This project is an intriguing listen as the two artists are both highly creative and have clear styles that blend well on this. However while this is a revitalizing project for Kid Cudi, Kanye West does not seem at his best.
The production is truly amazing, with each beat capturing the atmosphere of the tracks superbly. With each instrument being masterfully used to create the feeling needed deep inside the listener, there is no doubt that the beatsmiths put their best work into these offerings. It is a shame that they feel squandered with the vocals that are layed over the top.
The lyricism is strange, with a lot of clever wordplay used, but also some basic shouting and some just noise making. While both the main artists have some top verses given, for a short project they don’t fill out the songs and are happy to let the instrumentals run their course. Now while the beats are fantastic, it should also be important for the vocals to stand up and take some control as well as not be tampered with, which unfortunately they are.
The features are a mix of phenomenal and confusing. Some put in great work and create moments of greatness, while others seem to be barely contributing and leave a lot to be desired. Maybe some guests with a bit more punch could create some more memorable moments.
Overall, this project seems hit and miss, with more hits from half of the duo then the other. Let it be said that it can not be a great project when the best part of the whole thing is how Kid Cudi hums.
This is a strong set of tracks from the former member of Clipse with very few missteps. While only seven tracks long, all have plenty of merit to them.
The production is great, with a lot of unusual sounds being used effectively for a fresher performance. Each beat is individual and stands out not only from each other, but also has entertainment value on its own. There are no issues with these backings as they only enhance this project.
The lyricism is great, as Pusha T uses his unique delivery to boost the impact of his rhymes. All the songs are filled with wordplay as well as fantastic story telling. Maybe a little more variation in flow could add a little something more to this release, but these are still top performances.
The features do well to keep the voices fresh and add new perspectives and angles on the songs. Both show how talented they are and help the album feel a little more cohesive. Maybe seeing Pusha T work with a few others from the industry could be interesting, but the way T works on here, he doesn’t really need the help.
Overall, this is a top release from Pusha T. Hopefully he can continue with this success and continue to put out music of this caliber.
This album feels like a continuation into Royce’s life that he started on “Layers”. Full of emotions, stories and clever rhymes, this is a masterpiece of music.
The production is amazing. There is a lot of different beats on offer and all help add up to a cohesive listen. There are some missteps where some songs try to cater for specific times and/or places like the club, but it is not like they do not fit the message of the track still.
The lyricism is fantastic as Royce continues to flaunt his incredible ability. The wordplay is smart and adds a level of detail to the anecdotes and helps expand the messages of the songs to bigger proportions. There are no complaints about Royce’s performance on this project as it is this ability that has allowed him to continue despite a few problems earlier in his career.
The features are great and show how a combination of A-List and lesser known artists can come together and create great tracks. Each does astonishing work showing their own skills as well as building upon the work Royce has already put down. There is also a good blend of singing to rapping to help give an extra edge to the project.
Overall, this release is the project that Royce needed to capitalise off the momentum gained from his last releases. Including his work as various duos and groups, this is the peak of his rap career so far and it looks like he is only getting started.
This debut was worth waiting for. Cyhi The Prynce has spent a long time working on his craft and it is clear on this release.
The production is fantastic with a lot of backings that don’t overpower the artists on the tracks. Each fits the tone of the songs as well as being a strong atmosphere for the message being sent. Some more offerings with more of a club feel could give more for the general populace, but may not be in keeping with the project that Cyhi is trying to put out.
The lyricism is exceptional with Cyhi showing the talent that made the industry sit up and take notice. His lyrics are full of clever references and other great lyrical devices that embellish his storytelling with plenty of description. Possibly some more changes in flow could show a little more of what Cyhi is capable of, but his delivery is incredible on these tracks regardless.
The features are good and help to stop one voice becoming monotonous. Each shows their own skills while having great chemistry with Cyhi. There is a good range of different guests on here and it will be interesting to see who he chooses to work with in the future.
Overall, this is a very interesting listen with many thought provoking moments, The only issue is that the songs are possibly too long and can make a full listen through a bit of a struggle but Cyhi The Prynce has a great debut here and deserves a try from everyone.
This release is full of big names and big tracks that make this a very entertaining listen. With DJ Khaled acting more like a on this album, only the best tracks make the cut, and this album proves it.
The production is varied but always interesting. Every beat is energetic and works very well with the artists chosen to work on it. There may be something for everyone, but most will appeal to any listener as they are all polished and work as a full listen through as well as individual songs.
The Features on here make this project such a success. All show great skill and have great chemistry with the other artists on the songs as well as DJ Khaled. It is possible that some guests further from his comfort zone may have made some more interesting moments, but DJ Khaled has chosen most of the biggest names in Hip Hop to be a part of this release, and they don’t disappoint.
Overall, this is great for those who want to stick on an album and not use the skip button at all, leaving it to play through. DJ Khaled continues to have enormous success with his albums, but it should be noted that it is mostly down to other artists work. Not to take from Khaled’s ability to bring artists together, but most of the entertainment value is down to the features and not him shouting out during the project.
