This release is a great showing of Bugzy Malone’s talent and how he is a force to be reckoned with. There is a song for each audience on here, but it may not connect totally because of the backings.
The production is good, don’t be mistaken, but it fades away a little too much in places, taking from the impact of the songs. Each beat is still individual and creates the right atmosphere for the project. However they do not totally support Malone and something with a little more push could lift this higher on the way to success.
The lyricism is great, with good story telling elements as well as wordplay. Bugzy Malone proves he deserves a title in the rap game, but knowing what happened to the last King in the North (Game Of Thrones) could show it is not always the best path to take. Let us hope he can continue to carry his brand and his skills forward to future releases.
The features are good and help show some good chemistry with the main artist. They each show their own skills and break up the hearing of one voice as well. Maybe some more guests could show that Bugzy can work with a range of people, but leaving more time to show his own abilities was still a smart move.
Overall, this release shows that Bugzy Malone definitely has a strong following that he appeals to. Now it is just a case of seeing if he can broaden that audience to fill the south as well.
This release shows how Prodigy is aware of issues happening today as well as his own status and his position to help change it. Before his untimely death, this was a good album to end with, even if he didn’t mean it to be his last.
The production is great with plenty of different atmosphere’s, reflecting the content with ease. Each track feels individual and the skits work well to help bridge the gaps between each one. The is a great selection of beats on this and only missing something with some pop flare, which Prodigy would not have wanted to be particularly near in the first place.
The lyricism is sharp and poignant, with the unique delivery giving each bar extra impact. With so many messages woven into each rhyme, the level of description and story still involved is incredibly high and Prodigy makes every word land heavily with the listener. maybe trying something further out of his comfort zone could show a little more growth, but Prodigy knew what he was doing when he put this together.
The choice to only have one feature was clever because the introduction of the skits into the album broke up the rapping nicely and didn’t require other voices to do so. The one guest does well to keep the message strong and display his own skills, not letting down the full listen through. It is possible that showing his chemistry with others may have improved these songs, but they are still amazing songs without other voices marring the point of each one.
Overall, this is another strong release from Prodigy and addition to his catalogue. He was taken too early from not only the Hip Hop community, but from this world and may he rest in peace.
This is a good release with Kool G Rap making a lot of clever decisions to increase replay ability. Shortened songs and great guests help elevate this even higher.
The production is fantastic with MoSS providing good backdrops for each track, and creating a good atmosphere. There are similar elements in each song, but they are still individual. Maybe something a little further from the formula would show the artists in another light, but MoSS has provided songs that allow the vocalists to excel at what they do.
The lyricism is clever with Kool G Rap using his delivery to add more impact to his rhymes. The bars might not be the most complex, however they do carry a lot of weight and land hard with the listener. Some change in flow might help separate out Kool’s performances, but the guests also help to do that so it is not the biggest issue.
The features are great and do a good job of pushing this project forward. Each puts in an amazing verse that helps push Kool G Rap onto further greatness as well as showing that they are at the top of their respective games. With some rap legends keeping their names alive on here, the artists here are a great selection to have on any project.
Overall, this is another release from a veteran that could teach newer artist how to make music with longevity. With plenty of replay value, this is definitely worth a few listens.
This project is another good showing from the members of CZARFACE. Each does their part very well which helps lead to a concise and cohesive project.
The production is fantastic with the signature CZARFACE sound coming through very clearly. The jazz influences are still present and help add a dimension to this music that a lot of new music is missing. It may not be to everyone’s taste, but it is different, edgy and very enjoyable.
The lyricism is good with the rappers using plenty of superhero references to play to the comic book style. Both Esoteric and Inspectah Deck put in the energy to fit with the fast paced album, which is thirteen tracks but last only thirty five minutes. Some more changes in flow could make a few more interesting moments, but there are no faults in the rhymes spit by the main artists.
The features help to flesh out this project and shows that not only big names help make tracks. Each of them put in good efforts and help keep the quality high on this album. A few more singers may help to expand the possibilities of this album, but may not have fitted with the style of the CZARFACE story.
Overall, this is a very fast paced and entertaining project, but may not be for everyone. On the other hand, it is definitely worth one listen to decide if the style of this group works for you.
This project is a fantastic introduction to KXNG Crooked for fans before his album drops. Previous fans can get behind the fact that one of the most lyrical rappers in the modern game is still being a rhyme genius and new fans can enjoy the bouncy production while learning what lyricism is.
The production is a sleek west coast affair, with bouncy backings and plenty of energy to help keep the listener interested, especially if they haven’t heard a Crooked song before. Each beat isn’t jarring in anyway and the fluidity of the transitions makes this an easier listening experience instead of being thrown from song to song. With this being only a handful of examples, it will be interesting to see what Crooked has chosen to work with on the full album.
The lyricism is fantastic with Crooked cramming bars into every song but without it sounding forced. Metaphors and similies are strewn throughout but the songs don’t feel overcrowded with rhymes trying to be too clever. The perfect balance is struck between bars and delivery and KXNG Crooked thrives in those moments.
Overall, This is a really great EP for Hip Hop fans everywhere, while knowing it is only a taster for what is to come in a few weeks time. May the album be as good or better than this and it will be in contention for album of the year.
This album may not be the most cohesive project out there, but it does reflect the state of Compton at the time of release. Game uses this to try and help aspiring and known artists to reach a wider audience.
The production is good and gives a great atmosphere that helps the messages of each track hit harder. There is some variation in styles, but the main sounds are gritty and street, to fit with the theme. Maybe a larger portion of the lighter side of things could have made a more balanced project, but this was made to highlight the negatives for the listeners, which it does.
The lyricism is great from Game yet again. He uses his gruff tones and clever wordplay to weave his messages into tapestries so you can picture what he is describing. Some more light hearted songs wouldn’t go amiss but Game knows what he is trying to say and puts it across well.
The features all do a good job of showcasing their skills and helping to bolster their name in the Hip Hop community. There are a selection of different styles which help make the project pop more. Only time will tell if they can capitalise and grow as artists.
Overall, this accurately depicts the currant state of Compton and of the artists currently making a name for themselves. Game gives them a good platform while still showing he can write great verses.
This album is Yo Gotti making more music about what he knows with his same drawl that he always uses. His style and content is becoming stale which is accentuated by his inability to write a hook.
The production has plenty of energy running through it to help the listener enjoy some aspect of this project. There is some diversity in the backings but not enough to stop a lot of the songs sounding very similar. Yo Gotti should look to try some new types of beat so he can continue to stay current in the rap game.
The lyricism is not good with a lot of basic wordplay that allows the rhymes to be forgettable and takes a lot of their impact. More variations in flow would have helped a lot as well as Yo Gotti sounds very mono-tonal as the project goes on. There is plenty of room for improvement on the lyrical side of things.
The features are good as they add the only variation in the whole project. Each may not have the most entertaining verse but they certainly raise the profile of the project as well as bringing fresh voices. Some guests further from the rap genre could have added another dimension.
Overall, this can be enjoyed in the right frame of mind, but is not for everyone. Yo Gotti needs to shake up his formula if he wants to bring in a wider audience.