This album has tracks for everyone but not necessarily in a cohesive order. Every track is interesting, but not all have a high level of replay ability.
The production is varied and allows plenty of scope for Schoolboy Q to work with. Each has its own feel, but some carry extremely similar elements. On a full listen through, it can sound disjointed because of the track similarities, but is still enjoyable.
The lyricism is strong with passion filling every bar of Schoolboy Q’s rhymes. He may not always have the most complex lyrics but he gets his message across with such belief that the listener feels through their whole body. Maybe some changes in flow could make some more exciting moments, but there are no real issues with the raps on this.
The features are great and add a lot to this project. Each puts in a good performance, and help to push the tracks to further greatness. Most come off well and show the connections that the main artist has made in the Hip Hop world. No problems with selection here.
Overall, this album has a lot of good things about it and will have songs that will appeal to everyone at some point. Lets see where Schoolboy Q takes this momentum next.
This is a solid album. It may not be a stand out album of the year but it is more than solid project. Ab-Soul has done extremely well on this project to have not only a track for each group of Hip Hop fans, but a project that all of them can listen to all the way through.
Ab-Souls flow is a huge assest on these tracks as it makes him stand out amoung any features and makes each track easy listening. His lyricism is evident especially on the last track with his battle against Daylyt amd it makes for an enjoyable listen.
The production on the album does come across as very tailored to Ab-Souls style ad makes for a very cohesive project. However it is very easy to be carried away with it and lose track of what Ab-Soul is actually saying.
The only other flaw with the album is the change of production mid-way through the tracks which can lead to a jumbled listening experience if you only want to listen to the second half of a track.
Overall, this is a very good album for Hip Hop enthusiests to enjoy and a great album to boost TDEs standing as an independent powerhouse.
Oxymoron definitely has a street feel. The beat selection is great for Schoolboy Q’s sound and definitely has a grittier feel than the majority of radio stations would like, while the subject matter is far from made for Radio. The singles are ill-fitting to the album flow and it feels like the album loses momentum when you hit one of them. The singles are still great tracks but they don’t fit properly with the rest of the album.
It is a solid album for content although not ground-breaking, gang banging, drugs and sex are heavily featured. Not a lot that is overly sensitive but from listening to the whole thing you start to realise maybe this isn’t Schoolboy Q’s favourite area of music. Most if not all the tracks are head nodders and will keep you interested if you listen to the whole thing in one sitting. At 17 tracks, this is quite impressive as some albums tend to become repetitive and dull as you listen, but some well-placed features and interesting use of sounds keep the whole thing sounding new, even if it is a well-trodden path of subject matter.
Schoolboy Q seems to start out-of-place on a lot of tracks, until you let it run and find that his vocals fit in perfectly with the beat he has selected. He paints a vivid picture of sexual acts as well as the great deal he smokes up. On top of that, he has a distinctive voice that makes him standout on these tracks and even others that he is featured on, for example see his features on Game’s OKE mixtape.
Overall, Oxymoron is a solid album for Schoolboy Q to put out, but it will be interesting to see where he will go on because more established artists than him have tried to keep going with the gangbanging angle and had their sales fall drastically, so unless he can make it his own, he may need to find a new way to tackle the music industry.