This is an energetic release reminiscent of the first Ransom project, but there is a certain amount of formula that is clear in each of the tracks. While the production from Mike WiLL is fantastic, what each artists does with it all seems to lead down the same path, with a few exceptions.
The production is phenomenal, with Mike WiLL creating trap beats that may seem similar, but all have different aspects that makes each individual. In a few cases it seems like there is a base guideline rather than an organic blooming to his creative process, but it still yields some great results. Maybe seeing what he can do outside the trap sub-genre could be an interesting challenge for the producer.
The features on this project are exactly what you would expect to find on songs from a producer as big as Mike WiLL. A stream of A-List rappers as well as fresh up-and-comers helps show a great level of respect for the producer here. It is a shame that so many come from the same vein of writing and delivery, but individually, they all still have good performances.
Overall, this is another release from an exceptional producer that proves he deserves the money and respect he is given. Only time will tell if he will attempt to branch out and attempt to work with a wider pool of talent.
This is a lengthy release from Tech, but each song is entertaining. They might not all work as a full album listen through, but individually, these are good songs.
The production is great with plenty of energy keeping the album buzzing. Each beat makes a great atmosphere for the type of song which helps keep the listener interested. Maybe a few more slow tracks could give more of a balanced feel, but it may not fit with Tech’s particular style.
The lyricism is fantastic with some of the best wordplay this year. Tech bends words to his will as he crafts bar full of multi-syllable schemes as well as every other lyrical device. His flow may be a little fast for everyone, but it makes very entertaining tracks.
The features are good as they help keep tracks fresh considering how long this project is. Each puts in a great effort that shows the chemistry that the Strange Music roster has with each other. There is a good balance of rap and singing, but a few more artists who are singers could give a little more depth.
Overall, this is a good release from Tech N9NE but it is not as cohesive as his previous albums. While he does more than good work on this, a bit more direction could ave stream lined this a bit more.
This album may not be the most cohesive project out there, but it does reflect the state of Compton at the time of release. Game uses this to try and help aspiring and known artists to reach a wider audience.
The production is good and gives a great atmosphere that helps the messages of each track hit harder. There is some variation in styles, but the main sounds are gritty and street, to fit with the theme. Maybe a larger portion of the lighter side of things could have made a more balanced project, but this was made to highlight the negatives for the listeners, which it does.
The lyricism is great from Game yet again. He uses his gruff tones and clever wordplay to weave his messages into tapestries so you can picture what he is describing. Some more light hearted songs wouldn’t go amiss but Game knows what he is trying to say and puts it across well.
The features all do a good job of showcasing their skills and helping to bolster their name in the Hip Hop community. There are a selection of different styles which help make the project pop more. Only time will tell if they can capitalise and grow as artists.
Overall, this accurately depicts the currant state of Compton and of the artists currently making a name for themselves. Game gives them a good platform while still showing he can write great verses.
This album is great for those who enjoy a slightly more laid back and thoughtful project to listen to. While there are some more pumped up moments, this project is great for provoking thoughts with powerful images.
The production is smooth with no moments that sound out of place or forced. 9th Wonder puts hins signiture style all over this with the more melodic beats instead of relying on heavy bass. Maybe more of a balance between the higher energy and the deeper thinking could have made a project aimed at a larger audiance but there is no doubt that what is selected for this is effective.
The lyricism is great with its imagery and ability to settle in the listeners brain. Talib Kweli does a great job showing how he can work his complex lyrics into understandable messages that all can ponder over. Some more songs aimed at energizing the listener could have helped make this a more universal album, but that may have defeated the purpose of such a project.
The features all do a great job of fleshing out this project with different view points on the situations provided. Each puts in a lot of effort to tkeep thier verses interesting and competing with the others for most poignant verse. There are no real issues with the guest selection here, but maybe some more singing features could have added a few more interesting moments.
Overall, this album is great to sit through if you want something relaxing or somehting to think over. Both Talib Kweli and 9th Wonder do a great job on thier seperate parts that come together to make a great project.
