This release is an excellent example of how to turn around a horrid point in life. After what Murs has been through, it shows incredible strength to not only stay a functioning person but to also be able to use it in their music? not many can utilise pain in this way, especially in such a cohesive and poignant album.
The production, handled exclusively by Michael “Sevens” Summers, fits perfectly with what Murs is saying on each song. The chemistry between this producer and rapper is crystal clear every second of this project and keeps it flowing nicely. With the wide variation of vibes here, there is not a lot that could be worked on.
The lyricism is amazing, with Murs showing his wordplay and also great story telling skills. Every line is crafted to work perfectly with the beat as well as the overall messages on the songs. Maybe a little more flow experimentation could make a little more excitement but there is no doubt that these are some fantastic performances from a true wordsmith.
The features all help to keep this fresh with additional voices to break up any monotony. All have top skills of their own and keep the quality high with their contributions. There is a slim chance that some more singers could give another softer edge, but Murs handles that on his own with the content.
Overall, this is a really amazing album that explores a lot of different feelings and shows that it is possible to keep living after a tragic event. Hopefully Murs continues to work on his music and personal issues so hip hop can continue to recieve these gifts of his.
This debut was worth waiting for. Cyhi The Prynce has spent a long time working on his craft and it is clear on this release.
The production is fantastic with a lot of backings that don’t overpower the artists on the tracks. Each fits the tone of the songs as well as being a strong atmosphere for the message being sent. Some more offerings with more of a club feel could give more for the general populace, but may not be in keeping with the project that Cyhi is trying to put out.
The lyricism is exceptional with Cyhi showing the talent that made the industry sit up and take notice. His lyrics are full of clever references and other great lyrical devices that embellish his storytelling with plenty of description. Possibly some more changes in flow could show a little more of what Cyhi is capable of, but his delivery is incredible on these tracks regardless.
The features are good and help to stop one voice becoming monotonous. Each shows their own skills while having great chemistry with Cyhi. There is a good range of different guests on here and it will be interesting to see who he chooses to work with in the future.
Overall, this is a very interesting listen with many thought provoking moments, The only issue is that the songs are possibly too long and can make a full listen through a bit of a struggle but Cyhi The Prynce has a great debut here and deserves a try from everyone.
This release has a lot of elements of a Wu-Tang Clan album, but lacks a certain cohesion to fill out all the criteria. This album feels a little unbalanced and is gratefully accepted as almost a tribute to the group, rather than an official effort.
The production is classic Wu-Tang. There is plenty of haunting backings that reflect the groups starting point and how they have kept their flavor. There are a few more modern beats that never sound like a perfect fit, but do help show that the collective is trying to keep up with modern times.
The lyricism is solid from everyone, but only a few really shine out. No one does a bad job, but a few of them don’t perform at their finest and the rest have to pick up the slack. While you couldn’t pick out anyone performing terribly, but only a small percentage performs well.
Overall, with the features performing along the same lines as the legendary group, this release is a little too long. Maybe if it was a little more cohesive, it could have flowed a little easier and made this a little easier to listen to.
This is a great album from Tyler that is fluid and doesn’t need defending like his previous releases. he shows not only great talent, but personal growth as well.
The production is not as aggressive as on his last album and with the softer tones comes a project that is much easier to listen to. The songs are softer but without losing all of their hardness and shock factor in some cases. This is a side of Tyler the world needed to see and help connect with him on a more human level, which is easier accomplished with this backdrop.
The lyricism is great with a lot of smart wordplay and a lot of clever rhymes. Tyler tones down his delivery but has built up more skill which helps him add to his descriptive ability that is another positive point of this project. With the growth shown from this, there are no issues with Tyler’s performance.
The features are well chosen and fit into their respective songs easily and without sounding forced. Each shows what they are capable of without over stepping and out shining the main artist. there is a good mix of singers with this album as well, which adds another level of entertainment to an already interesting release.
Overall, this is the best album that Tyler has released as it encompasses a wider audience without alienating so many. Hopefully he can carry this mentality forward.
This release is a great showing of Bugzy Malone’s talent and how he is a force to be reckoned with. There is a song for each audience on here, but it may not connect totally because of the backings.
The production is good, don’t be mistaken, but it fades away a little too much in places, taking from the impact of the songs. Each beat is still individual and creates the right atmosphere for the project. However they do not totally support Malone and something with a little more push could lift this higher on the way to success.
The lyricism is great, with good story telling elements as well as wordplay. Bugzy Malone proves he deserves a title in the rap game, but knowing what happened to the last King in the North (Game Of Thrones) could show it is not always the best path to take. Let us hope he can continue to carry his brand and his skills forward to future releases.
The features are good and help show some good chemistry with the main artist. They each show their own skills and break up the hearing of one voice as well. Maybe some more guests could show that Bugzy can work with a range of people, but leaving more time to show his own abilities was still a smart move.
Overall, this release shows that Bugzy Malone definitely has a strong following that he appeals to. Now it is just a case of seeing if he can broaden that audience to fill the south as well.
This release shows how Prodigy is aware of issues happening today as well as his own status and his position to help change it. Before his untimely death, this was a good album to end with, even if he didn’t mean it to be his last.
The production is great with plenty of different atmosphere’s, reflecting the content with ease. Each track feels individual and the skits work well to help bridge the gaps between each one. The is a great selection of beats on this and only missing something with some pop flare, which Prodigy would not have wanted to be particularly near in the first place.
The lyricism is sharp and poignant, with the unique delivery giving each bar extra impact. With so many messages woven into each rhyme, the level of description and story still involved is incredibly high and Prodigy makes every word land heavily with the listener. maybe trying something further out of his comfort zone could show a little more growth, but Prodigy knew what he was doing when he put this together.
The choice to only have one feature was clever because the introduction of the skits into the album broke up the rapping nicely and didn’t require other voices to do so. The one guest does well to keep the message strong and display his own skills, not letting down the full listen through. It is possible that showing his chemistry with others may have improved these songs, but they are still amazing songs without other voices marring the point of each one.
Overall, this is another strong release from Prodigy and addition to his catalogue. He was taken too early from not only the Hip Hop community, but from this world and may he rest in peace.
This release is great as preparation for an upcoming album as well as showing some great song making skills. Vic Mensa shows a great flexibility in the songs he can make and with this taster, the album has a lot of promise.
The production is great and helps fill the space that Mensa can not. Each beat is clear and definitely couldn’t be confused together. On this EP, the beat selection is great, but it can be hoped that Mensa doesn’t stay so diverse and he can keep it cohesive.
The lyricism is great with Vic Mensa showing a lot of skill with his rhymes. His delivery is punchy and his wordplay is renewed, as he may have sounded a little too content on his previous release. If he can carry this momentum into his next album, it is sure to achieve success.
The features are good and show a good understanding of who will help improve a song. Both do a great job of fleshing out the tracks while not taking from Vic Mensa’s performance. If he continues to pick guests like this, his next project will work incredibly well as a listen through.
Overall, this is a nice palette cleanser of other rap music to ready the listener for the next release from Vic Mensa. With creative ability like this, it should be a commercial success and a piece of absolute artwork.