This release has a lot of elements of a Wu-Tang Clan album, but lacks a certain cohesion to fill out all the criteria. This album feels a little unbalanced and is gratefully accepted as almost a tribute to the group, rather than an official effort.
The production is classic Wu-Tang. There is plenty of haunting backings that reflect the groups starting point and how they have kept their flavor. There are a few more modern beats that never sound like a perfect fit, but do help show that the collective is trying to keep up with modern times.
The lyricism is solid from everyone, but only a few really shine out. No one does a bad job, but a few of them don’t perform at their finest and the rest have to pick up the slack. While you couldn’t pick out anyone performing terribly, but only a small percentage performs well.
Overall, with the features performing along the same lines as the legendary group, this release is a little too long. Maybe if it was a little more cohesive, it could have flowed a little easier and made this a little easier to listen to.
This release has some great moments, but is not without its missteps. No part of it is bad, but some of it does not stand out amongst today’s rap elite and needs a little more finesse.
The production is powerful and gritty which helps boost the impact of Sean Price’s delivery. Each beat does a great job of creating the correct atmosphere for the song which helps keep the album cohesive. Something a little faster could help add something for a younger audience, but Sean Price knows what works for him and has used backings that are effective for him.
The lyricism is great with plenty of alliteration and clever rhymes to keep the legacy of Sean Price going. A lot of structured genius goes into making these bars really roll and land hard with the listener. A few attempts to change his flow might have helped add a little diversity but Price is in his element here.
The features help to make this so cohesive and the momentum going. Each guest only does a god job boosting Sean Price’s last album and only shows great respect for his memory. The guest selection on here honours Price in the best fashion.
Overall, this is a great project to show the greatness of Sean Price. This album will stand the test of time as a list of what could have been and how talented this legendary artist is.
This release is full of big names and big tracks that make this a very entertaining listen. With DJ Khaled acting more like a on this album, only the best tracks make the cut, and this album proves it.
The production is varied but always interesting. Every beat is energetic and works very well with the artists chosen to work on it. There may be something for everyone, but most will appeal to any listener as they are all polished and work as a full listen through as well as individual songs.
The Features on here make this project such a success. All show great skill and have great chemistry with the other artists on the songs as well as DJ Khaled. It is possible that some guests further from his comfort zone may have made some more interesting moments, but DJ Khaled has chosen most of the biggest names in Hip Hop to be a part of this release, and they don’t disappoint.
Overall, this is great for those who want to stick on an album and not use the skip button at all, leaving it to play through. DJ Khaled continues to have enormous success with his albums, but it should be noted that it is mostly down to other artists work. Not to take from Khaled’s ability to bring artists together, but most of the entertainment value is down to the features and not him shouting out during the project.
This is a good release with Kool G Rap making a lot of clever decisions to increase replay ability. Shortened songs and great guests help elevate this even higher.
The production is fantastic with MoSS providing good backdrops for each track, and creating a good atmosphere. There are similar elements in each song, but they are still individual. Maybe something a little further from the formula would show the artists in another light, but MoSS has provided songs that allow the vocalists to excel at what they do.
The lyricism is clever with Kool G Rap using his delivery to add more impact to his rhymes. The bars might not be the most complex, however they do carry a lot of weight and land hard with the listener. Some change in flow might help separate out Kool’s performances, but the guests also help to do that so it is not the biggest issue.
The features are great and do a good job of pushing this project forward. Each puts in an amazing verse that helps push Kool G Rap onto further greatness as well as showing that they are at the top of their respective games. With some rap legends keeping their names alive on here, the artists here are a great selection to have on any project.
Overall, this is another release from a veteran that could teach newer artist how to make music with longevity. With plenty of replay value, this is definitely worth a few listens.
This is a great release from Raekwon, because it is simply him making music he wants to make, and not trying to horseshoe in artists that are popular but might not fit in with the song. This is a much smarter and smoother project than some will give Raekwon credit for.
The production is amazing with some good range and a lot of smooth transitions between songs. There are a lot of slowed down beats that compliment Raekwon’s flow perfectly and the jazz influences help make this easy to listen to. This is a smart choice because Raekwon does not always fit on modern trap offerings due to his vocal tone which can blend him away, but the selection on here works beautifully.
The lyricism is obviously fantastic with Raekwon showing that he hasn’t missed a step. There is still incredible wordplay as well as storytelling and almost every other lyrical device. While his delivery is solid and works amazingly for him, it might be interesting to hear Raekwon try to switch his flow a little in places.
The features are smart choices because Raekwon appears to have great chemistry with everyone he works with. He doesn’t simply choose people who are hot right now, he picks artists that fit with the song and the atmosphere of the track. There is some good singing heard too which helps this strike a cohesive balance on a full listen through.
Overall, this is a solid release from one of raps most consistent artists. Raekwon has made another great album and hopefully it gets the recognition it deserves.
This album is enjoyable if you were wanting to listen to people Method Man wants you to hear. However Method man gets a touch lost in the sea of other voices.
The production is good and allows for plenty of room for the artists to manouvre. There are a range of sounds as well as a variety of atmospheres to allow for a fair amount of content. However the changes in content topic are few and more diversity could have led to more interesting tracks, but Method Man still makes some interesting songs.
The lyricism is good and really adds to the enjoyment of the album. Method Man uses his unique vocal tones with his delivery and wordplay to make some really good performances that add a lot to the tracks. However his overload of features pushes Method Man into a crowded frame instead of making him standout. He does make his verses count making them far above average.
The features crowd this project out and make the listener lose focus from Method Man on his own project. While each of them do a good job making thier tracks entertaining, they are not top class rappers as Method Man is. They still do a good job, but there are too many.
Overall, this is a good project that has a high entertainment value. Method Man needs to put himself forward more if he wants to call it his own project.
This album is great for the most part and does exactly what Capone-N-Noreaga are aiming for. The only marginal downside is the over use of the hooks on some songs, but the project still works well overall.
The production is good and is textbook New York. This helps the duo to stay close to thier roots and keep making music that will connect to the audiance. A few more backings that are a touch further afield from thier comfort zone could show more of a diverse ability, however these beats fit very well with thier ethos so they can not really be blamed.
The lyricism is great and helps to make the descriptive portions of the album much more effective. While they are not in the absolute elite catagory of lyrical ability, they are above average and really show it on this album. Some more varied techniques could help to show a higher level of ability, but both Capone and Noreaga do great work here.
The features are great and help to add additional points of view to the project. Especially on the emotional songs, these guests bring in more depth that accentuate the impact of the wordplay. A few more big name features or some singing ones could add yet another dimension to this project, however Capone-N-Noreaga have good chemistry with those they have selected.
Overall, the elements on this album come together to make a lot of great songs that show Capone-N-Noreaga can still work effectively as a duo. A great goal for all long standing groups in Hip Hop.