This release is a masterpiece for Travis Scott and the rap community. Every song is masterfully put together and the energy throughout makers it a very easy listen.
The production is amazing, separating itself from almost all other music with how crisp and intoxicating the beats actually are. Each song has the perfect atmosphere and compliments the artists on it. There are no issues with how the background music plays on this album, none at all.
The lyricism is not exactly the most complicated and intricate out there, but the delivery and performance elements bring them home. The way the beats and the lyrics meld together so seamlessly really strengthens the tracks as neither are blocking the other out and making both elements very enjoyable. The wordplay is not bad, but could do with maybe a small boost to reach every corner of the hip hop world.
The features, while not credited on the streaming side, all contribute strongly to this project and add just what is needed on each song. While some may not seem like the biggest contribution, all make this the cohesive listen that has made such a smash hit. There is a chance that a few more singers could add another edge, but may ruin the vision Scott had for this.
Overall, there is no doubt that this will go down as a lot of people’s favorite album. Travis Scott has used his considerable talents to craft a truly remarkable project that every listener can enjoy, at least for a certain extent.
This debut was worth waiting for. Cyhi The Prynce has spent a long time working on his craft and it is clear on this release.
The production is fantastic with a lot of backings that don’t overpower the artists on the tracks. Each fits the tone of the songs as well as being a strong atmosphere for the message being sent. Some more offerings with more of a club feel could give more for the general populace, but may not be in keeping with the project that Cyhi is trying to put out.
The lyricism is exceptional with Cyhi showing the talent that made the industry sit up and take notice. His lyrics are full of clever references and other great lyrical devices that embellish his storytelling with plenty of description. Possibly some more changes in flow could show a little more of what Cyhi is capable of, but his delivery is incredible on these tracks regardless.
The features are good and help to stop one voice becoming monotonous. Each shows their own skills while having great chemistry with Cyhi. There is a good range of different guests on here and it will be interesting to see who he chooses to work with in the future.
Overall, this is a very interesting listen with many thought provoking moments, The only issue is that the songs are possibly too long and can make a full listen through a bit of a struggle but Cyhi The Prynce has a great debut here and deserves a try from everyone.
This release is full of high energy and entertaining tracks that are enjoyable to listen to. However it feels odd in places where the use of auto-tune could be considered unnecessary.
The production is full of trap based beats and cleaned up street backings that help give the jungle vibe French is looking for. Each is strong as an instrumental but works very well with the rappers and singers over the top. Something a bit more experimental would show another aspect of French Montana, but the beat selection here has no real issues.
The lyricism is good with French Montana coming across as his most lyrically flexible self. His bars have some good wordplay and other devices in them, but can be repetitive in places, like the hooks. While he has definitely improved in this area, there is still room to improve further.
The features all help to increase the cohesiveness of this project and show thier own skills. In some cases, they can come across as very similar to what Montana is going for on the song as well with delivery but they never ruin the others performances. Something further form his own talents could help lift this guest selection, on the other hand these features are all effective on the songs they are on.
Overall, this is an achievement because there are a lot of good songs available on it. The problem is that if you cant sing, then don’t auto-tune everything because it can take from the real talent of the rhymes. Also, consolidate the track length to maximise effectiveness.
This release is full of big names and big tracks that make this a very entertaining listen. With DJ Khaled acting more like a on this album, only the best tracks make the cut, and this album proves it.
The production is varied but always interesting. Every beat is energetic and works very well with the artists chosen to work on it. There may be something for everyone, but most will appeal to any listener as they are all polished and work as a full listen through as well as individual songs.
The Features on here make this project such a success. All show great skill and have great chemistry with the other artists on the songs as well as DJ Khaled. It is possible that some guests further from his comfort zone may have made some more interesting moments, but DJ Khaled has chosen most of the biggest names in Hip Hop to be a part of this release, and they don’t disappoint.
Overall, this is great for those who want to stick on an album and not use the skip button at all, leaving it to play through. DJ Khaled continues to have enormous success with his albums, but it should be noted that it is mostly down to other artists work. Not to take from Khaled’s ability to bring artists together, but most of the entertainment value is down to the features and not him shouting out during the project.
This release shows that 2 Chainz knows his core audience, but doesn’t grow to increase his listeners and therefore earn more money, as one of the songs on here is all about. Something to think about at least.
The production is good with a lot of interesting and entertaining sounds that create a lot of energy and keep it flowing through the whole project. A lot of the beats however are very much within the wheel house of the main artist. Trying to expand his repertoire further out of his comfort zone would make a more balanced release.
The lyricism is good, but is more of the same from 2 Chainz. He has respectable wordplay and his delivery is still entertaining, but his hooks are repetitive and the content is more of the same. Something fresh could give a lot of boost to this release, but it would have to be a big boost.
