This release shows a couple of Veteran rappers who show that they are not going anywhere soon. Both E-40 and B-Legit show their signature styles on here and the chemistry between them is obvious and makes greats tracks.
The production is classic bouncy west coast. There is nothing about the backings to this that doesn’t sound immediately from that area and it fits perfectly. Something that doesn’t fit this formula would automatically feel out of place so it makes sense to make the best of what they know.
The lyricism is punchy but does rely on delivery. The wordplay is still good and is very enjoyable, but don’t expect the most complex lyricism from the artists here. The performance factor is important but there is still no disappointment from either E-40 or B-Legit.
The features help to add some fresh voices and show more talent from some lesser known artists. Each shows their own talents while adding more cohesion to the album. Maybe some singing could help add another level, but may not be in keeping with the project.
Overall, this is a fantastic album for those who still strive for more of a taste of the west coast. E-40 and B-Legit both show continued strength in the rap game and should continue to show how strong the veterans of hip hop are.
This release is fantastic as it shows Murs making songs for every rap listener to enjoy. At least one of these songs will appeal to everyone who enjoys hip hop as a genre.
The production is all west coast as expected from the title, but not so much the party side. It comes across much more classic and slowed down, to match Murs’ own style. Something faster paced and lighter could help this feel more universal, but Murs strikes a great balance for the stories he tells.
The lyricism is good, with a slower paced rapper finally getting some recognition. In an industry filled with fast paced, multi-syllable schemes, it is fantastic to hear someone take the art of wordplay and put it into the story telling that has been decreasing throughout rap. Murs shows another side of skills that everyone seems to be forgetting and doing it will great effect.
The features all do a great job of playing into the narratives on this album. Each lends a new voice which fits with the part it is meant to play and shows their own levels of skills. Maybe a little more singing could help with the softer sections, but the selection of guests on this works to the overall project’s advantage.
Overall, this is a fantastic release from one of the west coasts finest rhymers. Murs should be proud to uphold a craft that is dying out, in the ability to make interesting songs that don’t rely on energy or shouting.