This is an amazingly complete release that somehow doesn’t quite gel together as smoothly as it feels it should. T.I. explores a lot of different things in this album, from how he cultivated the trap sub-genre to how his mistakes have led to a lot of problems in his personal life, that together create a complete picture of the man we know.
The production is great and does compliment the message on each song. Individually, the beats all work, but when you put them together as a full album listen to, they can come across as a bit choppy and it can make listening through the whole thing a small challenge. On the other hand, a lot of listeners will simply pick out their favorites, as is the current trend, so this is not a huge disadvantage.
The lyricism is good, with a lot of uptempo rhyming to help keep energy levels up. However, when on an emotional track, T.I. bears his soul to show his side of the story and show that he knows he is a human being and that he makes mistakes. However you slice it, his performance here is phenomenal.
The features do a great job of accentuating the song they are on as well as showing their own talent. There is a real combination of tough street efforts on top of softer singers to add an extra dimension to the project. The guest selection is excellent and are only additions to this album.
Overall, this is a strong album with a lot of strong performances. T.I. continues to be a staple in hip hop and will continue to be, while hopefully having less drama.
This release is another showing of force from Meek Mill, with a renewed vigour for success. After a turbulent time, he has shown how he can pull it together to make good music.
The production is energetic and helps keep the pace as the project plays. Each song with similar atmospheres all have a lot of the same elements, but are varied enough that they don’t get confused for each other. Maybe something with more of an easy listening feel would help include another audience, but would not fit with Meek Mill’s delivery.
The lyricism is strong with plenty of wordplay and clever punchlines. With some poignant messages in the mix here, the impact is huge with the delivery and performance aspects boosting them. a softer delivery might show that Meek is expanding his repertoire, but having already added a lot to his arsenal here, it is not a big miss.
The features are great and help with the cohesiveness of this album. Each makes a great effort and shows their own skills, which always fit with the song they are on. A guest from further afield than the rap game would help make some more interesting moments, but this is a small price for the results displayed on this project.
Overall, this is an enjoyable album with some great moments and little filler. Meek Mill can hopefully take this and have a more stable year to come.
This release is full of high energy and entertaining tracks that are enjoyable to listen to. However it feels odd in places where the use of auto-tune could be considered unnecessary.
The production is full of trap based beats and cleaned up street backings that help give the jungle vibe French is looking for. Each is strong as an instrumental but works very well with the rappers and singers over the top. Something a bit more experimental would show another aspect of French Montana, but the beat selection here has no real issues.
The lyricism is good with French Montana coming across as his most lyrically flexible self. His bars have some good wordplay and other devices in them, but can be repetitive in places, like the hooks. While he has definitely improved in this area, there is still room to improve further.
The features all help to increase the cohesiveness of this project and show thier own skills. In some cases, they can come across as very similar to what Montana is going for on the song as well with delivery but they never ruin the others performances. Something further form his own talents could help lift this guest selection, on the other hand these features are all effective on the songs they are on.
Overall, this is an achievement because there are a lot of good songs available on it. The problem is that if you cant sing, then don’t auto-tune everything because it can take from the real talent of the rhymes. Also, consolidate the track length to maximise effectiveness.
This release is full of big names and big tracks that make this a very entertaining listen. With DJ Khaled acting more like a on this album, only the best tracks make the cut, and this album proves it.
The production is varied but always interesting. Every beat is energetic and works very well with the artists chosen to work on it. There may be something for everyone, but most will appeal to any listener as they are all polished and work as a full listen through as well as individual songs.
The Features on here make this project such a success. All show great skill and have great chemistry with the other artists on the songs as well as DJ Khaled. It is possible that some guests further from his comfort zone may have made some more interesting moments, but DJ Khaled has chosen most of the biggest names in Hip Hop to be a part of this release, and they don’t disappoint.
Overall, this is great for those who want to stick on an album and not use the skip button at all, leaving it to play through. DJ Khaled continues to have enormous success with his albums, but it should be noted that it is mostly down to other artists work. Not to take from Khaled’s ability to bring artists together, but most of the entertainment value is down to the features and not him shouting out during the project.
This release feels a little lazy and not as adult as it should have. The cover art is a good depiction of how this plays out, with a child’s view of themselves but without the finesse to make it work for the people viewing it.
The production is good, but nothing really stands out. The beats are all solid with a lot of potential, but they don’t leap out as the elite quality that is hoped for. Maybe something outside of Kodak Black’s comfort zone could help push him towards greatness.
The lyricism is alright, but gets very boring very quickly. Kodak Black sounds lazy through a lot of this and, even if that is the desired effect, the wordplay is not good enough to carry it along. More effort on both parts would help lift this album out of the murkiness that is the average.
The features are one of the strongest elements on this. With some top level guests, the verses and hooks provided are all of good substance and show that maybe Kodak Black is not as good as he might think. Looking to compete with his features more might make Kodak Black perform a little better.
Overall, this release was a bit of a let down and the title describes what the other children were doing. That may seem harsh, but a lot was expected of this album and it did not deliver.
