This release shows that Termanology has grown as a man as well as a lyricist. His story telling ability on here creates a good listen through for a cautionary tale.
The production is very interesting, with a lot of unusual sounds creating a haunting and somewhat offbeat backing to Termanology’s tracks. They give off an almost off putting vibe that helps generate a good atmosphere for the content. Something a little lighter might liven things up, but that would ruin the point of an album called Bad Decisions.
The lyricism is strong throughout the whole album. Termanology flexes his verbal muscles to fill his songs with details and wordplay, helping his story feel more real to the listener. He has a solid delivery as well, but it might be exciting to see him play around with it a little more than he has in the past.
The features all do great work at building on Termanology’s messages. All the guests show what they are capable of, while simultaneously reinforcing what he is saying. With no weak picks, the only way to improve the features would be some more singers, but that might not have given the correct feel for this album as a whole.
Overall, this album is a must for Termanology fans, but it may not attract many new fans due to the content and how far it seems from most pop music. Termanology should still be pleased with this work as most hip hop heads should be able to appreciate his work on here.
This release is great for both artists as they have crafted a project that plays to both their strengths. Slaine and Termanology perform to their strengths and it pays off.
The production is amazing with contributions from some top producers that go with the darker themes. With the old school scratching fitting with the veterans, helping to showcase how long they have been in the game, there is a high level of cohesion throughout the album as well. Something a little lighter could have created a more complete image of the artists, but they have spent much of their careers in the dark side of rap and it only makes sense with the way this album heads that they stay there.
The lyricism is great and both artists come off well with their own styles. Both are very individual with their flows as well as complex rhyme schemes that make this extremely entertaining. There is a lot of vulgarity used in a lot of these songs that will make this inaccessible to a lot of listeners, but the two artists have never been known to bend for the masses and shouldn’t do so now.
The features all help contribute to the cohesiveness of this album with their chemistry together. All of them show that they are also talented entertainers to the right audience and help make this album a success. Something further from their own strengths could add another dimension, but there is no doubting the selection here.
Overall, this is a great release for fans of both artists as well as anyone who enjoys the darker side of rap music. This might not be for everyone, but for those who do enjoy it, they will enjoy it immensely.
This is a good release with Kool G Rap making a lot of clever decisions to increase replay ability. Shortened songs and great guests help elevate this even higher.
The production is fantastic with MoSS providing good backdrops for each track, and creating a good atmosphere. There are similar elements in each song, but they are still individual. Maybe something a little further from the formula would show the artists in another light, but MoSS has provided songs that allow the vocalists to excel at what they do.
The lyricism is clever with Kool G Rap using his delivery to add more impact to his rhymes. The bars might not be the most complex, however they do carry a lot of weight and land hard with the listener. Some change in flow might help separate out Kool’s performances, but the guests also help to do that so it is not the biggest issue.
The features are great and do a good job of pushing this project forward. Each puts in an amazing verse that helps push Kool G Rap onto further greatness as well as showing that they are at the top of their respective games. With some rap legends keeping their names alive on here, the artists here are a great selection to have on any project.
Overall, this is another release from a veteran that could teach newer artist how to make music with longevity. With plenty of replay value, this is definitely worth a few listens.
This release is a fantastic showcase of Termanology’s skills. He deftly makes songs that speak to the audience as well as explore his personal experience.
The production is great with a lot of different influences coming together to make easy flowing beats. There is plenty of variation to explore the different content while not being one long mess. Some more traditional instruments might make some more songs to appeal to a wider audience, but Termanology has a great selection here.
The lyricism is obviously great and Termanology shows why he is considered a top lyricist. His differentiation in flow and pace helps keep this interesting and cohesive. there are no issues with his performance on this and should continue in this vein.
The features do a great job of filling out the tracks. Each puts in a great verse or hook that keeps the tracks feeling fresh while showing Termanology’s connections in the rap world. There is a good balance of singing and rapping between the guests which really helps this release.
Overall, this is an entertaining and thought provoking piece of work that audiences should enjoy. Termanology has put together a release to give his point of view and should make some sales while doing it.
This album has a lot of great elements that make it good, but in places it does not work as smoothly as hoped. Taking this into account, it is still a very enjoyable piece of work.
The production is less jazzy than you would expect from Statik Selektah but with plenty of his signature sound covering it. A lot of bounce runs through the backing and helps the project keep the energy up. Maybe more of that jazz could help give Statik more of a presence but he does enough to know he crafted the beats.
The lyricism is fantastic from KXNG Crooked. He uses his experience and imagery to paint vivid pictures that make the listeners feel like they are watching it. Maybe a few more changes in flow could make a few more interesting moments, but Crooked does what he knows works well and it works well with the production.
The choice to only have one feature is a good one with only ten tracks. Especially with a new duo, it is important to show the chemistry between the producer and emcee, so not throwing other voices in the mixture is always a solid choice. The one guest does a great job keeping up with Crooked both with pace and lyrically.
Overall, this is an entertaining album from both a great producer and great emcee. Hopefully they can keep working together to make more music that is as good as this.
This is a great album to stick on if you don’t want to be tied down to one artists point of view and opinions. There are a lot of good points on this album that make it enjoyable listening.
The production is really stunning and is the best thing about this album, which is a big deal. Each track is individual and they all cohesively run together without the listener being confused about what song is on. There are no flaws about the beats that Selektah is using to craft a very entertaining album.
As Statik Selektah is a producer putting together this album, the features make up all the lyrics on this project. However they all come with great verses and hooks, which contain a lot of thier own lyrical acrobatics. A few more rappers with a faster flow may have kept the energy flow up a bit through the project, but that may have stopped the balance of the correct atmosphere for each song.
Overall, this is a great album for all audiances of Hip Hop. The smooth production with the quick acrobatic rhymes make for a good time and this is a great stepping stone for Statik Skeletah.