This release sounds as a Styles P album should. It has every element of street life involved in it and plays through like a reflection on his own life.
The production is fascinating, with gritty street beats thrown in with some slower, more emotional offerings. This helps give a complete feel to the album, rather than focusing on one element and losing a chunk of his potential audience. Styles P excels over these offerings, some might want to see him try something different from what he already knows, but the beat selection here shows some clever thinking and should be celebrated.
The lyricism is good, with a lot of impact in the delivery. Styles P has a signature tone that helps distinguish him from others on the tracks, as well as increase the potency of the words. While his performance here is fantastic, it would still be nice to see P try some more lyrical acrobatics.
The features are all incredible and help add new levels to the songs. With the combination of other rappers and heavy assistance from one particular artist for singing, the cohesion between tracks is amazing. Maybe slightly more variety in singers and an appearance from his LOX colleagues would be great, but Styles P has more more smart choices here again.
Overall, this is a milestone for Styles P as his followers wont be able to keep away. Every track here speaks to a lot of people and is worth the attention of all hip hop fans.
If this EP doesn’t kill some of the rumours flying around about P Money, it is because people do not want to see facts. This has some great songs on it, which can be repetitive in a row but makes it very clear how P Money feels about his current beef.
The production is aggressive with a lot of techno sounds to punctuate the message. Each beat has a slightly different flavour to help to give a new angle on the situation each time. The aim of this is to be in yoru face, which the beats here accomplish with ease.
The lyricism is smart with some focus on wordplay and others on imploring that he is spitting the truth. The rhymes are clever without losing emphasis on how real his point is in every bar. He gets his message across without having to change his delivery to try and make it work.
Overall, this is a great EP for showing that P Money will stand his ground against any accusation against him. Now with this chapter hopefully closed, he can go back to making great albums.
The cover art for this release lets you know that this is rap gold and it does not disappoint in any way. This is the most cohesive the duo has ever sounded, and considering their catalogue, that is saying something.
The production is incredible with all the right emotions in the correct measures. The aggression that fuels this runs deep and helps the artists connect with the beats to aid in the performance. There are no problems with the backing selection on this and El-P should be proud of his work.
The lyricism is some of the strongest in the modern age with both members only doing fantastic jobs. There is great wordplay and schemes all over this album and it makes for very entertaining listening. Both artists have great delivery and flow to go with their rhymes, as well as having signature voices to help them stand out. Only rap genius from these two once again.
The features help keep the project on a high because of their own chemistry with both main artists. All give amazing efforts to compete with the others which helps keep energy levels high. Some singers could show another dimension, but might not be in keeping with the groups style.
Overall, this is definitely one of the top releases of the year. It is difficult to keep such a streak of great albums going, but Killer Mike and El-P may even have a few more in them if they can keep this momentum going.
This release starts off strong with all three members having strong verses, but some safe choices later can make a full listen through disappointing. Some of the more mainstream options takes this edge off this gritty album that could have been solid without them.
The production is good with the right atmosphere on every track helping to make this have more of an impact. While some of the beats are perfect for the group, the attempt to seem more radio friendly makes the group seem like they are trying to grow their audience. However by doing this they may have lost some of the core group that liked their old stuff. By sticking to what they know, they may have created a more cohesive project.
The lyricism is fantastic with all three members trying hard to be the best. They also try hard at the performance aspect with their individual delivery making the tracks stand out slightly. On the downside, the hooks are not as hard hitting as the verses and can be repetitive in places. While there are no major works to be done, this is not a totally smooth ride.
The features are the weakest part of this release because they don’t necessarily fit with the style of the group. While none do particularly badly, some do not gel with the chemistry of the group and sound a little out of place. Some singers would have been a better way to show the softer side than radio attempts.
Overall, this is an enjoyable release if you can sit through the few rough patches. Sheek Louch, Styles P and Jadakiss should be proud of their individual performances as well as how they work as a team.
This is a fun release from P Money because despite some of the more emotional content, the way it is crafted keeps plenty of momentum going. P does well to have such diverse content in these conditions.
The production is much more electronic than other releases but helps to show that P Money is willing to try new things and explore the world of music more. Each is individual and yet cohesive to the others so that a full listen through doesn’t become work. The experiment with these kinds of beats have worked well and it will be interesting how P develops further in the future.