This is an energetic release reminiscent of the first Ransom project, but there is a certain amount of formula that is clear in each of the tracks. While the production from Mike WiLL is fantastic, what each artists does with it all seems to lead down the same path, with a few exceptions.
The production is phenomenal, with Mike WiLL creating trap beats that may seem similar, but all have different aspects that makes each individual. In a few cases it seems like there is a base guideline rather than an organic blooming to his creative process, but it still yields some great results. Maybe seeing what he can do outside the trap sub-genre could be an interesting challenge for the producer.
The features on this project are exactly what you would expect to find on songs from a producer as big as Mike WiLL. A stream of A-List rappers as well as fresh up-and-comers helps show a great level of respect for the producer here. It is a shame that so many come from the same vein of writing and delivery, but individually, they all still have good performances.
Overall, this is another release from an exceptional producer that proves he deserves the money and respect he is given. Only time will tell if he will attempt to branch out and attempt to work with a wider pool of talent.
This is a nice release from Drake with plenty of energy to make a listen through a delight. Drake is right to call this a playlist instead of an album because it is not so balanced as an album should be, but makes a great playlist for almost any situation.
The production is fantastic with all the elements that helped make Drake a household name to begin with. There are influences from grime to dancehall that help keep the palette fresh and cleansed as you listen through the whole project. The beat selection here is fantastic, but maybe a few more slower songs would give this a little more diversity.
The lyricism is great with Drake flexing his wordplay muscles as well as as continuing to shine with his singing. He takes a few subliminal shots at other artists but in ways that still show creativity and that he is still working to stay the top artist in the world right now. There are no problems with Drake’s performance on this project as he continues his run of greatness.
The features are great and show how Drake is growing as an artist. He is not worried about just choosing the biggest names, but instead chooses the artists he wants to work with. All of them do a good job and help make this release more cohesive.
Overall, this is a very entertaining listen through and could be a step into the future of music releases. Instead of trying to make an album that shows every side of you, Drake makes a list of songs that sound great all the way through, and maybe that is the direction the industry is headed in.
This release show more of a softer side of Ross that listeners might not have expected. There are a few of the more street based tracks, but they appear to have less effort put into them than then slower ones that Ross shines on here.
The production is great with a few gritty beats mixed in with the slower, emotional ones. The slowed down ones leave room for Ross to be more creative, whereas there is so much going on in the backing with the energetic ones that the lyrics can get lost. On the whole, it is a good choice to try to balance the productions but if you do, then you should put equal effort into both.
The lyricism is good with Ross doing more to prove he is lyrically nice on this project. While not evident on every track, the verses on this show personal growth as well as a possible increase in skill. Rick Ross does well to flex his lyrical muscles on these tracks, but maybe still try on the more hood based efforts too.
The features are good and help build up the cohesiveness of this project. Each does a great job of showing what they bare capable of and how it blends with the styles of the others on the songs. Maybe trying to bring up new artists could help solidify his status as a rap great, but the guest selection on here is fit for purpose and works well.
Overall, this is a great release for Ross as it shows he is still working on his talents and becoming the best to ever do it. Maybe trying to improve on the formulas he is using for a few of his songs might help, but this works as a project.
This project is a showcase of how talented Belly is. He has got the right feel and talents to bring this emotional and haunting project to the public and make it a success.
The production has an apocalyptic feel which creates the atmosphere needed for Belly to explore his self destructive emotions. The almost empty nature the beats create is exactly what the project needs to land home hard which is not easy with the deep nature of the content. Normally a suggestion of a more energetic track would help show some balance, but that would upset the whole point of this project.
The lyricism is clever and does a great job showing how Belly has grown as an artist. He uses multi-schemes to punctuate his lines and paint vivid images for the listener to experience. He doesn’t make many mistakes, but maybe some more experimenting with his flow could make some more interesting moments.
The features are good as they bring great and versatile verses to this project. Each shows their own ability while showing that what Belly has gone through is not a unique experience. Maybe some more singers would make this flow a little easier, but his selection of guests is fantastic.
Overall, this is a dark view of Belly’s deep, dark self that he puts masterfully into music. This should show audiences that Belly is a complicated man as well as a talented musician.
This project is very entertaining and shows that Meek Mill still has a passion for rap despite all the beef he finds himself in. It is good to see he is better than just a target for any number of rappers.
The production is good with plenty going on in the background to support the lyrics. Each beat contains similar elements but are diverse enough that they are not too much alike. Some slower songs could help balance this mixtape out, but Mill has a strong selection to work with here.
The lyricism is good but is not fantastic. Meek Mill relies on his delivery a bit too much and his rhymes do suffer slightly because of it. While they are still clever, his lines need a bit more complexity to appeal to a wider audience.
The features are ok but many run in the same vein and have thier own weaknesses. There is a lot of autotune that doesn’t work great with the beats and Mill’s own style as well as many other shout rappers that sound similar to the main artist. Some more variation would go a long way on this project.
Overall, this is an enjoyable project because of the energy running through and the fun that comes from it, but it does have its pitfalls. Meek Mill shout take what is in this mixtape and refine it for a future album.