This album is the second disc of his release last week and it continues the standard of greatness. There is at least a few tracks for every Hip Hop listener and they are done very well.
The production is good and keeps his west coast feel well and truly alive. Each song may have the diversity to keep its individuality, but it definately has that west influence through all of it. There are no issues with the backings on this as he covers every aspect of Hip Hop with it.
The lyricism is good and shows he is still improving upon his previous performances. The way he moves within the beats shows great talent as Game has shown every step of his discography. There is little to improve on here, but maybe some radio friendly songs to appeal to the mainstream.
The features all help flesh this out and, while they all put in a lot of effort, show that Game is one of the best out there. Each guest shows that they have some talent and that they can put passion into thier work, but few come close to the main artist. There are no issues with his selection however because each helps make the project more cohesive.
Overall, this album is a fantastic continuation of his previous work that shows Game is not missing a step. If Game can keep this up, then he will truly be one of the greats.
This album is what the title describes. All the tracks have truth in them and Trae does a good job putting his passion into the rhymes.
The production is great and gives enough scope for Trae to really explore around his emotions and feelings. There is not too much going on in the background to overpower the artists but they do have enough impact that they aren’t forgotten. Some more higher energy tracks could have balanced it out slightly more, however that would not be in the spirit of the emotional sharing.
The lyricism is good but most of the enjoyment comes from his delivery. His unique tone makes Trae easily discernible to the listener while his rhymes have enough power behind them to sink in and make you think. Some more complex techniques could entice more of an audiance, however that is not the aim of this project. Trae has selected his audiance and plays directly to them.
The features all do a good job of adding more depth to the tracks. They all bring a lot of effort to thier songs and give another opinion on the topic at hand. A couple more singing guests could strengthen the additional dimension, but Trae has selected a good group for this project.
Overall, this album is enjoyable to listen to while also making you think. It is good to see Trae make a full album rather than the stream of features the world has seen from him recently.
This is a better than expected project from Problem as he has really started separating himself from the ordinary rappers into a faster lane for himself. If he can continue to move in this direction, then he may become more of a household name than he currently holds.
The production is excellent for the music Problem is providing. The beats are street gritty while still seeming polished and varied enough to cover a lot of ground on content and tempo. At twenty one tracks long, there is a lot fo ground to be covered but the project stays interesting to the end because of the beats involved. It is possible for the beats to be slightly more structured but it can be said that this project is great from a production perspective.
The lyricism is not the most complex but is average combined with excellent delivery to create an enjoyable listen from a rap side of things. Problem does a great job in putting his passion into his rhymes and it comes across as a fantastic performance on every track. Some more complicated wordplay may bring in a wider audiance but Problem does a great job rapping on this mixtape.
The features put in a great effort and come up with some fantastic verses that help keep this mixtape feeling fresh and stopping it getting stale across its twenty one tracks. With some big names on here, it shows that Problem has some connections in Hip Hop and that those connections think that Problem has some potential in the rap game.
Overall, this is a great effort from Problem and an enjoyable listen to. It may be a bit more chilled than some are expecting but it is still energetic and puts Problem in a strong position moving further into the new year.
from a production point of view, this is a good mixtape, but the combination of featured artists and its tending for the tracks to lack any real flare. The artists lack the touch that makes each track want to be listened to and instead there is a string of mediocre songs that make up a majority of a twenty track project.
The production is fantastic and is the best part of the project. As Mike is a producer then this is a great point and the standard doesn’t drop below very good. The beats also have a signature sound that helps Mike stand out against other producers. However with the features on the tracks don’t totally do justice to the quality of the production.
The features are alright overall, but some are clearly not as good as some others. The more high calibre features do very well crafting superior tracks that have great energy and atmosphere. Unfortunately these are few and far between and there are more tracks to play through than to get excited by. This cuases a boring listen for anyone interested in lyricism and Mike may need to be a bit more careful of who he lets on his projects.
Overall, this has a few good tracks but has a lot of other tracks to shift through before you can pick them out. If the project had been cut a bit shorter and been more cohesive then it would have been a better mixtape. As it stands it is too long and too much hard work.