The lyricism is good with a strong delivery helping to bolster the performance. Solid wordplay as well as variation of flows helps make this entertaining as well as allowing the rhymes to land home hard. This is a great showing by P Money as he should continue to develop as an artist and put out music like this, but maybe a little less repetition in the hooks.
The features are good too as they have some strong performances as well as Money bringing up some newer talent too. Each showcases their own abilities and helps to make this the cohesive project that it is. Possibly a little more singing could help but this is still a great selection.
Overal, this is a fun and enigmatic album that should have some serious success. P Money should get more attention from audiences with this release.
This project definitely has the cohesive feel that comes with people who are close making music. It is a shame that a lot of the songs are in the same vein, but they are done well.
The production is good and really punctuates the rhymes with the amount of emotions somehow crammed in. Each beat has a lot of similarities, which can often happen with total in house production, but they are all effective in getting the energy across. A few more variations on the beats wouldn’t hurt but all the backings are still very much enjoyable.
The lyricism is entertaining and the different delivery of each Mob member helps keep things fresh as the project plays out. A lot of solid bars are scattered throughout the album, but there is the odd miss step which is quickly covered up with another rhyme. A bit more consistency would make this flow just a little easier.
The features are good with some big names keeping things moving. Each puts in a good verse or uses their signature talents to bring their own flavour to the songs. Some singing could lighten up this project full of deeper tones and noises.
Overall, this project is a good showing of each of the members abilities and how well they work together. It will be interesting to see how they progress with future endeavours.
This project shows that Master P still knows how to put together a great project, even if limited on content. The guests really do well to help bolster this as Master P is starting to sound a little dated.
The production is great with plenty of energy and excitement throughout. Each backing fits the message of the song well and is engaging in its own right. Maybe some song with a little less happening in the background could allow more manoeuvrability for the artists on it, but it all still works well on this mixtape.
The lyricism good but can become stale as the content can come across as limited. Master P does have a few tricks up his sleeves but his brand of shout rap can be repetitive and mostly rapping about money he has made can make some songs somewhat dull. Some more branching out of content would go a long way.
The features all do a really good job of shoring up the tracks they are on with good efforts. While some guests are there to show they are still great and others to make a name for themselves, they all do a good job of helping make this project great. Some more singers could bring a new flavour to this project, but the selection here is comprised only of talented rappers.
Overall, this is a very enjoyable mixtape but the length of it can make a full listen through hard, as well as the topics being repetitive. Master P will always be a legend in the game, so lets hope his upcoming projects are a bit more balanced.
This album does have some great tracks on it but is disfigured by its use of autotune and radio style backings. Master P says he remembers where he comes from but the majority of tracks on here could indicate otherwise.
The production is enjoyable but does not have that raw energy that the more street side needed to give it that authentic edge. The more hollywood side has the right atmosphere and sound but it does not have the balance the listener is looking for. That is the only issue with the beats however.
The lyricism is alright with some highlights, but there is a lot of mediocre rhymes in there as well. The verses tend to be above average and really help get the point across, but the hooks are very repetitive and get dull quite quickly. Some more flexibility in the formula could make some more interesting moments.
The features do a good job of fleshing out the project but lack the flair to really spur it onward to further greatness. Each does have an alright verse but there are no standout performers that really shake up the album. Maybe more of a range of guests could make some more memorable moments.
Overall, this album shows that Master P can still make music but it is not of the game changing calibre that was expected. While not slouching, maybe Master P has peaked musically.
This project relies heavily on production for its greatness, but P Money does a good job keeping it interesting. It is a shame that at twenty tracks long, that there is so much similarity between the tracks.
The production is excellent and really helps to build this project up to another level. All the beats are so grimy that they could not be confused for anything else. There are a lot of unusual sounds and noises that are used effectively to make the tracks interesting. Maybe a bit more variation between the backings would give this project some more replay ability, however there are no big issues with the selection here.
The lyricism is good but not as good as it could be. A lot of the performance on this album is from delivery and while the wordplay here does help, it is not the main focus. That is not to say that there is not enjoyable wordplay within the project, it is just not as noticable as it could be.
The features are alright but they don’t shine as much as P Money does. Each of them does try hard and has thier own unique approach to thier rhymes and thier own vocal tones as well. The problem is that P Money is on another level and sghows the weaknesses in the guests verses.
Overall, this is an enjoyable album for a while and then it falls into the repetitive catagory until the end, where there is a small saving grace. P Money has crafted an album that is entertaining, but could take some work.