This release is a masterpiece for Travis Scott and the rap community. Every song is masterfully put together and the energy throughout makers it a very easy listen.
The production is amazing, separating itself from almost all other music with how crisp and intoxicating the beats actually are. Each song has the perfect atmosphere and compliments the artists on it. There are no issues with how the background music plays on this album, none at all.
The lyricism is not exactly the most complicated and intricate out there, but the delivery and performance elements bring them home. The way the beats and the lyrics meld together so seamlessly really strengthens the tracks as neither are blocking the other out and making both elements very enjoyable. The wordplay is not bad, but could do with maybe a small boost to reach every corner of the hip hop world.
The features, while not credited on the streaming side, all contribute strongly to this project and add just what is needed on each song. While some may not seem like the biggest contribution, all make this the cohesive listen that has made such a smash hit. There is a chance that a few more singers could add another edge, but may ruin the vision Scott had for this.
Overall, there is no doubt that this will go down as a lot of people’s favorite album. Travis Scott has used his considerable talents to craft a truly remarkable project that every listener can enjoy, at least for a certain extent.
This album is hypnotic while listening to it but cracks start to appear the longer it goes on. Patterns emerge showing that the songs share a lot of elements and that it is all beats and hooks. It isn’t a great Hip Hop project, but it can be entertaining.
The production is fantastic and contains everything modern rap music is becoming. it has high energy and sounds that draw in the listener while being relatively easy to listen to. Maybe a few more changes to pace could stop the backings sounding so very similar while trying to add some different noises may also help.
The lyricism is confusing because it is very hard to tell the verses apart from the hooks, which dominate the songs. While Travis Scott can write an incredible chorus, it would be great to hear what he could do on more of a verse but they are almost non-existent in the listener’s ears. Changing this is what would be the biggest improvement for this project.
Overall, the one feature on this was a good choice to show Travis Scott’s own skill but he needed to put more of it on show to the audience for this to really excel.
This is full of almost party music that Travis has turned into the darker side of those times. He seems to craft his own sound that gives his music another edge above others.
The production is special as it seems to be a blend of almost everything that is popular and instead of sounding like a mess, it comes across as very well crafted. There is a variation and diversity in the beats that make a lot of different scenarios come forth in the music. Maybe some simpler, taken down beats would show that Travis Scott doesn’t need strong backing to make a successful song, but he has great success with his beat selection on here.
The lyricism won’t attract the lyrical purists, but Travis does not slouch and keeps the level of entertainment up with delivery and a touch of autotune. The actual rhymes work well with the song content and help make the songs enjoyable. Some more complexity in the verses as well as the hooks could help bring in some more listeners, but Travis should get a fair sized audiance off the strength of these songs.
The features all do a good job of fleshing out the tracks with fresh voices and opinions. Each brings a lot of effort and puts a fresh spin on the song while showing what they are capable of as artists. Maybe some more guests from further afield could bring in some different audiances, but his selection on here make this a better project.
Overall, this is a very enjoyable listen while breaking Travis Scott into the realms of established artistry. Now he needs to keeo this momentum rolling to really breakout from the rest of the pack.
This project is a very one track re-imagined into fifteen remakes. All the songs come across as single dimensional and it does not make for a lot of replay ability, with fifteen songs about women and what Travis does/will do to them does not make for stretched enjoyable listening.
The production is alright but can seem repetitive due to the lack of substantial content. The beats are not encapsulating but can be good for one listen if you need a bit of a pick me up. More beats that try to explore more messages in Hip Hop would improve this project by making it more rounded to the audiance.
The lyricism is alright but is too focused on one topic to be really impressive. While Travis does a good job of managing to write enough rhymes about that particular topic but it does not have a lot of lyrical acrobatics or much that is complex but it can be mildly entertaining on the first listen.
The features are also enjoyable the first time, but it can be stale as they are simply saying the same things as Travis. Each puts in some good effort that helps create some more creative verses but it is difficult to connect with. Possibly, some features from further a field than Hip Hop could make some more interesting songs, especially since these are repetitive.
Overall, this project shows that Travis Porter can make songs about women but he needs to expand his range and utilise his words more effectively. He has shown he can make a track for one audiance in Hip Hop but needs to be able to talk to more listeners.