This album is the second disc of his release last week and it continues the standard of greatness. There is at least a few tracks for every Hip Hop listener and they are done very well.
The production is good and keeps his west coast feel well and truly alive. Each song may have the diversity to keep its individuality, but it definately has that west influence through all of it. There are no issues with the backings on this as he covers every aspect of Hip Hop with it.
The lyricism is good and shows he is still improving upon his previous performances. The way he moves within the beats shows great talent as Game has shown every step of his discography. There is little to improve on here, but maybe some radio friendly songs to appeal to the mainstream.
The features all help flesh this out and, while they all put in a lot of effort, show that Game is one of the best out there. Each guest shows that they have some talent and that they can put passion into thier work, but few come close to the main artist. There are no issues with his selection however because each helps make the project more cohesive.
Overall, this album is a fantastic continuation of his previous work that shows Game is not missing a step. If Game can keep this up, then he will truly be one of the greats.
This mixtape, while being cohesive and extremely replayable, does have a slight downside. That being that while DJ Mustard does a great job on the backing, the actual talent from his roster can come across as very similar to each other in ability and style.
The production is excellent and definately has the DJ Mustard signiture sound all over it. All the beats are really smooth and flow together without merging. There is pretty much no improvements to make to the production on here as DJ Mustard crafts near perfection.
The features do a good job fleshing out these tracks but there are a lot of similarities in the recurring guests. All of them bring good verses that are diverse enough to be enjoyable, however thier style and lyrical prowess all tend towards the same things which is not in your face obvious, but it does show itself to be true.
Overall, this is an entertaining and laidback listening experiance with DJ Mustard showcasing not only his beat making prowess, but what his record label is capable of. His crew bring a good skill level to this mixtape to take forward to thier own projects.
This is a great project with a lot of range in content and the audiance it may appeal to. Skeme shows that he can make songs for almost any Hip Hop listener and that he can do it well.
The production is excellent and blends well with Skeme’s style of rap. The beats are diverse with a fair amount of style variation and can be distinguished from one another easily. It is possible that Skeme should try a few backings with more of a mainstream feel, but may not want to compromise his integrity to gain more fame.
The lyricism is also good with Skeme stepping up his currant skills with more wordplay. Every bar seems to contain a rap technique that helps with the imagery and really boost how Skeme is coming along as an artist. He could still try changing his flow up a bit on songs for a touch more impact but he is definitely improving and making good rhymes.
The features are all good and show a great range of people that Skeme can work with. All the guests bring good verses that really boost the tracks and make the project more cohesive. There are no wrong choices with these guests and they all work together well.
Overall, this is a very enjoyable mixtape that shows many sides of Skeme. He does well to craft such varied rhymes and should be commended on his work ethic.
This is a project deeply entwined in West Coast Hip Hop with many influences of the Hip Hop zone showing through, but with enough of AD doing his own thing to make it his own. However his variation in his delivery can upset the enjoyment of some songs.
The production is excellent and reflects AD’s origins and track message very well. The beats all have their own feel and the way the project is structured gives a great balance of aggression and softer stuff. Possibly some more beats from further afield may have shown AD can work with different types of producer but what he has selected for this project is really fantastic.
The lyricism is good and helps carry the project. AD does a good job to make his lyrics a bit more complex than street level, but it is not elite level by far. However, the way his wordplay flows and his varied delivery help make each track more interesting. Maybe some more complicated schemes and other rap devices could improve these songs, but with his signature style being what it is, it may not improve them by a huge amount.
The features are also good and help to show that AD can work well with a certain group of rappers, that group being from where he is from. Each writes a good verse and adds a bit of extra flavour to each track, however seem to be very much in the same lane as AD. Some features that show AD can also work with people from a different coast could have shown more of a balance, but these features are very entertaining.
Overall, this is an enjoyable listen and a great effort by AD. He does very well to keep his individuality while making tracks it is easy to bump to and should start looking to move forward with his rap career by making more projects like this.
