is a great showing for Fabolous and to show that the mixtape world can still crank out album worthy projects. Hopefully Fabolous can carry this momentum forward.
This album is full of high energy music without it all being aimed at clubs. There are also a few touches of a softer side that are rarely heard from Meek Mill that really help pull the project together.
The production is all excellent as it reflects what Meek Mill’s actual attitude on the song is. There is a lot of higher tempo beats that help the project keep rolling and there are also a good mixture of atmosphere to enhance the message of each song. Maybe a few more backings with more of an old school feel would show more of a complete challenge for Mill, but he has made a good selection of beats on this album.
The lyricism is good, although is not the most complicated. He utilises a lot of different techniques to really embelish each track and really improve the imagery. With his delivery showing that he will not be left in the background, it is really quite upsetting when he uses so much autotune throughout the album. Less autotune could help Mill keep his core audiance, however when he is using his raw talent, the tracks are great.
The features are great and help build the project up with a huge amount of working chemistry. They all bring good verses or hooks and help bring more diversity that the project needs to help it reach that next level. A few more singing guests could have helped bring the level of autotune down on the project.
Overall, this is an enjoyable project that unfortunately has a few down moments. For the most part, a lot of Hip Hop listeners can get into.
This is a complete party album with a touch of feelings thrown in for good measure. There are a lot of energetic tracks to get the blood going with the ocassional thought about consequences thrown in for good measure.
The production is good as Mike-Will Made It is behind a lot of it. His signature style plays well with the artists delivery and flow which helps to make each song individually good as well as the project overall. The sounds on each track are signature to Mike-Will made it and help to make this a more focused effort on the production side of things.
The lyricism is not great but with the energy put in and the performance put in, helps to make these good songs. While there is some lyricism present on these tracks, the duo don’t put in too much lyricism to make these tracks appealing. These songs are mostly aimed at the club goers and head bangers and it targets that audience beautifully.
The features are good and help give some extra depth to the album while also showing that Rae Sremmund have some music industry connections. The featured artists give great verses that, in a lyrical sense, show up Rae Sremmurd. However the tracks are very enjoyable to listen to.
Overall, this is a good project for Rae Sremmurd to get their name recognised and to help in the resurgence of duos and groups. With the team around them, and the energy they put into their tracks. they have a chance to go very far in the Hip Hop world.