This is a good project if you have not heard Zuse before. if you have, it can be enjoyed but may also become stale.
The production is good and allows a lot of room for Zuse to use his signiture style. The beats use a lot of deeper sounds to complement Zuse’s vocal tone and allows for him to sound comfortbale over the backings. Maybe a few attempts out of the comfort zone could make some more interesting moments but Zuse sticks by what works for him.
The lyricism is not complex is is very centred on the trap side of Hip Hop, as the title suggests. This leads to most of the appeal being in Zuse’s delivery and performance skills, which are good, but not enough to carry the project.
The features do a good job of helping keep Zuse’s tone interesting. They break up the hearing of one voice and help make the project more listenable. Some features from different genres may help make this project pop more, but Zuse has selected a strong list of guests on this.
Overall, this is a good project to hear once, but will lose a lot of flavour after hearing it once. There is no longevity in this project.
This album is filled with raw and total emotion. With feelings from aggression to sadness to happiness channeled into songs, Tech has made an album that can be relatable and enjoyed by most of the Hip Hop audiance.
The production is excellent. The use of instruments rather than random sounds makes for a slightly more enjoyable listen as well as smoother transitions between songs. Each beat perfectly reflects the atmosphere of each track and contains a lot of influences from other genres, punk for example, to make the project additionally cohesive. The skits in between the tracks, while showing a more human side of Tech N9ne, are quite frequent at the beginning and these could have been better spread out a bit more but they are still enjoyable.
The lyricism is definately present and is fantastic. Tech N9ne has always had some lyrical ability but he has definately developed them through his last few projects. On this, he weaves great multi syllable rhymes that suck in the listener, making them wonder when they will finish. He may need to work on a couple other rap techniques as fall backs, but he is definately doing a great job bringing lyricism to the audiance.
The features all do a great job and all have great verses. With guests ranging from his own label to some of Hip Hops elite, Tech has assembled a team here that would make a lot of other rappers extremely jealous. He even has some features that aren’t from a Hip Hop background to great effect.
Overall, this is a great project that has songs for pretty much anyone who enjoys Hip Hop. Tech N9ne has shown why he is an independent powerhouse in the rap game and that intends to stay there.
This is a good project for Jake Lambo as he gets some big name features and shows that he has improved his ability. It also helps to show he can put a song together.
The production is good without overshadowing Jake’s rhymes. There is a good amount of variation in the beats which helps show how universal Jake’s style is. If he tried to apply a bit more energy into some more tracks, that may lead to a wider audience.
The lyricism is improved from his last project and helps make a more enjoyable mixtape. With the additional lyrical techniques used, Jake shows himself as a growing force. He may not be the mosty elite lyrical rapper, but he is starting to head that way.
The features are good and show that Jake has some good chemistry with others in the industry. With some larger names on this project, Jake does well not to get overshadowed and holds his own. Each of the features puts in a good verse and helps tie the project together a bit more.
Overall, this is an enjoyable listen with some deeper delving into Jake’s personal history and should be a stepping stone on his way to mainstream success. If he gets a hit single, his ability to craft a project would help him keep the fame.
Zuse has very distinct voice and dialect, but this doesn’t mean he can be extremely repetitive and call it entertainment. While he does have good verses, the chorus’ are long and very repetitive which drags the song down, despite them being very catchy.
The production is good but very limited in its range of tones which can make it difficult to really understand Zuse as he has very low vocal tones aswell. The project is full of dark, resounding bass and creates an almost throbbing backing for Zuse to rap over. This makes a very specific range of enjoyability for the audience.
The lyricism is alright in the verses but the hooks are very simple and repetitive which, while they are catchy, can create a boring track overall. Zuse does have some wordplay and other lyrical techniques but the hooks disappointment far outweigh the verses greatness.
The features are good, especially T.I, and they help to bring more diversity to the project. Zuse can be difficult to listen to for a full length project but with the features, it helps break up the monotony and makes a much better listening experience.
Overall, This is an enjoyable project if you like the formula that Zuse works with, deep voice with deep toned trap music, but if you like something with some up and downs in, more of a roller-coaster ride, then this is not for you.