The features do great at breaking up the monotony that can set in by adding fresh voices and styles to the mix. Each does a good job of showing what they are capable of, but also at bringing fresh energy streams in ot stimulate this project and stop it dropping rankings any further. Some more singers would help bring more diversity too.
Overall, this will appeal to Chainz’s core audience, but does not have a lot to give other rap listeners. The title does not reflect the content and a lot of it will already have been heard before.
This is a solid release from Wale and shows a bit more growth from the artist. The softer tones and choice of instrument help give this a more connecting tone than the party anthems that pop music has become.
The production is magnificent and sets the tone for the whole album. Each beat is not overbearing, so you can hear the artists on the tracks, while being melodic and uplifting in the background. Maybe something a little brasher could help give a more complete release, but the selection works well in this case.
The lyricism is strong and the easy delivery makes it easy to listen to. Wale has a masterpiece way of rapping, every word flowing easily together and the wordplay being descriptive and relevant. Something a bit more aggressive may show more sides to Wale, but there are definitely no issues with his performance here.
The features help to add another level of cohesion to this project, while showcasing others abilities. Each guest does a good job of showing how good their writing is and it is a good blend of stars as well as up and comers. The balance of singers to rappers is also pretty good which helps lead to a diverse listen through.
Overall, this is an enjoyable fifty six minutes that shows Wale is keeping his skills sharp. Mayback Music Group is having a strong year so far.
This is a nice release from Drake with plenty of energy to make a listen through a delight. Drake is right to call this a playlist instead of an album because it is not so balanced as an album should be, but makes a great playlist for almost any situation.
The production is fantastic with all the elements that helped make Drake a household name to begin with. There are influences from grime to dancehall that help keep the palette fresh and cleansed as you listen through the whole project. The beat selection here is fantastic, but maybe a few more slower songs would give this a little more diversity.
The lyricism is great with Drake flexing his wordplay muscles as well as as continuing to shine with his singing. He takes a few subliminal shots at other artists but in ways that still show creativity and that he is still working to stay the top artist in the world right now. There are no problems with Drake’s performance on this project as he continues his run of greatness.
The features are great and show how Drake is growing as an artist. He is not worried about just choosing the biggest names, but instead chooses the artists he wants to work with. All of them do a good job and help make this release more cohesive.
Overall, this is a very entertaining listen through and could be a step into the future of music releases. Instead of trying to make an album that shows every side of you, Drake makes a list of songs that sound great all the way through, and maybe that is the direction the industry is headed in.
This album is hypnotic while listening to it but cracks start to appear the longer it goes on. Patterns emerge showing that the songs share a lot of elements and that it is all beats and hooks. It isn’t a great Hip Hop project, but it can be entertaining.
The production is fantastic and contains everything modern rap music is becoming. it has high energy and sounds that draw in the listener while being relatively easy to listen to. Maybe a few more changes to pace could stop the backings sounding so very similar while trying to add some different noises may also help.
The lyricism is confusing because it is very hard to tell the verses apart from the hooks, which dominate the songs. While Travis Scott can write an incredible chorus, it would be great to hear what he could do on more of a verse but they are almost non-existent in the listener’s ears. Changing this is what would be the biggest improvement for this project.
Overall, the one feature on this was a good choice to show Travis Scott’s own skill but he needed to put more of it on show to the audience for this to really excel.
This album had high hopes, but falls flat a lot more than it soars. Some tracks come across as cohesive genius whereas others seem more like formulaic noise to try and bring in more listeners who are not Hip Hop educated.
The production is good in places and great in others. There is a lot of energy running through the project but in a lot of places the elements in the tracks become more merged together into background noise rather than being effectively tools. Maybe some more beats with less happening in them would open up more space for the artists.
The features all do their job and most do it well to help flesh out this project. The verses tend to be effective but the hooks come across as repetitive in a lot of cases which really lets the album down. Some more imagination in that particular aspect would go a long way.
Overall, Khaled has made his playlist of high value artists and put together a collection of music that will appeal to most. However only a few tracks will remain with the listener.
This album is great to listen through and does not have many jarring moments that ruin the experiance. Puff has crafted an album that proves he can still make music that people will enjoy.
The production has a big enough range to show Puff can work with a variety of tracks as well as different atmospheres. Each song is individual while being cohesive with the overall project. A few slower songs could show that Puff has a tighter grip on his emotions, but the project does not actually need it.
The lyricism may not be the most complex but it does help tell the story as well as show Puff’s skills on the mic. He shows that he can still hang with some of the best even if he is not considered one of them. Some more creative bars could have helped the project but may have ruined the delivery part of Piff’s display.
The features all do a good job of pushing Puff to his best performances while putting thier own strengths forward. Each puts a lot of pasison into thier verses to help bolster thier individual performances and help the tracks to be more cohesive. Some more singing guests could have a bolstering effect on the songs, but that would defeat the purpose of Puff Daddy and the Family.
Overall, this is a great album for putting on and kicking back to as well as partying around to. Puff can still create music that the public wants to hear.