This surprise release does the job of showing that both featured artists can still make music, but without much in the way of development. They both continue to do what they have done countless times before and are lucky it makes it to mediocre.
The production is solid from Mike WiLL Made-It as the beats continue to be entertaining and atmospheric. Each is individual, but have a lot of the same markers in them that can make them seem repetitive. Something with a little more punch and impact may help to lift this out of mediocrity and into the stardom that Mike is better known for.
The lyricism is more of the same from Yo Gotti as he continues to write about trapping and being a gangster. This shows little personal growth and the delivery sounds tired as he goes through the motions. There may be a core audience for this, but it is hard ot believe that this will have much commercial success based on what Gotti does here.
The project is short overall, clocking in at twenty nine minutes, so the choice to have one feature is smart. The one guest does a good job, but not outstanding. However they do elevate the project a little, and some other voices may have broken up the monotony nicely.
Overall, this is not a great release for either artist, but it has a certain energy to it that some might be looking for. Hopefully they can build upwards from this and make smarter music.
This is an energetic release reminiscent of the first Ransom project, but there is a certain amount of formula that is clear in each of the tracks. While the production from Mike WiLL is fantastic, what each artists does with it all seems to lead down the same path, with a few exceptions.
The production is phenomenal, with Mike WiLL creating trap beats that may seem similar, but all have different aspects that makes each individual. In a few cases it seems like there is a base guideline rather than an organic blooming to his creative process, but it still yields some great results. Maybe seeing what he can do outside the trap sub-genre could be an interesting challenge for the producer.
The features on this project are exactly what you would expect to find on songs from a producer as big as Mike WiLL. A stream of A-List rappers as well as fresh up-and-comers helps show a great level of respect for the producer here. It is a shame that so many come from the same vein of writing and delivery, but individually, they all still have good performances.
Overall, this is another release from an exceptional producer that proves he deserves the money and respect he is given. Only time will tell if he will attempt to branch out and attempt to work with a wider pool of talent.
from a production point of view, this is a good mixtape, but the combination of featured artists and its tending for the tracks to lack any real flare. The artists lack the touch that makes each track want to be listened to and instead there is a string of mediocre songs that make up a majority of a twenty track project.
The production is fantastic and is the best part of the project. As Mike is a producer then this is a great point and the standard doesn’t drop below very good. The beats also have a signature sound that helps Mike stand out against other producers. However with the features on the tracks don’t totally do justice to the quality of the production.
The features are alright overall, but some are clearly not as good as some others. The more high calibre features do very well crafting superior tracks that have great energy and atmosphere. Unfortunately these are few and far between and there are more tracks to play through than to get excited by. This cuases a boring listen for anyone interested in lyricism and Mike may need to be a bit more careful of who he lets on his projects.
Overall, this has a few good tracks but has a lot of other tracks to shift through before you can pick them out. If the project had been cut a bit shorter and been more cohesive then it would have been a better mixtape. As it stands it is too long and too much hard work.