This release shows some personal growth from Demrick, as an artist and a person. There are comparative points of high life living, but it is mostly an exploration of a deeper self.
The production has a timeless feel, with a feeling of opening up the listener so they are ready to receive the emotional content. None of the beats override the lyrics which helps the artist stay the focus point of the music, but would feel empty without the rappers input. Maybe something with a little more strength and body could make a tougher feeling album, although that is not the point of this release so the selection still works well.
The lyricism is strong as Demrick builds upon his foundation of clever wordplay. He makes more use of his singing tones, as well as a few more special effects, to great affect on these tracks which helps to give them more dimension. Maybe a little more variation of flow could create a few more interesting moments, but there is no doubt that Demrick has a strong performance on this album.
The features are good and help add ot the stories told on the songs they are on. However the project is not particularly long and they do take valuable time from the main artist. While the balance between rapping and singing is very delicate, this project does strike that balance very well which helps keep the project flowing.
Overall, this is a good release for Demrick to keep his career moving. While people who have been following him might see how he has moved forward, this album does not possess the wow power to bring in a lot of new listeners, but there are still high hopes for the future as This is still quality music.
This album is incredible as both MC Eiht and DJ Premier do exactly what they got famous for. Great cuts and killer bars make a wonderful west coast experiance.
The production is truly amazing with DJ Premier bring his substantial talents to the west coast flavour. His impressive use of scratching and samples makes a beautiful canvas for the artists to work over. There are no issues here as the expertise is clear here and makes for a great listen through.
The lyricism is great as MC Eiht weaves a great tapestry of description. His bars do a really great job of expressing his feelings and the development of the west coast sound. Maybe something a little more explosive with his delivery could have brought a little more to the table, but his wordplay goes a very long way.
The features are all great and lend a lot to the nostalgic feel. Each puts in a fantastic verse and helps to stop one voice from becoming boring. There are no issues with the guest selection as they fill the criteria perfectly.
Overall, this is a very enjoyable release and will be an essential for any west coast fans. MC Eiht and DJ Premier have made another quality project for both of their catalogues.
This album has a great balance of all aspects of Hip Hop. There is content, features, beats and lyricism for all rap listeners to enjoy. Krept and Konan flex thier rhyme muscles hard on this album and it comes out as a great project for them and the UK scene.
The production is excellent and is a good blend of refined commercial backing with gritty street tones. The beats all create the atmosphere that enhances the track and helps the impact of the message from each song. It is possible that there are a few more commercial sounds than raw grind that the core audiance enjoys, but this album still has a mostly even balance.
The lyricism is clear and excellent on every track. Each bar is full of a clever lyrical technique that shows not only how intelligent the rappers are, but also how creative rap can be. A few rhymes may go over peoples heads, however that is not the artists fault.
The features are fantastic and all help make this album as great as it is. Each of them help to make this album more of an international effort as well as using thier own skills to show thier level of talent compared to Krept and Konan. Possibly a few more singing features would help on more of the emotional tracks. On the other hand the main artists do a great job on the hooks themselves.
Overall, this is a great album that should appeal to all listeners of the Hip Hop genre. Krept and Konan should be beyond proud of how this album has finished off.
This is a very enjoyable listen and while the use of autotune is frowned upon by portions of the Hip Hop community, T-Pain uses this opportunity to show that he is the best at using it and can use it well. There is a lot of energy in these songs and it is mostly down to autotune.
The production is excellent and combined with the autotune delivery makes for some very energetic, club ready tracks. There are a lot of interesting noises and sounds used to create beats that are rarer than others and stand out much re from the crowd. While it would be out of his nature, some more slowed down beats may help T-Pain make more of a connection to the listener.
The lyricism is better than expected. T-Pain includes a lot of different rap techniques through out the mixtape and it really shows that he is moving forward still in his career. It is clearer when he isn’t using autotune but it is all peppered through the entire project and helps build up the experiance.
The features are also excellent and all contribute to this being a good mixtape. All the guests put in good effort and channel thier passion for music into thier contributions. Some features a bit further out of his comfort zone may make a couple of interesting moments but this selection make great listening.
Overall, this is a very enjoyable listen and there is a song on there for everyone. T-Pain makes some great songs and should be commended on his efforts.
This is a good showcase of how K Camp can use his talents to make generic content songs a bit more exciting. With his ability to add some singing, or at least a close substitute to, into the mix helps make a more interesting listen.
The production is good and is a good mixture of important features for a good listen. The beats are interesting enough to listen to , but also have spots where K Camp really stands out and can be heard. It makes for a more enjoyable listen and a good base for K Camp to build on.
The lyricism is there but is not a prominent point on the project. While there is some impressive wordplay the more important things are the combo of singing and rapping to make the generic content seem fresh and revitalised. K Camp’s performance and delivery on this is impressive but if some more wordplay were to be involved, the project would be improved somewhat.
The features on this project are also good and help K Camp improve his chemistry with others on the tracks. Each helps to contrast what K Camp brings to the table as well as shows the skills each of the features themselves has to offer.
Overall, this is an enjoyable listen and a good point for K Camp in his career. With his blend of deliveries and his ability to sound different from the rest of his rap generation, he should become more of a figure in Hip Hop than he is now.