This release is great as preparation for an upcoming album as well as showing some great song making skills. Vic Mensa shows a great flexibility in the songs he can make and with this taster, the album has a lot of promise.
The production is great and helps fill the space that Mensa can not. Each beat is clear and definitely couldn’t be confused together. On this EP, the beat selection is great, but it can be hoped that Mensa doesn’t stay so diverse and he can keep it cohesive.
The lyricism is great with Vic Mensa showing a lot of skill with his rhymes. His delivery is punchy and his wordplay is renewed, as he may have sounded a little too content on his previous release. If he can carry this momentum into his next album, it is sure to achieve success.
The features are good and show a good understanding of who will help improve a song. Both do a great job of fleshing out the tracks while not taking from Vic Mensa’s performance. If he continues to pick guests like this, his next project will work incredibly well as a listen through.
Overall, this is a nice palette cleanser of other rap music to ready the listener for the next release from Vic Mensa. With creative ability like this, it should be a commercial success and a piece of absolute artwork.
This project is very entertaining and shows that Meek Mill still has a passion for rap despite all the beef he finds himself in. It is good to see he is better than just a target for any number of rappers.
The production is good with plenty going on in the background to support the lyrics. Each beat contains similar elements but are diverse enough that they are not too much alike. Some slower songs could help balance this mixtape out, but Mill has a strong selection to work with here.
The lyricism is good but is not fantastic. Meek Mill relies on his delivery a bit too much and his rhymes do suffer slightly because of it. While they are still clever, his lines need a bit more complexity to appeal to a wider audience.
The features are ok but many run in the same vein and have thier own weaknesses. There is a lot of autotune that doesn’t work great with the beats and Mill’s own style as well as many other shout rappers that sound similar to the main artist. Some more variation would go a long way on this project.
Overall, this is an enjoyable project because of the energy running through and the fun that comes from it, but it does have its pitfalls. Meek Mill shout take what is in this mixtape and refine it for a future album.
This mixtape is more proof that Logic is already a big name and has the potential to go huge. His fast pace helps keep energy up while some big beats keep that momentum moving forward.
The production is excellent with a lot of interesting sounds used to make great backings with a lot of room for Logic to choose content. Each beat reflects Logic’s passion for the subject matter as well as his own character. His selection here is good and it will be interesting to see how his ear for the production will change as he goes on.
The lyricism is fantastic with complex schemes weaving intricate tapestries that leave the listener wanting more. Logic shows additional skill by being able to do this at such a pace that it takes several listens to catch all the different techniques he uses. No problems with the lyrical side of this at all.
The choice to have only one feature is good as it gives Logic more time to show what he is capable of and not just what the people he knows are capable of. The guest does a great job showing Logic can work with others as well as showcasing his own skills. Maybe on the next project, a few more people could make some more interesting moments.
Overall, this is a great place holder before the next album. Logic should be very happy with what he has put out here and should carry that into his next project.
This album shows a lot of different ways to look at Royce Da 5’9 as an artist as well as a man. His clear ability as a lyricist as well as his story telling makes a great listen.
The production is fantastic as it is more background than trying to overpower the vocals. There are many different flavours throughout the tracks which helps give the right atmosphere for the message Royce is giving out. Maybe some more aggression would make a more balanced album but there is a great level of continuity as the album progresses.
The lyricism is incredible. Royce uses his unique flow and incredible ability to weave complex lyrical techniques into his stories to really make them stand out with detail. There is not a lot that can be improved on here as Royce has proved himself a veteran word smith with great verses for many years now.
The features are good and help show that others relate to his stories. Each puts in good effort to make their verses as good as Royce and to add to the listening experience. There is a fair balance of guests who sing and rap, but it is possible that some more interesting combinations with people further from the rap genre.
Overall, this is a great selection of songs to listen to. The skits can become tiresome after a few listens but these can mostly be lifted out as they are individual tracks. Royce might not have crafted a perfect classic, but it is definitely headed in that direction.
This album is Yo Gotti making more music about what he knows with his same drawl that he always uses. His style and content is becoming stale which is accentuated by his inability to write a hook.
The production has plenty of energy running through it to help the listener enjoy some aspect of this project. There is some diversity in the backings but not enough to stop a lot of the songs sounding very similar. Yo Gotti should look to try some new types of beat so he can continue to stay current in the rap game.
The lyricism is not good with a lot of basic wordplay that allows the rhymes to be forgettable and takes a lot of their impact. More variations in flow would have helped a lot as well as Yo Gotti sounds very mono-tonal as the project goes on. There is plenty of room for improvement on the lyrical side of things.
The features are good as they add the only variation in the whole project. Each may not have the most entertaining verse but they certainly raise the profile of the project as well as bringing fresh voices. Some guests further from the rap genre could have added another dimension.
Overall, this can be enjoyed in the right frame of mind, but is not for everyone. Yo Gotti needs to shake up his formula if he wants to bring in a wider audience.