This album is what the title describes. All the tracks have truth in them and Trae does a good job putting his passion into the rhymes.
The production is great and gives enough scope for Trae to really explore around his emotions and feelings. There is not too much going on in the background to overpower the artists but they do have enough impact that they aren’t forgotten. Some more higher energy tracks could have balanced it out slightly more, however that would not be in the spirit of the emotional sharing.
The lyricism is good but most of the enjoyment comes from his delivery. His unique tone makes Trae easily discernible to the listener while his rhymes have enough power behind them to sink in and make you think. Some more complex techniques could entice more of an audiance, however that is not the aim of this project. Trae has selected his audiance and plays directly to them.
The features all do a good job of adding more depth to the tracks. They all bring a lot of effort to thier songs and give another opinion on the topic at hand. A couple more singing guests could strengthen the additional dimension, but Trae has selected a good group for this project.
Overall, this album is enjoyable to listen to while also making you think. It is good to see Trae make a full album rather than the stream of features the world has seen from him recently.
This is a good demonstration of Vee’s lyrical ability but does not show much of how he puts songs together. While the verses are good, the songs lack luster and the hooks can be repetitive and boring to listen to.
The production is suitable for the purpose of showcasing Vee’s rapping but wouldn’t be much without it. It can be bland in places without much holding it together other than Vee going at it over the top. It needs more excitment to make it more appealing.
The lyricism is good but not great. While Vee does do a good job of showing that he can rap and that he does possess some lyrical ability. However this is brought down by his own delivery and performance of the tracks. With some more explosiveness and some delivery changes, Vee could have some great verses.
The features are good too, but don’t really add much to the tracks. They add a small amount of contrast to Vee but not enough to stand out. Vee needs to bring in more features of a higher calibre that would challenge Vee to work harder on his contributions.
Overall, this is a good showcase of where Vee Tha Rula stands currently in todays rap standings and while he isn’t near the top, he has the potential to go much further than he stands now. All he needs to do is tweak his delivery and push himself a little harder.
This is a good mixtape to show that BH rocks the west coast as well as any other. The old sounding west coast beats combined with BH’s relaxed flow and kaidance combine to make a great project that is reminiscent of YG with a G-Funk twist.
The production is good and is a reminder that the west coast can still rock it like they used to. BH has selected some classic style beats to rap over and it helps take you back to the original boys in the hood days. They blend together very well, while keeping their own individual feel and this makes for a good mixtape.
The lyricism is good but there could be more. While some of it is very lyric centred and is very well done, other parts are made good by delivery and performance rather than the words he says. However there is some good lyrical ability thrown in to help make this project more appealing to the wider Hip Hop audiences.
The features are also good which helps to show that BH can work well with others. BH sounds very cohesive on these tracks when set alongside the other people on these tracks. His relaxed flow is very good when put with the relaxed west coast beats which is what makes this a good project.
Overall, this is a good project for fans of west coast Hip Hop and is a good addition to BH’s catalogue. This is an enjoyable listen with some real throwback value that shouldn’t be skipped over.
This is a nice collection of the same sounding songs that do not fully show the talent on the roster. It is very unfortunate that this is not the standout label roster showcase the G.D.O.D series is intended to be. Even the head honcho, T.I, who is a very talented rapper, sounds comfortable but not excelling on every track. He still comes across as the top guy amoung the others on the tracks but he is not putting out the rhymes that we all know he is capable of, even with the double time flow.
The lyrics are not strong on this album. T.I shows what he can do but it comes across as he is not really trying and a couple of others, Trae Tha Truth and Young Dro, do quite well on the tracks they are on. The others however come across as very similar and non-distinguishable. B.o.B does some alright work on his tracks but even Iggy Azalea comes across as mediocre on the track she appears on.
The production is good, but needs more variation. Although done by different producers, they come across as almost the same. Mostly trap based beats, they all seem to follow a generic formula and pattern that doesn’t create a very entertaining atmosphere.
One of the good things going for the project is the energy that goes into it. A majority, if not all, of the tracks have a lot of energy and that is one of the only positive things about this project that could have been so very promising.
Overall, this does not live up to its potential at all but can provide a couple of good songs to use, possibly as some sort of workout mix for when you go to the gym.