This is a great album from Tyler that is fluid and doesn’t need defending like his previous releases. he shows not only great talent, but personal growth as well.
The production is not as aggressive as on his last album and with the softer tones comes a project that is much easier to listen to. The songs are softer but without losing all of their hardness and shock factor in some cases. This is a side of Tyler the world needed to see and help connect with him on a more human level, which is easier accomplished with this backdrop.
The lyricism is great with a lot of smart wordplay and a lot of clever rhymes. Tyler tones down his delivery but has built up more skill which helps him add to his descriptive ability that is another positive point of this project. With the growth shown from this, there are no issues with Tyler’s performance.
The features are well chosen and fit into their respective songs easily and without sounding forced. Each shows what they are capable of without over stepping and out shining the main artist. there is a good mix of singers with this album as well, which adds another level of entertainment to an already interesting release.
Overall, this is the best album that Tyler has released as it encompasses a wider audience without alienating so many. Hopefully he can carry this mentality forward.
This release is a great showing of Bugzy Malone’s talent and how he is a force to be reckoned with. There is a song for each audience on here, but it may not connect totally because of the backings.
The production is good, don’t be mistaken, but it fades away a little too much in places, taking from the impact of the songs. Each beat is still individual and creates the right atmosphere for the project. However they do not totally support Malone and something with a little more push could lift this higher on the way to success.
The lyricism is great, with good story telling elements as well as wordplay. Bugzy Malone proves he deserves a title in the rap game, but knowing what happened to the last King in the North (Game Of Thrones) could show it is not always the best path to take. Let us hope he can continue to carry his brand and his skills forward to future releases.
The features are good and help show some good chemistry with the main artist. They each show their own skills and break up the hearing of one voice as well. Maybe some more guests could show that Bugzy can work with a range of people, but leaving more time to show his own abilities was still a smart move.
Overall, this release shows that Bugzy Malone definitely has a strong following that he appeals to. Now it is just a case of seeing if he can broaden that audience to fill the south as well.
This release shows how Prodigy is aware of issues happening today as well as his own status and his position to help change it. Before his untimely death, this was a good album to end with, even if he didn’t mean it to be his last.
The production is great with plenty of different atmosphere’s, reflecting the content with ease. Each track feels individual and the skits work well to help bridge the gaps between each one. The is a great selection of beats on this and only missing something with some pop flare, which Prodigy would not have wanted to be particularly near in the first place.
The lyricism is sharp and poignant, with the unique delivery giving each bar extra impact. With so many messages woven into each rhyme, the level of description and story still involved is incredibly high and Prodigy makes every word land heavily with the listener. maybe trying something further out of his comfort zone could show a little more growth, but Prodigy knew what he was doing when he put this together.
The choice to only have one feature was clever because the introduction of the skits into the album broke up the rapping nicely and didn’t require other voices to do so. The one guest does well to keep the message strong and display his own skills, not letting down the full listen through. It is possible that showing his chemistry with others may have improved these songs, but they are still amazing songs without other voices marring the point of each one.
Overall, this is another strong release from Prodigy and addition to his catalogue. He was taken too early from not only the Hip Hop community, but from this world and may he rest in peace.
This release is great as preparation for an upcoming album as well as showing some great song making skills. Vic Mensa shows a great flexibility in the songs he can make and with this taster, the album has a lot of promise.
The production is great and helps fill the space that Mensa can not. Each beat is clear and definitely couldn’t be confused together. On this EP, the beat selection is great, but it can be hoped that Mensa doesn’t stay so diverse and he can keep it cohesive.
The lyricism is great with Vic Mensa showing a lot of skill with his rhymes. His delivery is punchy and his wordplay is renewed, as he may have sounded a little too content on his previous release. If he can carry this momentum into his next album, it is sure to achieve success.
The features are good and show a good understanding of who will help improve a song. Both do a great job of fleshing out the tracks while not taking from Vic Mensa’s performance. If he continues to pick guests like this, his next project will work incredibly well as a listen through.
Overall, this is a nice palette cleanser of other rap music to ready the listener for the next release from Vic Mensa. With creative ability like this, it should be a commercial success and a piece of absolute artwork.
This is a good release with Kool G Rap making a lot of clever decisions to increase replay ability. Shortened songs and great guests help elevate this even higher.
The production is fantastic with MoSS providing good backdrops for each track, and creating a good atmosphere. There are similar elements in each song, but they are still individual. Maybe something a little further from the formula would show the artists in another light, but MoSS has provided songs that allow the vocalists to excel at what they do.
The lyricism is clever with Kool G Rap using his delivery to add more impact to his rhymes. The bars might not be the most complex, however they do carry a lot of weight and land hard with the listener. Some change in flow might help separate out Kool’s performances, but the guests also help to do that so it is not the biggest issue.
The features are great and do a good job of pushing this project forward. Each puts in an amazing verse that helps push Kool G Rap onto further greatness as well as showing that they are at the top of their respective games. With some rap legends keeping their names alive on here, the artists here are a great selection to have on any project.
Overall, this is another release from a veteran that could teach newer artist how to make music with longevity. With plenty of replay value, this is definitely worth a few listens.
This release is another high quality product from a lesser known artist who proves that everyone has a vision. With Zo providing vocals and Gamble doing solid work behind the boards, this is worth a few spins.
The production is great with a good amount of variation, as well as smoother sounds, to allow for a variation in content from the appearing artists. Frost Gamble does well in creating atmosphere and boosting the impact of the lyrics. Maybe something with a little more pop flash could bring in more listeners, but that might not be in the vision of this project.
The lyricism is good, with Zo having some clever rhymes and messages to send to the public. His shout rap delivery sounds generic at first, but as the songs go on, he utilises it well with changes in pace and flow to help keep the songs interesting. There are no major issues here, but it could be difficult to have longevity with this particular style.
The features do a great job of lifting this project up to another level. With some big names included on the selection, each has a fantastic verse and/or chorus that works well with the main duo. Maybe a few singers would add a little more diversity, but this is still a strong bunch of artists to work with.
Overall, this is a very enjoyable album with some poignant messages as well as some more entertaining songs that will appeal to a wide audiance. You may not have heard of these names before, but take a chance on this and you wont regret it.
This is a great release from Raekwon, because it is simply him making music he wants to make, and not trying to horseshoe in artists that are popular but might not fit in with the song. This is a much smarter and smoother project than some will give Raekwon credit for.
The production is amazing with some good range and a lot of smooth transitions between songs. There are a lot of slowed down beats that compliment Raekwon’s flow perfectly and the jazz influences help make this easy to listen to. This is a smart choice because Raekwon does not always fit on modern trap offerings due to his vocal tone which can blend him away, but the selection on here works beautifully.
The lyricism is obviously fantastic with Raekwon showing that he hasn’t missed a step. There is still incredible wordplay as well as storytelling and almost every other lyrical device. While his delivery is solid and works amazingly for him, it might be interesting to hear Raekwon try to switch his flow a little in places.
The features are smart choices because Raekwon appears to have great chemistry with everyone he works with. He doesn’t simply choose people who are hot right now, he picks artists that fit with the song and the atmosphere of the track. There is some good singing heard too which helps this strike a cohesive balance on a full listen through.
Overall, this is a solid release from one of raps most consistent artists. Raekwon has made another great album and hopefully it gets the recognition it deserves.