This is a good mixtape to show that BH rocks the west coast as well as any other. The old sounding west coast beats combined with BH’s relaxed flow and kaidance combine to make a great project that is reminiscent of YG with a G-Funk twist.
The production is good and is a reminder that the west coast can still rock it like they used to. BH has selected some classic style beats to rap over and it helps take you back to the original boys in the hood days. They blend together very well, while keeping their own individual feel and this makes for a good mixtape.
The lyricism is good but there could be more. While some of it is very lyric centred and is very well done, other parts are made good by delivery and performance rather than the words he says. However there is some good lyrical ability thrown in to help make this project more appealing to the wider Hip Hop audiences.
The features are also good which helps to show that BH can work well with others. BH sounds very cohesive on these tracks when set alongside the other people on these tracks. His relaxed flow is very good when put with the relaxed west coast beats which is what makes this a good project.
Overall, this is a good project for fans of west coast Hip Hop and is a good addition to BH’s catalogue. This is an enjoyable listen with some real throwback value that shouldn’t be skipped over.
This is a nice short album to remind people that YG is one of the new generation of rappers who shows real promise to keep West Coast Hip Hop alive. This album has a fair amount of throwback value to YG’s debut album “My Krazy Life” which is a good as that was also a good album. However with some repeat songs it can become difficult to really enjoy if you have heard “My Krazy Life” enough times.
The production is good and enjoyable for most listeners as it is very much in the style of popular Hip Hop producer DJ Mustard who has been known to craft some of the biggest hits of 2014. The range is good with some more energetic tracks mixed with an acapella freestyle and an acoustic cover of one of his previous songs. It is a nice blend of styles and flows which create a very diverse album.
The lyricism is good as the freestyle especially shows that YG can rap without the song being held up with the beat. It is clever in most places and where it isn’t, it is kept simpler to help get the point across. This helps YG to create a lot of imagery and show how he has grown as an artist since his debut album dropped earlier in the year.
The features are good but may not always be discernable from one another as some have similar voices. This is not a big problem but with so many features on so few tracks, it can start to feel less like YG’s album and more like a free for all. This doesn’t mean the features aren’t enjoyable though and they definitely help shape the tracks on the album with different pitches and some singing used to add more depth.
The other big thing about this album is it comes with a half an hour short film written and starring YG with the music being used from the songs on the album as well as some from his debut. This increases the entertainment value of the album as a different form of media helps to stimulate the listener and helps to show life from YG’s point of view.
Overall, this is a good pit stop on the way to a more streamlined and cohesive album but is still very enjoyable. The songs mixed with the short film can show YG in many lights ad helps to get his messages across better.
This project would feel like a collection of uncohesive DJ Mustard songs if the skits weren’t in there. That is the danger with making an album from a producers side of things. However DJ Mustard has done a better job than most by actually keeping a lot of the same features on different songs as this helps to keep a feeling of consistency. The skits add a nice touch of breaking up the songs with nice little pieces of insight into what DJ Mustard is aiming for, namely total radio and musical takeover.
The vocals on this album are good, with all the features putting in good efforts on their verses and hooks, and with some big names thrown in there. The only problem is, while it can make some of them catchy, the hooks on a lot of the songs are very repetitive and in some cases just one line repeated over and over, see “Ghetto Tales” and “Guiseppe”. This is the new emerging trend that can make some songs feel like they are slowing down and not keeping up with the style of beat DJ Mustard is trying to supply.
The production is of course fantastic with DJ Mustards signature style shining through on every track. With each track individually, his signature style is a bonus and keeps the track fresh. However, if you listen to the album all the way through the production can start to sound a bit monotonous and missing a bit more variation, although it does start to change very late on in the album.
Overall, this is a good album to nod your head to and pick out your favourites to listen to, but can become a little bit of a chore to listen to the whole thing when you start playing it. A touch more variation and maybe even another skit or two would take this album a long way, but DJ Mustard has put in a solid effort and should be commended for opening up new production paths for the people.