This release shows that 2 Chainz knows his core audience, but doesn’t grow to increase his listeners and therefore earn more money, as one of the songs on here is all about. Something to think about at least.
The production is good with a lot of interesting and entertaining sounds that create a lot of energy and keep it flowing through the whole project. A lot of the beats however are very much within the wheel house of the main artist. Trying to expand his repertoire further out of his comfort zone would make a more balanced release.
The lyricism is good, but is more of the same from 2 Chainz. He has respectable wordplay and his delivery is still entertaining, but his hooks are repetitive and the content is more of the same. Something fresh could give a lot of boost to this release, but it would have to be a big boost.
The features do great at breaking up the monotony that can set in by adding fresh voices and styles to the mix. Each does a good job of showing what they are capable of, but also at bringing fresh energy streams in ot stimulate this project and stop it dropping rankings any further. Some more singers would help bring more diversity too.
Overall, this will appeal to Chainz’s core audience, but does not have a lot to give other rap listeners. The title does not reflect the content and a lot of it will already have been heard before.
This is a great project as it keeps Fabolous in the public eye, showing his skills, as well as being a refreshing step back towards lyricism for Hip Hop. This builds on the work of the first installation to make this a promising staple for rappers everywhere.
The production is great as it is very summer like as the title suggests. The beats are light and airy which allows the listener to float back to summer memories while being entertaining and enjoyable. There are no problems with the beat selection as they fit perfectly with the aim of this project.
The lyricism is excellent with Fabolous not missing a step to add wordplay to every bar. He adds a lot of lyrical genius to these songs and lifts the whole genre back towards smarter rhymes. Maybe some more changes in pace and flow would make for a more balanced performance, but Faboloous does a really incredible job of making this project amazing.
The features help to add points of comparison for Fabolous as well as fleshing out the tracks. Each puts in a good effort and, with some big names, show that Fabolous is one of the big players in the rap game. The guests do a great job of adding more summer feelings to this mixtape.
Overall, this project is fantastic and should be celebrated by listeners everywhere. Fabolous should continue to put out this music so maybe Hip Hop doesn’t forget to have clever lines.
This album shows that DJ Drama can still put together a great project after all his years in Hip Hop. While he is more of a curator than a performer, he shows he has connections and puts together exactly what the title describes.
The production is energetic while creating the atmosphere the track needs. Each is individual while bring cohesive with the overall listen through. When you listen through the whole thing, it does seem formulaic on first listen, but each backing is crafted well and will appeal to the listener.
The features really help to make this project as they are the main focus of all the songs. All put in good effort and on each track, the guests work well together as DJ Drama knew they would. He picks a few veterans as well as a great selection of up and comers to show their skills and flesh out the tracks. Maybe some artists further from what Drama already knows could make some moments further from the formula, but he knows what works and works it well.
Overall, this is a great playlist for songs for the street. DJ Drama has put this together very well and will hopefully go on to cultivate new talent as he has been.
This album is vintage Kevin Gates with a great mixture of deep emotion and aggression. He keeps this balance well through the whole project with good energy to keep it going.
The production is smooth and has a good level of diversity. The beats are individual and there is no way they are getting mixed up together. There are no real problems with the beat selection here as Kevin has used them to maximum effectiveness.
The lyricism is good as Kevin Gates maximises his imagery with clever wordplay and descriptive ability. He uses his rhymes to really put the pictures into the listeners head and help them connect with the music. Again, there are no real issues with this element of the project.
The features are smart as they all appear on the same track. This means that for most of the project, Kevin Gates can showcase his own abilities without compromising space for others. Each of the guests puts in a lot of effort and the song they are on is fantastic.
Overall, this project is amazing and Kevin Gates should be proud of what he has made here. Without compromising his principles, he has shown a tough and soft side that makes a very balanced album.
This project is great as it shows that Fabolous is still making great music. He uses his great skill. To make these that have a summertime feel but with a winter coldness.
The production is great as it is light and breezy but with the ability to apply to any content. The beats are all individual and won’t get confused with any of the other songs. Any other style of production would not have been in the keeping with the theme.
The lyricism is fantastic with Fabolous showing how he first built his name in Hip Hop. He uses a range of techniques flawlessly to get his point across with great imagery and with plenty of impact. There are no real problems with the rhymes on this project.
The features are diverse and help to pull the project together. Each has an enjoyable verse or hook that helps push Fabolous to work harder as well as show what each of the guests are capable of. Maybe some more singers could give the project a little extra something but there are no problems with the selection here.
Overall, this project is a great showing for Fabolous and to show that the mixtape world can still crank out album worthy projects. Hopefully Fabolous can carry this momentum forward.
This album has a lot of what Ty has already showcased on, but the greatness is in its variety and vocal range of tracks. Ty uses a lot of different backings and stretches his voice to new notes to make this project work.
The production is very diverse with some almost country beats mixed in with the pop and club ones. The range of beats on here allows Ty to give a glimpse of the different genres his talent could extent to. Blending them together into this one album makes for a great listening experiance with no real issues for the beats.
The lyricism is not complex or complicated but as Ty is more of a singer than rapper, this is not the most important thing. The actual singing is impressive with his signiture voice and style being effective to enhance the impact of the words. Ty shows he is good at what he does and that he will keep being good at it.
The features do a great job of fleshing out the album with new voices. With Ty singing, each of the features carries the rap portion of the album and does a good job of carrying the burden. While not on every track, they really help make the project be more cohesive and entertaining.
Overall, this album is great for listening through in the background, its biggest problem being content. It is a lot of well trodden ground but with a fresh new crooner at the helm.
This album is good if you like the highly energized rap music that pumps out of mainstream radio these days. If you prefer something deeper or more lyrical, there are other options out there for you.
The production is good with plenty of different types of energetic beats, but there are no slow moments. This works fine for the basis of this album as it is DJ led, but should be avoided elsewhere. A few more diverse backings could do well to show that DJ Khaled does not follow a formula, but the concept of this album works for his purpose.
The features all do a good enough job to make the songs enjoyable but there is not a lot of substance. Each guest puts effort into thier verses, but with the same people recurring multiple times doing the same thing, can become stale. Maybe some more variation in guest selection could create some more interesting moments, but at least the songs are not totally boring.
Overall, you will probably like a few songs on this but a full listen through may not be as entertaining to everyone as it might seem. DJ Khaled does show that he can still put together a project however.
This is a good project for Kid Ink as it shows him making a whole variety of tracks with some good features and some different flows. There is not a whole lot to criticise about this project.
The production is smooth and refined. The beats blend together easily and are accessible for both lovers of Hip Hop and to lovers of Pop music. The way the producers have put the tracks together comes across as very polished without a fault in them and that is a big bonus for this project.
The lyricism is there and is scattered throughout but may not be as involved as some would like. While Kid Ink does very well to involve wordplay and lyrical devices in this work, the songs aren’t saturated in them so as to help expand the audience further into the realms of Pop music. For Hip Hop purists, Kid Ink could have used more wordplay.
The features are good and add to every track they are on. Each helps to bolster the cohesiveness of the tracks and helps introduce different opinions and angles on the message of each track. If the features weren’t there, this project would not be as good as it currently is.
Overall, this is a great project for Kid Ink and for rap as a sub-culture of Pop music. Kid Ink may well be part of a movement to move Hip Hop out of the darkness and into the mainstream of radio around the globe.